An immense masterpiece I personally love Elio Petri's cinema and, this together with Todo Modo, is his masterpiece. It is a complex film, full of references to Kafkaesque literature. Surely in addition to the perfect direction, the film is so incisive and at times disturbing for the spectacular soundtrack of the master Ennio Morricone and for the masterful interpretation of the great Gian Maria Volonté. For the rest there is nothing to say, the ending is as beautiful as it is strange. From the first to the last frame you are captivated by this cinematic immensity. Nothing to say MUST ABSOLUTELY SEEN
