. . . strictly enforce the Apartheid-like iron-clad regulations of Southern bigot's James Crow animosity toward People of Color, the Many Greedy Mobsters producing WHISTLING IN BROOKLYN depict the hometown Dodger Nine without a single Ebony sprinkled among the 18 ivories playing on the ball diamond. Despite the widely-known presence of Jim Thorpe and scores of other Real Life whole-grain players in Major League ball parks for BOTH regular season games AND exhibition contests (such as the one depicted here between the Bums and a collegiate team from Oregon), Hollywood proved far more timid than M.L.B. in welcoming minorities amid its ranks. But when a studio's mascot is the Cowardly Lion, how can you expect anything from it beyond craven quaking quivering kow-towing and genuflecting at the knees of any bully who happens along?
Review of Whistling in Brooklyn
Whistling in Brooklyn
(1943)
Long recognized as Tinsel Town's most likely film studio to . . .
28 November 2020
Warning: Spoilers