Sadie Sink inhabits the character of Tess, a teenaged girl going through a difficult transition in her life. A horrible accident upends her normal existence and shatters her family on the exact same day America experiences the shock and terror of the 9/11 attacks. Theo Rossi ("Emily the Criminal") also does good work as Tess's father in what could have been a cliched role if a lesser actor had played it. Newcomer Kweku Collins is also fine as a very (un)stereotypical boy-next-door and he and Sink display good and interesting chemistry in their scenes together.
A word about the cinematography in this low budget indie and the word is beautiful. Most independent films simply don't look as nice as this one does. There's a great physical sense of Pittsburgh and its surroundings and I like how the enhanced visuals reflect Tess's heightened awareness during this intense time in her life.
Dear Zoe has both heft and heart and it reveals important truths about both grief and guilt, and how we have to come to terms with these feelings in order to move on with our lives.
A word about the cinematography in this low budget indie and the word is beautiful. Most independent films simply don't look as nice as this one does. There's a great physical sense of Pittsburgh and its surroundings and I like how the enhanced visuals reflect Tess's heightened awareness during this intense time in her life.
Dear Zoe has both heft and heart and it reveals important truths about both grief and guilt, and how we have to come to terms with these feelings in order to move on with our lives.