'60s ukulele-playing pop-star Tiny Tim's contributions to horror: that disturbing 'Tiptoe Through The Tulips' song featured in Insidious (2010) to great effect, and this late '80s slasher, in which the falsetto singer dons clown make-up and garb to play Mervo, a crazy weirdo who may or may not be a psycho killer.
The film begins with beauty Jill (Itonia Salchek) returning to her hometown to visit her parents, who have been harangued by the locals on account of her father working at the bank that is overseeing the foreclosure of several farmsteads. When she gets home, Jill's parents are nowhere to be found and the walls are daubed with threatening graffiti; the local sheriff does little to investigate. Old childhood friend Gary (Dean West) tries to calm Jill's nerves, but she feels increasingly uneasy, especially with Gary's oddball brother Mervo hanging around and snooping on her. To make matters worse, other people in Jill's life start to disappear, including her boyfriend Scott (Peter Krause) and best friend Sarah. Is Mervo responsible?
Wisconsin-based horror auteur Bill Rebane fails to keep up the brisk pace necessary for such nonsense, and some stretches are duller than watching wheat grow, but he knows well enough to include plenty of nudity courtesy of sexy Salchek, and some decent gore to keep viewers watching, the blood-letting including some convincing throat slashings (the effects far better than I expected). Rebane also makes the most of Tiny Tim, who proves effectively unsettling throughout, singing a few creepy ditties and generally acting convincingly deranged.
It's far from a top-tier '80s slasher (but then few late'-80s slashers are), but there's just about enough fun to be had to make it of interest to fans of the genre. 5/10.
The film begins with beauty Jill (Itonia Salchek) returning to her hometown to visit her parents, who have been harangued by the locals on account of her father working at the bank that is overseeing the foreclosure of several farmsteads. When she gets home, Jill's parents are nowhere to be found and the walls are daubed with threatening graffiti; the local sheriff does little to investigate. Old childhood friend Gary (Dean West) tries to calm Jill's nerves, but she feels increasingly uneasy, especially with Gary's oddball brother Mervo hanging around and snooping on her. To make matters worse, other people in Jill's life start to disappear, including her boyfriend Scott (Peter Krause) and best friend Sarah. Is Mervo responsible?
Wisconsin-based horror auteur Bill Rebane fails to keep up the brisk pace necessary for such nonsense, and some stretches are duller than watching wheat grow, but he knows well enough to include plenty of nudity courtesy of sexy Salchek, and some decent gore to keep viewers watching, the blood-letting including some convincing throat slashings (the effects far better than I expected). Rebane also makes the most of Tiny Tim, who proves effectively unsettling throughout, singing a few creepy ditties and generally acting convincingly deranged.
It's far from a top-tier '80s slasher (but then few late'-80s slashers are), but there's just about enough fun to be had to make it of interest to fans of the genre. 5/10.