Black Magic (1949)
6/10
Limited Powers for Limitless Welles
29 October 2022
As a hired actor instead of director or producer, Orson Welles -- while making money for those projects he developed on his own -- was used for his deep, godlike voice, but in BLACK MAGIC... released the same year as THE THIRD MAN which epitomized that sublime vocal delivery... it was his sharp, cold, piercing eyes that were the most exploited...

He's a hypnotist after all: born the son of two 1700's-era gypsies whose mother could actually foretell the future, he is soon orphaned when they're hanged for wielding so-called demonic powers...

Making the rest of BLACK MAGIC -- past a frame story involving author Alexandre Dumas, sleeplessly writing about Welles' magician/conman Joseph Balsamo aka Count Cagliostro -- a subliminal revenge tale where Welles is the perfect fit for a cunning manipulator: think Harry Lime in a period piece...

And BLACK MAGIC begins with terrific potential as he's used for genuine future-telling abilities that he works around for random cons, morphing into a PRISONER OF ZENDA-like plot to remove Marie Antoinette...

Done by using gorgeous doppelganger blonde Nancy Guild (contrasting to brunette moll Valentina Cortese partnered with TOUCH OF EVIL actor Akim Tamiroff) as the story becomes not only convoluted but turns an otherwise entertaining, lavishly designed Victorian-era programmer into an overlong political-mutiny melodrama...

Overall, a performer as built-in hypnotic, severely mesmerizing and downright formidable as Mr. Welles portraying an otherwise mobile charlatan, his BLACK MAGIC remains on a single trick for too long.
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