Jane (I) (2022)
7/10
This is review is a safe space...
16 October 2022
... because -- and this is the point of JANE -- the rest of the world is not. Creator Sabrina Jaglom has done a very professional job of demonstrating how stress flows top-down in our culture. Thirty years ago it was normal and acceptable in our society for these sorts of problems to be felt only by middle-aged male executives (Michael Douglas, FALLING DOWN 1993). Today it is normal and acceptable for these same stresses to impact a teenager in an elite girl's school simply looking for the textbook-perfect career path. In many ways Jaglom's film is the anti-Netflix, never afraid to go farther and further than the populist pap from that brand-name streaming leader. It is significant that the film itself is named after a character who is already dead (suicide) just as the story starts, a trope popular with the FILM NOIRS from the 1940's, but not used much today. Reinforced by a very strong performance from Madelaine Petsch, JANE checks all the boxes -- fascinating, attention-grabbing, and disturbing as hell. ((Designated "IMDb Top Reviewer." Please check out my list "167+ Nearly-Perfect Movies (with the occasional Anime or TV miniseries) you can/should see again and again (1932 to the present))
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