This Paramount B picture made in 1941, based on a successful Broadway courtroom drama written by Ayn Rand in her playwriting days, is --let's face it--a mess. The one-set play was obviously much rewritten by Hollywood hands who set out to make a movie ["open up'] the bought property. In the process, no one seems to have decided whether it should remain a courtoom drama or become a comedy or be a bit of both The confusing plot is predictably improbable, mixing comedy and suspense in a heavy-handed fashion, all directed clumsily by Wm. Clemens. Robert Preston is appealing and so is Ellen Drew. Cecil Kellaway somehow shows up along the way for no reason at all, but does a delightful turn as a drunk. Cliff Nazarro, also for no apparent story reason, appears briefly as a double-talking gas station owner. Leon Belasco is also seen as the Cuban airplane steward who ends the film. The silent movie star, Nils Asther, in one of his few sound film roles, is the the debonair continental villain. Incidentally, this film was made the same year Paramount agreed to let one of their contract writers, Preston Sturges, direct his first picture. Judging from this picture, they certainly needed all the help they could get.
Review of The Night of January 16th
