It's been many years since the events of the first film, and the now grown Mike (James Le Gros) reunites with old friend Reggie (Reggie Bannister) to wage war against the otherworldly Tall Man (Angus Scrimm) and his plot to harvest the dead for nefarious purposes. Mike is also aided by psychic girl Liz (Paula Irvine), with whom he has a mental connection.
In the 9 years between the first and this sequel, Phantasm had developed quite a cult following, and with the horror market booming, Universal gave director Coscarelli a much larger budget to work with. The result is an entertaining, if derivative, continuation. The narrative is much more linear but no less outlandish, as the Tall Man and his minions lay waste to entire towns. This being an 80's film, stuff has to blow up real good, with several giant fireballs exploding into the air, as well as a fetishistic weaponry montage. There's also some gratuitous nudity on display, and inventively gory effects from Greg Nicotero and Robert Kurtzman, among others. Coscarelli had obviously watched Sam Raimi's Evil Dead films a few times, as this lifts some camera shots from those, as well as emulating their horror-meets-black-comedy tone. Still, as far horror sequels go, this is one of the better ones, in my opinion, and it has developed its own cult following, as well as influencing future efforts from others (Eric Kripke, the creator of the long-running TV series Supernatural, borrowed a few things from this.
In the 9 years between the first and this sequel, Phantasm had developed quite a cult following, and with the horror market booming, Universal gave director Coscarelli a much larger budget to work with. The result is an entertaining, if derivative, continuation. The narrative is much more linear but no less outlandish, as the Tall Man and his minions lay waste to entire towns. This being an 80's film, stuff has to blow up real good, with several giant fireballs exploding into the air, as well as a fetishistic weaponry montage. There's also some gratuitous nudity on display, and inventively gory effects from Greg Nicotero and Robert Kurtzman, among others. Coscarelli had obviously watched Sam Raimi's Evil Dead films a few times, as this lifts some camera shots from those, as well as emulating their horror-meets-black-comedy tone. Still, as far horror sequels go, this is one of the better ones, in my opinion, and it has developed its own cult following, as well as influencing future efforts from others (Eric Kripke, the creator of the long-running TV series Supernatural, borrowed a few things from this.