A lot of the IMDb reviews for Cathy's Curse mention the lousy VHS picture quality, but the copy I found online was actually rather good, making me wonder whether the film has since received the remastered treatment for DVD or BluRay. The film itself, however, is still a steaming pile of amateurish garbage, and why anyone felt that it deserved an upgrade is a mystery to me. Still, there are quite a few laughs to be had at the expense of the community theatre cast, the woeful special effects, and the total lack of film-making acumen from director Eddy Matalon.
The film opens with a father arriving home to find that his wife has left him, taking their young son George with her. His daughter Laura has been left behind, so daddy pops her in his car and drives away at speed into the snowy night (where he's going is not explained). When a rabbit runs in front of the car, the man loses control and crashes the vehicle, which goes up in flames killing the occupants.
Scoot forwards a few decades, and George (Alan Scarfe) moves into his old family home with his neurotic wife Vivian (Beverly Murray) and their daughter Cathy (Randi Allen). Exploring the house, Cathy finds a portrait of Laura and the dead girl's old rag doll, after which she begins to act very strangely, playing 'car crashes' with the neighbourhood kids, and attempting to poke out a girl's eye with a nail. She also develops supernatural powers, including telekinesis, teleportation and the ability to make food go rotten in seconds.
A local medium, Agatha (Mary Morter, putting in a truly awful performance), suspects that something is wrong, but Cathy sends her flying out of a first storey window, which causes Vivian to have a breakdown. George leaves Cathy in the care of creepy handyman Paul (Roy Witham), who gets plastered, after which the girl makes him hallucinate (rats, snakes and spiders). When Paul decides to burn Cathy's rag doll, she kills him (but only after he delivers the hilarious line "Go on, you filthy female cow-make us laugh!").
More weird stuff happens, none of which makes any sense. No explanation is given for Cathy's newfound powers, but one assumes that she is possessed by Laura's spirit; why Laura is so malevolent is never made clear. What is abundantly clear is that this lame Exorcist inspired Canadian horror is inept in almost every way imaginable, but for fans of z-grade trash, it'll be just about worth a watch for the unintentional LOLs.
The film opens with a father arriving home to find that his wife has left him, taking their young son George with her. His daughter Laura has been left behind, so daddy pops her in his car and drives away at speed into the snowy night (where he's going is not explained). When a rabbit runs in front of the car, the man loses control and crashes the vehicle, which goes up in flames killing the occupants.
Scoot forwards a few decades, and George (Alan Scarfe) moves into his old family home with his neurotic wife Vivian (Beverly Murray) and their daughter Cathy (Randi Allen). Exploring the house, Cathy finds a portrait of Laura and the dead girl's old rag doll, after which she begins to act very strangely, playing 'car crashes' with the neighbourhood kids, and attempting to poke out a girl's eye with a nail. She also develops supernatural powers, including telekinesis, teleportation and the ability to make food go rotten in seconds.
A local medium, Agatha (Mary Morter, putting in a truly awful performance), suspects that something is wrong, but Cathy sends her flying out of a first storey window, which causes Vivian to have a breakdown. George leaves Cathy in the care of creepy handyman Paul (Roy Witham), who gets plastered, after which the girl makes him hallucinate (rats, snakes and spiders). When Paul decides to burn Cathy's rag doll, she kills him (but only after he delivers the hilarious line "Go on, you filthy female cow-make us laugh!").
More weird stuff happens, none of which makes any sense. No explanation is given for Cathy's newfound powers, but one assumes that she is possessed by Laura's spirit; why Laura is so malevolent is never made clear. What is abundantly clear is that this lame Exorcist inspired Canadian horror is inept in almost every way imaginable, but for fans of z-grade trash, it'll be just about worth a watch for the unintentional LOLs.