Still photographer and occasional film director David Hamilton ventures into the homevideo realm with a Japanese-French production "A Summer in St. Tropez", a dreamy, impressionistic film of young girls' daily life at the famed resort. Sans narration and with minimal dialog or action, pic is an okay mood piece for fanciers of Hamilton's soft-focus photography. Aside from home tv use, it could play theatrically as a short subject if trimmed by about half.
Using back-lighting and diffused light photography (pic is visually reminiscent of Hamilton's "Bilitis" feature right down to the casting of numerous svelte young femmes), "St. Tropez" features surprisingly little nudity in its languorous visuals of young women at play. Episodic treatment is ultimately a bore as we observe the girls at mealtime, swimming at sunset, out picnicking and dancing, winding up with an authentic-looking wedding processional.
Absence of dialog is a plus, alleviating the need to dub or subtitle, but there's little to rivet one's attention. Hamilton's most stylish segment, a still photo-montage suddenly cutting to live action as the lead actress wakes up everyone in the "dorm" was done better originally by Chris Marker in his classic sci-fi short "La Jetee". Film is aided in sustaining its mood by Benoit Widemann's dreamy keyboard and strings musical score.
My review was written in September 1983 after watching the film on a Thorn-EMI videocassette.
Using back-lighting and diffused light photography (pic is visually reminiscent of Hamilton's "Bilitis" feature right down to the casting of numerous svelte young femmes), "St. Tropez" features surprisingly little nudity in its languorous visuals of young women at play. Episodic treatment is ultimately a bore as we observe the girls at mealtime, swimming at sunset, out picnicking and dancing, winding up with an authentic-looking wedding processional.
Absence of dialog is a plus, alleviating the need to dub or subtitle, but there's little to rivet one's attention. Hamilton's most stylish segment, a still photo-montage suddenly cutting to live action as the lead actress wakes up everyone in the "dorm" was done better originally by Chris Marker in his classic sci-fi short "La Jetee". Film is aided in sustaining its mood by Benoit Widemann's dreamy keyboard and strings musical score.
My review was written in September 1983 after watching the film on a Thorn-EMI videocassette.