'Styria' is a very different kind of vampire film. In fact, its so different, I didn't realize it was a vampire film until the halfway mark.
It is a slow-paced, character-driven movie. Dr Hill (Stephen Rea) has been granted access to murals in an old castle. Tagging along, is his young daughter, Lara (Eleanor Tomlinson). She has a back story, but it is not clearly defined or explored, and I wasn't sure whether I was supposed to root for her. She is suicidal, but unconvincing - not sure if the character or the acting is to blame; probably a bit of both.
Sitting in the forest, a car speeds past Lara, crashing into a tree. A young woman emerges and starts running. Another person in the car (who is not shown) tries to run her over, but then drives away, leaving the woman dirty and petrified. This is Carmilla (Julia Pietrucha). Lara decides to help the girl, and takes her to the castle. She doesn't tell her Dad, who is incredibly ignorant in not noticing her. Carmilla keeps coming back every night, and the girls wander into the forest for a bit of adventure.
The two girls soon bond and there's lesbian inclinations, but - as with everything else in this movie - it is not well explored. From the beginning one notices something weird about Carmilla, but the viewer is kept guessing almost until the third act. While the film has some eerie moments, most of these moments are diminished when the girls start chattering.
The narration and the plot are uneven. Moments in the film looks like it is more suited for medieval times, and personally I think it would have worked better had it been set in another time. It doesn't work so well in present time.
Ultimately, I found the film a bit on the boring side. I don't think I'm going to remember this. There are far better vampire movies out there.
It is a slow-paced, character-driven movie. Dr Hill (Stephen Rea) has been granted access to murals in an old castle. Tagging along, is his young daughter, Lara (Eleanor Tomlinson). She has a back story, but it is not clearly defined or explored, and I wasn't sure whether I was supposed to root for her. She is suicidal, but unconvincing - not sure if the character or the acting is to blame; probably a bit of both.
Sitting in the forest, a car speeds past Lara, crashing into a tree. A young woman emerges and starts running. Another person in the car (who is not shown) tries to run her over, but then drives away, leaving the woman dirty and petrified. This is Carmilla (Julia Pietrucha). Lara decides to help the girl, and takes her to the castle. She doesn't tell her Dad, who is incredibly ignorant in not noticing her. Carmilla keeps coming back every night, and the girls wander into the forest for a bit of adventure.
The two girls soon bond and there's lesbian inclinations, but - as with everything else in this movie - it is not well explored. From the beginning one notices something weird about Carmilla, but the viewer is kept guessing almost until the third act. While the film has some eerie moments, most of these moments are diminished when the girls start chattering.
The narration and the plot are uneven. Moments in the film looks like it is more suited for medieval times, and personally I think it would have worked better had it been set in another time. It doesn't work so well in present time.
Ultimately, I found the film a bit on the boring side. I don't think I'm going to remember this. There are far better vampire movies out there.