A poignant Icelandic missionary drama set in the late 19th century. The film follows Lucas, an ambitious but emotionally detached Danish priest, as he tries to establish a Christian church in the remote part of Iceland. He's guided by the gruff but curious local man, Ragnar, who challenges Lucas's faith and humanity. The film explores themes of identity, trust, and societal order as Lucas and Ragnar struggle to find common ground.
The supporting characters, including Carl and his two daughters, add depth to the film and help to establish the influence and nature of the title location. The stunning cinematography by Maria von Hausswolff captures the harsh reality and pregnant pauses of the story. The performances by Elliott Crosset Hove as Lucas and Ingvar Sigurðsson as Ragnar are credible and bring their respective struggles to life.
Although the plot may seem familiar and the big emotional finale less ambiguous than expected, the film still retains its charm with its pregnant pauses and stunning cinematography. It's a slow-burning mood piece that is a testament to Hlynur Pálmason's writing and directing talent.
The supporting characters, including Carl and his two daughters, add depth to the film and help to establish the influence and nature of the title location. The stunning cinematography by Maria von Hausswolff captures the harsh reality and pregnant pauses of the story. The performances by Elliott Crosset Hove as Lucas and Ingvar Sigurðsson as Ragnar are credible and bring their respective struggles to life.
Although the plot may seem familiar and the big emotional finale less ambiguous than expected, the film still retains its charm with its pregnant pauses and stunning cinematography. It's a slow-burning mood piece that is a testament to Hlynur Pálmason's writing and directing talent.