My review was written in May 1988 after a Cannes Film Festival Market screening.
The potential of a knowing homage to '50 sci-fi is wasted in "Midnight Movie Massacre", a poorly scripted pastiche film. Even midnight bookings will be hard to come by for this one, which bears a 1986 copyright.
Pic actually is two films (often at odds) in one: the gory horror story of folks at the Granada Theater in 1956 being killed by a yucky, tentacled monster, and the movie serial "Space Patrol" (inspired by the actua tv series) that' playing there. An immediate problem in tone and style is that the horror footage combines idiotic slapstick with latter-day gross-out effects, while "Patrol" is a benign recreation of old sci-fi films. The two don't mix well.
Genre faves Robert Clarke and Ann ("War of the Worlds") Robinson topline with smallish roles in "Patrol", the episode "Back from the Future" dealing with a mad scientist and time travel. The cliched dialog is merely boring, meant to be corny, but not sharp or clever enough to be funny. Best touches are the careful simulation of '50s matte shot, cheapo models and junky robots (which dance) plus too-fleeting cameos by Robby the Robot and his predecessor Gort.
Surrounding film is mainly running gags (each one extended past the breaking point) involving stereotyped audience members. Promising jokes like the fat wife (played by a thesp named Charity Case) who eats a ton start well but peter out, and others (particularly a girl who can't stop sneezing) prove to be mere time-killers.
Acting ensemble fits the lampooning roles, while tech credits capture the spirit of the cheesy originals. Unfortunately, the naivete of the 1950s that made the sci-fi B's campy eludes this studied concoction.
The potential of a knowing homage to '50 sci-fi is wasted in "Midnight Movie Massacre", a poorly scripted pastiche film. Even midnight bookings will be hard to come by for this one, which bears a 1986 copyright.
Pic actually is two films (often at odds) in one: the gory horror story of folks at the Granada Theater in 1956 being killed by a yucky, tentacled monster, and the movie serial "Space Patrol" (inspired by the actua tv series) that' playing there. An immediate problem in tone and style is that the horror footage combines idiotic slapstick with latter-day gross-out effects, while "Patrol" is a benign recreation of old sci-fi films. The two don't mix well.
Genre faves Robert Clarke and Ann ("War of the Worlds") Robinson topline with smallish roles in "Patrol", the episode "Back from the Future" dealing with a mad scientist and time travel. The cliched dialog is merely boring, meant to be corny, but not sharp or clever enough to be funny. Best touches are the careful simulation of '50s matte shot, cheapo models and junky robots (which dance) plus too-fleeting cameos by Robby the Robot and his predecessor Gort.
Surrounding film is mainly running gags (each one extended past the breaking point) involving stereotyped audience members. Promising jokes like the fat wife (played by a thesp named Charity Case) who eats a ton start well but peter out, and others (particularly a girl who can't stop sneezing) prove to be mere time-killers.
Acting ensemble fits the lampooning roles, while tech credits capture the spirit of the cheesy originals. Unfortunately, the naivete of the 1950s that made the sci-fi B's campy eludes this studied concoction.