Raoul Walsh finished his iconic directing career providing the otherwise wooden Troy Donahue his best performance that's still kind of wooden, but deliberately since his fresh from military school 2nd Lt. Matthew 'Matt' Hazard, put in charge of a Fort that's "like a toe waiting to be stomped" by surrounding Indians, must remain hard and callous to what he feels are a troop of lax soldiers...
Sadly, the least interesting aspect is pushed to the forefront since Donahue and Suzanne Pleshette were the melodrama Rock Hudson/Doris Day, and their romance is sparked the minute Pleshette... the loveless wife of a quirky William Reynolds as the 1rst Lt. That Donahue's replacing... visits the new arrival's sparse quarters, filled only with pictures of fiance Diane McBain, who, more classy and elegant than Pleshette, promises a kind of wistful, verbal-driven cat fight that never pans out...
Yet A DISTANT TRUMPET flows nicely under Walsh's direction, and Donahue's grandest moments are shaping up the lethargic soldiers, especially while rousting Claude Akins as a pimp with a wagon train of whores: It's when the big dusty White Men vs Indian war ensues that the story loses focus -- right as the characters started to matter. But, then again, in this kind of old school, cast-of-hundreds, battle-cry picture, the end means (i.e. The means to an end means) pretty much everything.
Sadly, the least interesting aspect is pushed to the forefront since Donahue and Suzanne Pleshette were the melodrama Rock Hudson/Doris Day, and their romance is sparked the minute Pleshette... the loveless wife of a quirky William Reynolds as the 1rst Lt. That Donahue's replacing... visits the new arrival's sparse quarters, filled only with pictures of fiance Diane McBain, who, more classy and elegant than Pleshette, promises a kind of wistful, verbal-driven cat fight that never pans out...
Yet A DISTANT TRUMPET flows nicely under Walsh's direction, and Donahue's grandest moments are shaping up the lethargic soldiers, especially while rousting Claude Akins as a pimp with a wagon train of whores: It's when the big dusty White Men vs Indian war ensues that the story loses focus -- right as the characters started to matter. But, then again, in this kind of old school, cast-of-hundreds, battle-cry picture, the end means (i.e. The means to an end means) pretty much everything.