7/10
What Goes Up Must Come Down
19 August 2022
This worthy sequel to "Room At the Top" (1958) reunites a few from the old gang, Laurence Harvey, Donald Wolfitt, and Allan Cuthbertson and welcomes Honor Blackman, Nigel Davenport and Robert Morley. Heather Sears has morphed, somewhat improbably, into Jean Simmons. DP Oswald Morris conveys a sense of doom in the saga of Joe Lampton, which could be subtitled, "you may take the boy out of the proletariat, but you can't take the proletarian out of the boy." Rigid class divisions, more a feature of England than most other countries, are clearly limned here. John Braine's themes of sin, forgiveness and redemption are well-articulated.
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