Actually really like biographical films, although they do play fast and loose with the truth many are extremely well made, written and acted ('Amadeus' for example is one of my all time favourites). Benjamin Disraeli was a very fascinating if controversial historical figure. George Arliss was a fine actor, one of my favourite performances of his being 'The Man Who Played God'. Have always loved classic film and there are some great films from the 20s, with some good early talkies ('Applause).
'Disraeli' is definitely an interesting film, for the subject matter, to see whether Arliss' Oscar win and the screenplay and Best Picture nominations were deserved, to see what early talkies were like and to see a film portrayal of Disraeli. So historical interest. While it is easy to see why there are some that got a lot of value out of 'Disraeli', it does pain me to say that it didn't quite gel with me and can see why others don't care for it. As it is an easy film to criticise, even when judging it for the time where film-making was very different but a lot more interesting back then than what is seen here. A case of a lead performance that deserved a much better film.
The best thing about 'Disraeli' is Arliss, who is truly marvellous and that is an understatement. He is so charismatic with a magnetic presence that has a mix of understated and larger than life, succeeding in making Disraeli a complex and interesting person. Florence Arliss, his real life wife, is dignified and charming and their chemistry is lovely to watch. A beautiful looking Joan Bennett in an early role is also charming.
Some nice political intrigue is present, the script is at its best with Arliss' wryness the costumes are handsome and Arliss is made up very believably.
Having said that, the rest of the acting for my tastes was too wooden and histrionic. Particularly Anthony Bushell in the former category, who has a romantic subplot that is very flimsily written and dull. Visually, 'Disraeli' is too static and not a very good job at all is done opening up the action in a very claustrophobically shot film that gives the film a filmed stage play look, even by early talkie standards.
Will agree with those that find 'Disraeli' too talk heavy and that too much of it is not very engrossing, the flow is also pretty stilted. The pace can veer on dull, the political angle could have done with more tension. Of the Oscar nominations, only Arliss' (who won) for Best Actor was deserved. The other two were puzzling and not in the same league as the films that won in the categories.
Overall, watchable and interesting, and Arliss is so good, but didn't quite gel for me. 5/10
'Disraeli' is definitely an interesting film, for the subject matter, to see whether Arliss' Oscar win and the screenplay and Best Picture nominations were deserved, to see what early talkies were like and to see a film portrayal of Disraeli. So historical interest. While it is easy to see why there are some that got a lot of value out of 'Disraeli', it does pain me to say that it didn't quite gel with me and can see why others don't care for it. As it is an easy film to criticise, even when judging it for the time where film-making was very different but a lot more interesting back then than what is seen here. A case of a lead performance that deserved a much better film.
The best thing about 'Disraeli' is Arliss, who is truly marvellous and that is an understatement. He is so charismatic with a magnetic presence that has a mix of understated and larger than life, succeeding in making Disraeli a complex and interesting person. Florence Arliss, his real life wife, is dignified and charming and their chemistry is lovely to watch. A beautiful looking Joan Bennett in an early role is also charming.
Some nice political intrigue is present, the script is at its best with Arliss' wryness the costumes are handsome and Arliss is made up very believably.
Having said that, the rest of the acting for my tastes was too wooden and histrionic. Particularly Anthony Bushell in the former category, who has a romantic subplot that is very flimsily written and dull. Visually, 'Disraeli' is too static and not a very good job at all is done opening up the action in a very claustrophobically shot film that gives the film a filmed stage play look, even by early talkie standards.
Will agree with those that find 'Disraeli' too talk heavy and that too much of it is not very engrossing, the flow is also pretty stilted. The pace can veer on dull, the political angle could have done with more tension. Of the Oscar nominations, only Arliss' (who won) for Best Actor was deserved. The other two were puzzling and not in the same league as the films that won in the categories.
Overall, watchable and interesting, and Arliss is so good, but didn't quite gel for me. 5/10