I was very much looking forward to seeing this. The cast looked very promising (especially Alastair Sim) and the BBC has a high reputation when bringing classic literature to the screen.
Somehow, somewhere, it all went wrong. Even by the standards of 1968 it is obviously studio bound, and the sets are so cramped you never get the idea of the farmhouse as a house, just the corner of a room here, a gate in the farmyard there. The camera set-ups are such that the main action always seems to be obscured by something in the foreground. The director also seems to be well on-board with the 60's 'sexual revolution' (basically people stopped hiding what they'd been doing anyway) and we are treated to shots of 'ploughing' (fnrr-fnrr) cut with a woman writhing in ecstasy in the main titles. There's also a bit of a manure fetish going on for some reason.
I was disappointed in the performances, which are too broad. The Starkadders are grotesques, but they need to be kept within bounds or they just look silly. There is so much ranting and raving in the first episode that it isn't so much funny as tiresome, especially by Billy Russell. Even Alastair Sim only gets into his stride during the sermon to the Quivering Brethren in part two. Sarah Badel is a bright and level-headed Flora, and Rosalie Crutchley makes a good Judith, but not enough to surpass the hint of madness in Eileen Atkins' eyes in the Schlesinger version.
It's not just the age of the production which is the problem here, it's the tricksiness of the director and his indulgence of the actors. I give it six stars because Alastair Sim is in it, but even he is not at his best.
Somehow, somewhere, it all went wrong. Even by the standards of 1968 it is obviously studio bound, and the sets are so cramped you never get the idea of the farmhouse as a house, just the corner of a room here, a gate in the farmyard there. The camera set-ups are such that the main action always seems to be obscured by something in the foreground. The director also seems to be well on-board with the 60's 'sexual revolution' (basically people stopped hiding what they'd been doing anyway) and we are treated to shots of 'ploughing' (fnrr-fnrr) cut with a woman writhing in ecstasy in the main titles. There's also a bit of a manure fetish going on for some reason.
I was disappointed in the performances, which are too broad. The Starkadders are grotesques, but they need to be kept within bounds or they just look silly. There is so much ranting and raving in the first episode that it isn't so much funny as tiresome, especially by Billy Russell. Even Alastair Sim only gets into his stride during the sermon to the Quivering Brethren in part two. Sarah Badel is a bright and level-headed Flora, and Rosalie Crutchley makes a good Judith, but not enough to surpass the hint of madness in Eileen Atkins' eyes in the Schlesinger version.
It's not just the age of the production which is the problem here, it's the tricksiness of the director and his indulgence of the actors. I give it six stars because Alastair Sim is in it, but even he is not at his best.