My review was written in February 1987 after a UA Twin screening in Manhattan.
"Rage of Honor" is a substandard action vehicle for martial arts star Sho Kosugi, who gets the chance to choreograph the fight scenes and introduce gadgety weapons, but is otherwise sunk by pointless writing and limp direction.
Kosugi plays Shira Tanaka, a Phoenix-based U. S. narcotics investigator who gets in a tizzy when his assistant is tortured and murdered. He quits his job, hops a plane to Buenos Aires seeking revenge (improbably taking along his blonde girlfriend) and there ensues a boring series of fights and double crosses until nearly the entire cast is wiped out.
Besides being at least two reels too long, film doesn't work because Kosugi is never in any real danger and all incidents are merely functional devices to get a fight scene going. The ease with which he dispatches at least 100 adversaries robs the fights of excitement. Nadir occurs in the Argentine junle, where indians attack and Kosugi, not content with wiping out baddie, massacres dozens of indians in situational self-defense.
Kosugi's difficulty in delivering English dialog is still a hindrance and the supporting cast here is exceedingly bland. The main villain (character roles are not identified in the credits) seems to be auditioning for a career as Harrison Ford's stunt double. Tech credits are acceptable, but Gordon Hessler's direction seems phoned in.
"Rage of Honor" is a substandard action vehicle for martial arts star Sho Kosugi, who gets the chance to choreograph the fight scenes and introduce gadgety weapons, but is otherwise sunk by pointless writing and limp direction.
Kosugi plays Shira Tanaka, a Phoenix-based U. S. narcotics investigator who gets in a tizzy when his assistant is tortured and murdered. He quits his job, hops a plane to Buenos Aires seeking revenge (improbably taking along his blonde girlfriend) and there ensues a boring series of fights and double crosses until nearly the entire cast is wiped out.
Besides being at least two reels too long, film doesn't work because Kosugi is never in any real danger and all incidents are merely functional devices to get a fight scene going. The ease with which he dispatches at least 100 adversaries robs the fights of excitement. Nadir occurs in the Argentine junle, where indians attack and Kosugi, not content with wiping out baddie, massacres dozens of indians in situational self-defense.
Kosugi's difficulty in delivering English dialog is still a hindrance and the supporting cast here is exceedingly bland. The main villain (character roles are not identified in the credits) seems to be auditioning for a career as Harrison Ford's stunt double. Tech credits are acceptable, but Gordon Hessler's direction seems phoned in.