Paraphrasing the words of director Quentin Tarantino, Ennio Morricone was never a film composer, but a true musician whose merit and contribution amount to those of Mozart and Beethoven. His oeuvre of 500 movies undoubtedly reflects the legend's extensive juvenile training, godlike spring of creativity, and sophisticated, musing thoughts. Though the world owes Morricone more recognition than what's already awarded, his influence infiltrates the artery of contemporary music, constantly rewriting our industry with mesmerizing melodies.
The documentary itself is spotless: punctilious editing, ravishing score, recollection of various sources, figurines, and Ennio himself, topped by director Tornatore's personalized affection. However, I have to admit, the work is heavily fan-based, and you wouldn't likely enjoy watching without knowing the myth of Morricone, or having an interest in early film production.
The documentary itself is spotless: punctilious editing, ravishing score, recollection of various sources, figurines, and Ennio himself, topped by director Tornatore's personalized affection. However, I have to admit, the work is heavily fan-based, and you wouldn't likely enjoy watching without knowing the myth of Morricone, or having an interest in early film production.