"The Night Stalker", not to be confused with the far superior occult made-for-television thriller and subsequent series, is one of those ideal mid-80s horror/action movies that you can watch with a bunch of friends and play a game of cliché-bingo to! Do you know the rules?
Each participant writes down 10-12 genre clichés on a piece of paper prior to starting the film. Then, while watching, you tick off the clichés when they appear on screen, and the first participant who sees all his/her clichés featuring in the film, wins. This largely (and righteously) forgotten 80s flick is a nearly inexhaustible source of clichés! The invincible serial killer; check. Practicing some sort of voodoo ritual; check. Preying on big city prostitutes because they are "disposable" victims; check. The heavily drinking, chain-smoking, unorthodox, and practically always suspended homicide officer; check. The mandatory liquor store robbery and overlong chasing of the culprits over rooftops; check. The good-hearted prostitute and her love-hate relationship with the homicide inspector; check. The constantly joking but loyal partner who dies halfway through the film; check. The arrogant police inspector nobody likes gets caught with a prostitute who turns out to be a transvestite; check. And, of course, there's plenty of more...
Undoubtedly the most interesting aspect about "The Night Stalker" is the cast. Charles Napier isn't known for playing the lead hero, and he's visibly uncomfortable. He usually stars in the supportive cast, as a sleazy corps detective or a corrupt authority figure, so he can't handle the responsibility of carrying a film. I wouldn't be surprised if Napier requested himself to turn his character into an alcoholic who's passed out half of the time. The stunningly beautiful Lydie Denier depicts the first victim, and the first person to discover that the maniac cannot be killed easily with bullets. Speaking of which, the prowler is none other than Robert Z'Dar! He would become somewhat of an 80s horror movie icon two years later, as Matt Cordell in William Lustig's "Maniac Cop". Z'Dar already does here what he would repeat throughout his entire further career, namely talk as little as possible and look menacing thanks to his impressive posture and unnaturally large jawbone.
Each participant writes down 10-12 genre clichés on a piece of paper prior to starting the film. Then, while watching, you tick off the clichés when they appear on screen, and the first participant who sees all his/her clichés featuring in the film, wins. This largely (and righteously) forgotten 80s flick is a nearly inexhaustible source of clichés! The invincible serial killer; check. Practicing some sort of voodoo ritual; check. Preying on big city prostitutes because they are "disposable" victims; check. The heavily drinking, chain-smoking, unorthodox, and practically always suspended homicide officer; check. The mandatory liquor store robbery and overlong chasing of the culprits over rooftops; check. The good-hearted prostitute and her love-hate relationship with the homicide inspector; check. The constantly joking but loyal partner who dies halfway through the film; check. The arrogant police inspector nobody likes gets caught with a prostitute who turns out to be a transvestite; check. And, of course, there's plenty of more...
Undoubtedly the most interesting aspect about "The Night Stalker" is the cast. Charles Napier isn't known for playing the lead hero, and he's visibly uncomfortable. He usually stars in the supportive cast, as a sleazy corps detective or a corrupt authority figure, so he can't handle the responsibility of carrying a film. I wouldn't be surprised if Napier requested himself to turn his character into an alcoholic who's passed out half of the time. The stunningly beautiful Lydie Denier depicts the first victim, and the first person to discover that the maniac cannot be killed easily with bullets. Speaking of which, the prowler is none other than Robert Z'Dar! He would become somewhat of an 80s horror movie icon two years later, as Matt Cordell in William Lustig's "Maniac Cop". Z'Dar already does here what he would repeat throughout his entire further career, namely talk as little as possible and look menacing thanks to his impressive posture and unnaturally large jawbone.