Acclaimed French director Louis Malle gives us in this documentary a very plainspoken, rather comprehensive look at Calcutta, India, in the late 1960s. We see the rich tapestry of life in the city, and all that it entails: the sick and impoverished, music and culture, labor and industry, social and political division and unrest, the divide between rich and poor, the lasting influence of British colonialism, and much more. We're given glimpses of the struggles of an exploding population, illustration of a bridge of sorts between the agricultural and urban, and the role of religion in daily life. And all this, it should be said, transpires before us with minimal input from Malle himself. In some sequences the filmmaker provides narration after a fashion, offering some explanation of the sights to greet us, or translates brief interviews with select individuals; elsewhere, his words walk a line between history lesson and commentary. For the most part, however, the preponderance of these 100 minutes are presented as unfiltered footage of the people, places, and daily life of a growing city.
Such a low-key, almost passive ethos is a far cry from the unflinching and intense or off-beat and oblique drama the man has given us in his features throughout his career, yet the result is no less fascinating. Especially coming from an imperialist culture (the United States, or really, anywhere in "the west") that constantly others and looks down upon regions outside our provincial purview, it's striking how wonderfully diverse Calcutta is. While there are common connective threads throughout much of the city as Malle's picture observes, all the same there's also substantial variety in language and ethnicity, religious beliefs and practices, economic classes and livelihoods, culture and recreation, and social and political views. Of course, within that portrait, we're also faced with the staggering poverty and appalling living conditions of wide swaths of the population, accentuated in profound contrast with imagery of a walled-off golf course within the city where the wealthy shuts out everything around them. 'Calcutta' is nothing if not eye-opening, in many different ways.
And on that note, the movie's strength is also its weakness. Malle casts a wide lens across the city, showing us as much of Calcutta for better and for worse as I suppose he reasonably could. That aim and approach is admirable, giving a no-frills exhibition of a specific place at a specific time. On the other hand, for lack of a unifying vision, thesis, or particular driving force behind the documentary, one might reasonably argue that certain difficulties raise their head. That lack of focus is more noticeable at some times more than others, and at times inculcates that the endeavor is altogether exploitative, or perhaps falls into the same trap of othering and condescension as much of "western" culture can readily be faulted with in the first place. This is especially unfortunate since there are scattered moments throughout the runtime when Malle does gloss over notions that could have easily been seized upon to center the production. Primarily, he briefly commentates at one point on the relationship between the pillaging of India of its resources by the British during colonial rule, a theft which led to the further growth of the United Kingdom as a world power. It is accurately suggested, but not outright remarked, that this exact lack of resources has contributed significantly to the state of Calcutta as it is seen here. Clearly Malle must have felt that it was beyond his scope as a documentarian to plainly draw such connections, or build a film around them. However, declining to do so, or give any more discrete core to the feature, also has its own ramifications. ("The choice to be apolitical is a political choice.")
Mind you, I don't doubt Malle's intent and sincerity, only the precise method and results thereof. Still, even as 'Calcutta' raises questions, they are as much questions about the production as they are questions for what we, as viewers, will do with the information that we now have in our possession. Moreover, with or without those questions, what the documentary represents above all is an opportunity to see a corner of the world for all that it is, and not just the worst side of it. And truly, for all the hardships put on display here - at that, surely not all-inclusive - what we see more than anything else is a city teeming with vibrant life, life that deserves to be seen and heard and appreciated all on its own. Given the nature of the movie it's certainly not something that will appeal to those who don't already favor the style, but whether one is a fan of documentaries at large, Malle especially, or just looking for broaden their horizons - though imperfect, 'Calcutta' is worth checking out if you have the chance.
Such a low-key, almost passive ethos is a far cry from the unflinching and intense or off-beat and oblique drama the man has given us in his features throughout his career, yet the result is no less fascinating. Especially coming from an imperialist culture (the United States, or really, anywhere in "the west") that constantly others and looks down upon regions outside our provincial purview, it's striking how wonderfully diverse Calcutta is. While there are common connective threads throughout much of the city as Malle's picture observes, all the same there's also substantial variety in language and ethnicity, religious beliefs and practices, economic classes and livelihoods, culture and recreation, and social and political views. Of course, within that portrait, we're also faced with the staggering poverty and appalling living conditions of wide swaths of the population, accentuated in profound contrast with imagery of a walled-off golf course within the city where the wealthy shuts out everything around them. 'Calcutta' is nothing if not eye-opening, in many different ways.
And on that note, the movie's strength is also its weakness. Malle casts a wide lens across the city, showing us as much of Calcutta for better and for worse as I suppose he reasonably could. That aim and approach is admirable, giving a no-frills exhibition of a specific place at a specific time. On the other hand, for lack of a unifying vision, thesis, or particular driving force behind the documentary, one might reasonably argue that certain difficulties raise their head. That lack of focus is more noticeable at some times more than others, and at times inculcates that the endeavor is altogether exploitative, or perhaps falls into the same trap of othering and condescension as much of "western" culture can readily be faulted with in the first place. This is especially unfortunate since there are scattered moments throughout the runtime when Malle does gloss over notions that could have easily been seized upon to center the production. Primarily, he briefly commentates at one point on the relationship between the pillaging of India of its resources by the British during colonial rule, a theft which led to the further growth of the United Kingdom as a world power. It is accurately suggested, but not outright remarked, that this exact lack of resources has contributed significantly to the state of Calcutta as it is seen here. Clearly Malle must have felt that it was beyond his scope as a documentarian to plainly draw such connections, or build a film around them. However, declining to do so, or give any more discrete core to the feature, also has its own ramifications. ("The choice to be apolitical is a political choice.")
Mind you, I don't doubt Malle's intent and sincerity, only the precise method and results thereof. Still, even as 'Calcutta' raises questions, they are as much questions about the production as they are questions for what we, as viewers, will do with the information that we now have in our possession. Moreover, with or without those questions, what the documentary represents above all is an opportunity to see a corner of the world for all that it is, and not just the worst side of it. And truly, for all the hardships put on display here - at that, surely not all-inclusive - what we see more than anything else is a city teeming with vibrant life, life that deserves to be seen and heard and appreciated all on its own. Given the nature of the movie it's certainly not something that will appeal to those who don't already favor the style, but whether one is a fan of documentaries at large, Malle especially, or just looking for broaden their horizons - though imperfect, 'Calcutta' is worth checking out if you have the chance.