The Japanese version of the famous play 'Cyrano de Bergerac', which tells the story of Komaki, a samurai/poet with a huge nose, who falls in love with a woman who loves another man.
It was the first film to feature Toshiro Mifune that I saw, outside the 'Kurosawa saga', and it is evident that he was not a product of Kurosawa, but rather a natural actor, one of the best that has ever been in cinema, in my opinion.
The narrative begins with a slow pace, but becomes exciting and with moments of great quality action as we enter the second act of the film.
It pulls on the viewer's feelings and emotions, in a subtle way, and leads him to sometimes have to choose between which character "deserves" to have a happy ending.
It is a poetic tragedy, well written, performed and that touches anyone, even those that aren't confortable with the Japanese cinematographic universe.
It was the first film to feature Toshiro Mifune that I saw, outside the 'Kurosawa saga', and it is evident that he was not a product of Kurosawa, but rather a natural actor, one of the best that has ever been in cinema, in my opinion.
The narrative begins with a slow pace, but becomes exciting and with moments of great quality action as we enter the second act of the film.
It pulls on the viewer's feelings and emotions, in a subtle way, and leads him to sometimes have to choose between which character "deserves" to have a happy ending.
It is a poetic tragedy, well written, performed and that touches anyone, even those that aren't confortable with the Japanese cinematographic universe.