An absorbing giallo , with an above -average screenplay; sometimes one thinks of the golden hour of Dario Argento (roughly 1967-1980) Gore is kept to the minimum and this story of body parts is not a remake of "les mains d'Orlac" or the poor adaptation of Boileau -Narcejac 's "body parts" .
The story is labyrinthine and definitely off the beaten track ; it deals with split personality ,homosexuality and mistaken identities ; the trick of the photograph is so simple (and so effective) that one wonders why it had not been used before .Lamberto Bava never equalled his father Mario's best horror films such as " I tre volti della paura" ,but here,he delivers the goods .
The story is labyrinthine and definitely off the beaten track ; it deals with split personality ,homosexuality and mistaken identities ; the trick of the photograph is so simple (and so effective) that one wonders why it had not been used before .Lamberto Bava never equalled his father Mario's best horror films such as " I tre volti della paura" ,but here,he delivers the goods .