There are few film genres that have a formula as firmly established as the sports drama. This does not specifically reflect on their quality, yet: training, competition, uncertainty, failures, successes, inspiration, personal and professional hardships - one could practically set a clock by the standard. 'Jappeloup' definitely fits into the same mold, and it informs us from the start what to expect by alternately swirling together sports action, big sentimental beats, or maybe a little bit of both. As Clinton Shorter's score dabbles with post-rock airiness amidst its strings, built to pointedly tug on our hearts, the tenor is cemented once and for all. Take all this as you will, but one other facet that's striking is how the picture somewhat struggles with transitions. I don't even mean Richard Marizy's editing, which is quite fine; rather, somewhere between Guillaume Canet's screenplay and Christian Duguay's realization of it, I feel like this has a hard time conveying the passage of time, the development of the titular horse as a competitor, the personal arcs and decision-making of characters, and so on. The result is that the storytelling is shortchanged to some degree, especially unfortunate in light of the constant push and pull of highs and lows, and what seems like particular emphasis of "drama" over "sports." All this is to say that one way or another, it's not a title that could ever be perfect, and it maybe even comes across as the type of fare that, were it an American production, might get labeled as "Oscar bait."
Be all that as it may, however - by golly, it works. 'Jappeloup' knows exactly what type of movie it is, and embraces that tenor for better and for worse. As both actor and especially writer, and with his own experience in showjumping, Canet obviously saw this as a passion project to tell the story of Pierre Durand and Jappeloup, and he did it within the rote guidelines of cinematic tradition. There's also an unmistakable feeling that this was made by an athlete for athletes, as the rules and practices of the sport aren't necessarily elucidated for the layperson (in contrast, check out 2001's 'Lagaan,' by far my personal favorite sports film), but to me that only affirms Canet's bent. And for however much one may him and haw about the details, the fact remains that by and large this is very well done. One arguable advantage of working within a formula is that Canet, Duguay, and all others involved could focus more on getting all those essential beats just right; even if in some cases the feature is a tad too on the nose, I don't think there's much disputing how excellent it is overall. The cast give superb performances across the board, to the point that it's hard to pick favorites. Naturally Canet has the most prominence, but Marina Hands, Duaniel Auteuil, Lou de Laâge, Jacques Higelin, and others all have their time to shine, too, and they invariably make the most of it to achieve the intended emotional impact. The dramatic beats may fit into a discrete pattern, including the climax, but to whatever extent they're tropes, they're also meaningful. The stunts and riding that characterize the sports action are utterly superb, a credit to the equines and their trainers as much as the human performers.
Ronald Plante's cinematography is just as noteworthy as Duguay's direction; on one hand the orchestration of shots and scenes, and on the other, the active photography that accomplishes some especially vivid moments. In the direction, cinematography, and in the production design at large lot of detail was poured into this to immerse viewers in Durand and Jappeloup's world, making it easy to get into the spirit of the sport even if all of its minutiae elude us. And in all other regards the picture is admirably well made. Truthfully, while there are noteworthy issues that place upper limits on the title's success, it's much better than not. Even within a tried and true framework, the strengths of 'Jappeloup' - primarily its storytelling, sports action, and acting - handily outshine subjective faults. There's welcome sincerity to the proceedings that pairs nicely with a viewing experience that's heartfelt, entertaining, and highly satisfying. It may not represent a singular stroke of brilliance, but nor does it reach beyond its grasp. When all is said and done I think this is a movie that's a fine credit to all who participated, and it's gratifying in spotlighting a relatively less well known sports story. You don't necessarily need to go out of your way for it, but if you do have the chance to watch 'Jappeloup,' it's well worth anyone's time.
Be all that as it may, however - by golly, it works. 'Jappeloup' knows exactly what type of movie it is, and embraces that tenor for better and for worse. As both actor and especially writer, and with his own experience in showjumping, Canet obviously saw this as a passion project to tell the story of Pierre Durand and Jappeloup, and he did it within the rote guidelines of cinematic tradition. There's also an unmistakable feeling that this was made by an athlete for athletes, as the rules and practices of the sport aren't necessarily elucidated for the layperson (in contrast, check out 2001's 'Lagaan,' by far my personal favorite sports film), but to me that only affirms Canet's bent. And for however much one may him and haw about the details, the fact remains that by and large this is very well done. One arguable advantage of working within a formula is that Canet, Duguay, and all others involved could focus more on getting all those essential beats just right; even if in some cases the feature is a tad too on the nose, I don't think there's much disputing how excellent it is overall. The cast give superb performances across the board, to the point that it's hard to pick favorites. Naturally Canet has the most prominence, but Marina Hands, Duaniel Auteuil, Lou de Laâge, Jacques Higelin, and others all have their time to shine, too, and they invariably make the most of it to achieve the intended emotional impact. The dramatic beats may fit into a discrete pattern, including the climax, but to whatever extent they're tropes, they're also meaningful. The stunts and riding that characterize the sports action are utterly superb, a credit to the equines and their trainers as much as the human performers.
Ronald Plante's cinematography is just as noteworthy as Duguay's direction; on one hand the orchestration of shots and scenes, and on the other, the active photography that accomplishes some especially vivid moments. In the direction, cinematography, and in the production design at large lot of detail was poured into this to immerse viewers in Durand and Jappeloup's world, making it easy to get into the spirit of the sport even if all of its minutiae elude us. And in all other regards the picture is admirably well made. Truthfully, while there are noteworthy issues that place upper limits on the title's success, it's much better than not. Even within a tried and true framework, the strengths of 'Jappeloup' - primarily its storytelling, sports action, and acting - handily outshine subjective faults. There's welcome sincerity to the proceedings that pairs nicely with a viewing experience that's heartfelt, entertaining, and highly satisfying. It may not represent a singular stroke of brilliance, but nor does it reach beyond its grasp. When all is said and done I think this is a movie that's a fine credit to all who participated, and it's gratifying in spotlighting a relatively less well known sports story. You don't necessarily need to go out of your way for it, but if you do have the chance to watch 'Jappeloup,' it's well worth anyone's time.