"Take Her, She's Mine" is a comedy film that reflects family concerns during a period of cultural change in the American scene of the early 1960s. It shows parental concern - mostly that of a dad, for his daughter who has come of age, in a time just as the counterculture was beginning. It sort of reflects the last of an age of innocence before the sexual revolution of the 1960s that followed. So, modern audiences may find this film rather silly. Yet, it's not a bad picture of the parental concern of the time, and somewhat of the foray of the more innocent of youth into the cultural turnover. This is before the onset of widespread drug use and free sex that would become a part of the scene over the next decade. That concern of parents soon became a real concern of law enforcement and the country as a whole.
Knowing something about that may help modern audiences understand a little more the premise of the plot of this film. And, then enjoy the comedy, because there is some very good comedy here. It has a pleasant mixture of humorous dialog and funny antics or situations in which the dad gets entangled. James Stewart plays that dad, Frank Michaelson. Aside from a little over-doing it in the imagination and worrying frenzy, he's very good as the fall guy. Thinking like the kids and young folks of his time, he would seem a little buffoonish. But, then, just at the right moment he becomes the dad who trusts and stands by his daughter, Mollie. Some of the student protests that Mollie gets in bear signs of the times. In one, she and others are carrying signs that read, "The Berlin wall must go."
Sandra Dee does very well as the 19-year-old Mollie Michaelson who goes off to college; and then at 20 goes off to study art in Paris. Dee was the most popular young star in the early 1960s. MGM promoted her marriage to popular singer and actor Bobby Darrin, but it wasn't to last. By the end of the decade, her star had fallen and she later succumbed to alcoholism and had medical and psychological problems. She died of kidney disease at age 62 in 2005.
Audrey Meadows plays Frank's wife, Ann Michaelson, bet her role hardly has more than an occasional line when Frank is at home in between his long-distance trips to try to straighten out or save Mollie. John McGiver is Hector G. Ivor, the vice chairman of the local California board of education, of which Frank is the chairman. No one could play a straight-faced character for comedy better than McGiver, and every time the camera closes in on him here it brings a smile if not a chuckle. And Robert Morley as Mr. Pope-Jones is his usual very funny character, although this is somewhat of a unique role, as many of his comedy personas area.
All of these characters, the funny situations that Frank gets into, and the dialog make this an entertaining and fun film to watch. Here are some favorite lines.
Hector Ivor, "Honestly, sometimes I really wonder where the papers get all this stuff they print. Can't make it all up, can they?"
Frank Michaelson, at the airport, "All right - how much over weight?" Anne Michaelson, "None." Frank, "None? With that load?" Anne, "No, you see ... " Frank, "All right, don't tell me. Don't tell me. I know there's something crooked about it, but I don't wanna hear it. Not at a time like this, anyway."
Frank Michaelson, "Holy chihuahua!"
Hector Ivor, "You'd think they'd flunk her." Frank Michaelson, "They did."
Frank Michaelson, "Now, I have to be the first to admit that I don't know very much about modern art, but I happen to be one of the outstanding authorities in the State of California on hogwash."
Frank Michaelson, "There's just one catch to it." Anne Michaelson, "What's that?" Frank, "You and I won't be able to eat her senior year."
Frank Michaelson, "Do you know what Life (magazine) means when they say protégé?" Anne Michaelson, "Wellll.." Frank, "When they say protégé, they're winking. It's their way of slipping you the dirt. When they say protégé, what they're really saying..." Anne, "Okay, okay!"
Hector Ivor, "I got into a little jam like that once." Frank Michaelson, "Hector, telling me your troubles at this point would be like complaining to Noah about a drizzle."
Frank Michaelson, "How old is the punk?" Mollie Michaelson, "He's not a punk." Frank, "All right, how old is the non-punk?"
Mr. Pope-Jones, "Waiter - do you know who that fellow looks like?" Waiter, "Pardon." Pope-Jones, "Henry Fonda. Henry Fonda, the American film star. Will you ever forget him in 'Gone with the Wind?'"
Mr. Pope-Jones, "Never try this sort of thing with a hangover."
Mr. Pope-Jones, "Your father's right, dear. There's nothing shiftier than a lover's promise."
Knowing something about that may help modern audiences understand a little more the premise of the plot of this film. And, then enjoy the comedy, because there is some very good comedy here. It has a pleasant mixture of humorous dialog and funny antics or situations in which the dad gets entangled. James Stewart plays that dad, Frank Michaelson. Aside from a little over-doing it in the imagination and worrying frenzy, he's very good as the fall guy. Thinking like the kids and young folks of his time, he would seem a little buffoonish. But, then, just at the right moment he becomes the dad who trusts and stands by his daughter, Mollie. Some of the student protests that Mollie gets in bear signs of the times. In one, she and others are carrying signs that read, "The Berlin wall must go."
Sandra Dee does very well as the 19-year-old Mollie Michaelson who goes off to college; and then at 20 goes off to study art in Paris. Dee was the most popular young star in the early 1960s. MGM promoted her marriage to popular singer and actor Bobby Darrin, but it wasn't to last. By the end of the decade, her star had fallen and she later succumbed to alcoholism and had medical and psychological problems. She died of kidney disease at age 62 in 2005.
Audrey Meadows plays Frank's wife, Ann Michaelson, bet her role hardly has more than an occasional line when Frank is at home in between his long-distance trips to try to straighten out or save Mollie. John McGiver is Hector G. Ivor, the vice chairman of the local California board of education, of which Frank is the chairman. No one could play a straight-faced character for comedy better than McGiver, and every time the camera closes in on him here it brings a smile if not a chuckle. And Robert Morley as Mr. Pope-Jones is his usual very funny character, although this is somewhat of a unique role, as many of his comedy personas area.
All of these characters, the funny situations that Frank gets into, and the dialog make this an entertaining and fun film to watch. Here are some favorite lines.
Hector Ivor, "Honestly, sometimes I really wonder where the papers get all this stuff they print. Can't make it all up, can they?"
Frank Michaelson, at the airport, "All right - how much over weight?" Anne Michaelson, "None." Frank, "None? With that load?" Anne, "No, you see ... " Frank, "All right, don't tell me. Don't tell me. I know there's something crooked about it, but I don't wanna hear it. Not at a time like this, anyway."
Frank Michaelson, "Holy chihuahua!"
Hector Ivor, "You'd think they'd flunk her." Frank Michaelson, "They did."
Frank Michaelson, "Now, I have to be the first to admit that I don't know very much about modern art, but I happen to be one of the outstanding authorities in the State of California on hogwash."
Frank Michaelson, "There's just one catch to it." Anne Michaelson, "What's that?" Frank, "You and I won't be able to eat her senior year."
Frank Michaelson, "Do you know what Life (magazine) means when they say protégé?" Anne Michaelson, "Wellll.." Frank, "When they say protégé, they're winking. It's their way of slipping you the dirt. When they say protégé, what they're really saying..." Anne, "Okay, okay!"
Hector Ivor, "I got into a little jam like that once." Frank Michaelson, "Hector, telling me your troubles at this point would be like complaining to Noah about a drizzle."
Frank Michaelson, "How old is the punk?" Mollie Michaelson, "He's not a punk." Frank, "All right, how old is the non-punk?"
Mr. Pope-Jones, "Waiter - do you know who that fellow looks like?" Waiter, "Pardon." Pope-Jones, "Henry Fonda. Henry Fonda, the American film star. Will you ever forget him in 'Gone with the Wind?'"
Mr. Pope-Jones, "Never try this sort of thing with a hangover."
Mr. Pope-Jones, "Your father's right, dear. There's nothing shiftier than a lover's promise."