... since the premise of the crime does not make sense, and the behavior of both Perry (William) and the DA are outright illegal and unethical. (Sometimes one is not necessarily the other).
Rhoda Montagne (Margaret Lindsay), recently married to the wealthy Carl Montagne (Donald Woods), is allegedly "curious" if a particular person is alive. Except she isn't curious when she calls Perry and does the obvious old "a friend of mine wants to know" routine. Her allegedly dead husband has returned from the grave and has been bothering her for lots of money or he threatens the scandal of bigamy. Now this guy's racket makes no sense. He marries women, fakes his own death, and waits for them to marry rich men and then pulls the bigamy routine? How does he know, during the Great Depression, that any of them will marry a rich guy? This is a scam that might never pay off.
Well Rhoda's not dead husband turns up dead again - this time for real - stabbed in his apartment. Rhoda is arrested for the crime. But even her arrest is full of hijinks. Perry first hides the suspect then turns her over to be "arrested by the press", who then don't have to turn her over until they finish their interview? The police and DA work to hide Rhoda from her attorney, Perry, in spite of a habeas corpus order UNTIL they get a confession. Law & Order prosecutor Jack McCoy would shake his head and knock all of their heads together Three Stooges style.
And yet it works. Because the mystery of who actually did do it is a pretty good yarn. Because Warren William as the always suave never mussed never plussed attorney moves gracefully through his paces. Because Allan Jenkins as Perry's ever loyal muscle is a not very bright yet humorous delight. And because of the coroner who loves his work - "I'll be seeing you" - is always his greeting to everybody.
A couple of surprises - Margaret Lindsay and Donald Woods were paired several times because they had some chemistry together. But this time the wooden Donald Woods uses his stiffness to surprise you with the outcome. Also, speaking of stiffs, Errol Flynn is mute in a bit part as the murdered man. Did director Michael Curtiz, who directed Flynn in a total of twelve films, look under the sheet and say "kid, you've got something"?.
Rhoda Montagne (Margaret Lindsay), recently married to the wealthy Carl Montagne (Donald Woods), is allegedly "curious" if a particular person is alive. Except she isn't curious when she calls Perry and does the obvious old "a friend of mine wants to know" routine. Her allegedly dead husband has returned from the grave and has been bothering her for lots of money or he threatens the scandal of bigamy. Now this guy's racket makes no sense. He marries women, fakes his own death, and waits for them to marry rich men and then pulls the bigamy routine? How does he know, during the Great Depression, that any of them will marry a rich guy? This is a scam that might never pay off.
Well Rhoda's not dead husband turns up dead again - this time for real - stabbed in his apartment. Rhoda is arrested for the crime. But even her arrest is full of hijinks. Perry first hides the suspect then turns her over to be "arrested by the press", who then don't have to turn her over until they finish their interview? The police and DA work to hide Rhoda from her attorney, Perry, in spite of a habeas corpus order UNTIL they get a confession. Law & Order prosecutor Jack McCoy would shake his head and knock all of their heads together Three Stooges style.
And yet it works. Because the mystery of who actually did do it is a pretty good yarn. Because Warren William as the always suave never mussed never plussed attorney moves gracefully through his paces. Because Allan Jenkins as Perry's ever loyal muscle is a not very bright yet humorous delight. And because of the coroner who loves his work - "I'll be seeing you" - is always his greeting to everybody.
A couple of surprises - Margaret Lindsay and Donald Woods were paired several times because they had some chemistry together. But this time the wooden Donald Woods uses his stiffness to surprise you with the outcome. Also, speaking of stiffs, Errol Flynn is mute in a bit part as the murdered man. Did director Michael Curtiz, who directed Flynn in a total of twelve films, look under the sheet and say "kid, you've got something"?.