'She Will' does the basic revenge plot in the evil men setting that is popular these days.
It was only 95 minutes, with around 30 of those just being beautiful nature shots with good music, yet it still felt like slow motion finalized by an abrupt ending.
Only Krige's character was significant, with everyone else just being vague plot devices. There was barely any character essence besides purely evil men and a couple of victims to show how bad all men are.
I enjoyed the cinematography, the music, and some themes of harmony with nature. If not for Krige, this would've been a disaster since she was able to handle those vague thematic sequences.
The film had nothing else to offer: no character deep dives, barely any dialogue, and thus - no emotional connection.
All that matters is those evil men get what they deserve. Everything else (the more interesting parts) doesn't really matter. Why cultivate the relationship between the two heroines, add variety to the film, and create a ground for discussion and emotional engagement? We don't need that. Why not write a good story? I'd love to invest emotionally into a revenge story. They had grounds for an interesting dive into the lead's psyche but did nothing with that.
I don't think I can recommend this film since it never goes beyond prepackaged stereotypes. The tags are also messy: comedy, drama, horror? There was indeed no comedy and no horror.
It was only 95 minutes, with around 30 of those just being beautiful nature shots with good music, yet it still felt like slow motion finalized by an abrupt ending.
Only Krige's character was significant, with everyone else just being vague plot devices. There was barely any character essence besides purely evil men and a couple of victims to show how bad all men are.
I enjoyed the cinematography, the music, and some themes of harmony with nature. If not for Krige, this would've been a disaster since she was able to handle those vague thematic sequences.
The film had nothing else to offer: no character deep dives, barely any dialogue, and thus - no emotional connection.
All that matters is those evil men get what they deserve. Everything else (the more interesting parts) doesn't really matter. Why cultivate the relationship between the two heroines, add variety to the film, and create a ground for discussion and emotional engagement? We don't need that. Why not write a good story? I'd love to invest emotionally into a revenge story. They had grounds for an interesting dive into the lead's psyche but did nothing with that.
I don't think I can recommend this film since it never goes beyond prepackaged stereotypes. The tags are also messy: comedy, drama, horror? There was indeed no comedy and no horror.