Amoral thief Diabolik is planning to steal a pink diamond from the wealthy Lady Eva Kant. An expanded adaptation of the third issue of the comic (L'arresto di Diabolik, 1963), where Kant's character is introduced.
The movie, set in "the late 1960s" in the fictional Clerville, is crafted like an Italian giallo of the time. Aside from the attention to scenography and costumes this stylistic choice is clear in cinematography, the use of editing, and the screenplay. The pace is much slower that what you would be used to in an action movie or thriller today, giving more of a vague vintage 'mystery' vibe, and sometimes relying too much on exposition. None of the camp of Mario Bava's "Danger: Diabolik", however: this is still a movie that takes itself seriously.
The main actors have good chemistry, with Eva Kant emerging as the real protagonist of the movie, but the cold and detached portrayal of the title character isn't inspiring and the actors beyond the main trio are forgettable.
Overall a charming and well-made work, although the style may not go well with all audiences.
The movie, set in "the late 1960s" in the fictional Clerville, is crafted like an Italian giallo of the time. Aside from the attention to scenography and costumes this stylistic choice is clear in cinematography, the use of editing, and the screenplay. The pace is much slower that what you would be used to in an action movie or thriller today, giving more of a vague vintage 'mystery' vibe, and sometimes relying too much on exposition. None of the camp of Mario Bava's "Danger: Diabolik", however: this is still a movie that takes itself seriously.
The main actors have good chemistry, with Eva Kant emerging as the real protagonist of the movie, but the cold and detached portrayal of the title character isn't inspiring and the actors beyond the main trio are forgettable.
Overall a charming and well-made work, although the style may not go well with all audiences.