A film that starts strong, with Michelle Yeoh playing a stunt woman and offering the viewer a behind the scenes glance at the making of action movies in Hong Kong. Unfortunately, Yeoh was seriously injured while leaping 18 feet off a bridge for a stunt she didn't consider particularly dangerous, but landed vertically, on her head. Reports vary on the extent of her injuries, from fracturing a few vertebrae, to dislocating her neck and cracking some ribs, to "only" deep-tissue bruising and a cracked rib. She would say later, "I heard a snap in my back when I landed and said, 'Uh-oh, I'm going to paralyzed for life.'" She was in the hospital and in traction for many weeks.
The script was altered so that the film could be completed, but the result is a hodge-podge of tepid romance and an organized crime story. On the positive side, it allowed Yeoh to show off her acting chops, and not unexpectedly, she commands the screen. If you're a fan of hers, this is probably worth seeing. The plot just falls apart, however, meandering through a collection of story lines that lacked cohesive vision. There are several scenes of the guys getting drunk, and the character of the obnoxious young boy was grating. During the end credits we see footage of Yeoh following the stunt that went wrong, which was gripping to say the least but got a little uncomfortable. The crew moving her is alone cringe-inducing even if it was as gently as possible, and it then goes on for too long, almost as if director Ann Hui was trying to over-compensate for the messy second half of the film.
The script was altered so that the film could be completed, but the result is a hodge-podge of tepid romance and an organized crime story. On the positive side, it allowed Yeoh to show off her acting chops, and not unexpectedly, she commands the screen. If you're a fan of hers, this is probably worth seeing. The plot just falls apart, however, meandering through a collection of story lines that lacked cohesive vision. There are several scenes of the guys getting drunk, and the character of the obnoxious young boy was grating. During the end credits we see footage of Yeoh following the stunt that went wrong, which was gripping to say the least but got a little uncomfortable. The crew moving her is alone cringe-inducing even if it was as gently as possible, and it then goes on for too long, almost as if director Ann Hui was trying to over-compensate for the messy second half of the film.