Ex-con George Mallon (David Sumner) secures a room at a half-way house and a job at a furniture company, but the police won't leave him alone, suspecting him of the murders of several women. Is Mallon innocent or does he really have an uncontrollable urge to throttle pretty, young blondes under the light of a full moon?
Out of the Fog is an entertaining little thriller, although the incessant surliness of its central character does detract slightly from the fun: Mallon's antisocial attitude is necessary in order to cast doubt about his character, but Sumner over-eggs the pudding, his performance proving irritating in the extreme.
Fortunately, the mystery is engaging enough to make the movie worth persevering with, especially when sexy sergeant June Lock (Susan Travers) is ordered to go undercover and act as bait for the killer: posing as a saleswoman at the furniture company, she befriends Mallon, going on several dates with the young man, the police keeping them under surveillance. Mallon isn't fooled, however, and manages to get Ms. Lock alone on the foggy Eastgate 'flats' where the killer always strikes.
To his credit, director Montgomery Tully successfully keeps the audience guessing about Mallon to the very end, making the final reel effectively suspenseful. 6/10.
Out of the Fog is an entertaining little thriller, although the incessant surliness of its central character does detract slightly from the fun: Mallon's antisocial attitude is necessary in order to cast doubt about his character, but Sumner over-eggs the pudding, his performance proving irritating in the extreme.
Fortunately, the mystery is engaging enough to make the movie worth persevering with, especially when sexy sergeant June Lock (Susan Travers) is ordered to go undercover and act as bait for the killer: posing as a saleswoman at the furniture company, she befriends Mallon, going on several dates with the young man, the police keeping them under surveillance. Mallon isn't fooled, however, and manages to get Ms. Lock alone on the foggy Eastgate 'flats' where the killer always strikes.
To his credit, director Montgomery Tully successfully keeps the audience guessing about Mallon to the very end, making the final reel effectively suspenseful. 6/10.