When Leonard Cohen passed away in 2016, the first song that inevitably was mentioned about his career was "Hallelujah". Daniel Geller and Dayna Goldfine's documentary uses that famous hymnal to trace not only the history of that particular song, but Cohen's entire life and career.
The song was first recorded in 1984 but he had been in the process of writing it for at least five years, including, by his own count, going through some 150 verses (Cohen continued to re-write phrases and verses ever after)! "Hallelujah" made little impact upon release and it wasn't until first John Cale, and later, Jeff Buckley covered the tune got major attention.
The movie documents Buckley's version in such detail, that it sidetracks the main discussion for quite a spell. The digression is, unfortunately, a bit emblematic of the Doc as a whole. While the basics of Cohen's life (and this particular song) are adequately delved into, Geller and Goldfine never find a consistent narrative. Fortunately, there is enough quality archive footage along with contemporary interviews with those who knew him including long-time friend Larry Ratso Soloman and producer John Lissauer to flesh out some semblance of a story-line.
The concert footage allows Cohen to be seen and heard in his element over the decades. It's an irony that Cohen only had a Billboard charted single -- after he passed away. It, of course, was "Hallelujah."
The song was first recorded in 1984 but he had been in the process of writing it for at least five years, including, by his own count, going through some 150 verses (Cohen continued to re-write phrases and verses ever after)! "Hallelujah" made little impact upon release and it wasn't until first John Cale, and later, Jeff Buckley covered the tune got major attention.
The movie documents Buckley's version in such detail, that it sidetracks the main discussion for quite a spell. The digression is, unfortunately, a bit emblematic of the Doc as a whole. While the basics of Cohen's life (and this particular song) are adequately delved into, Geller and Goldfine never find a consistent narrative. Fortunately, there is enough quality archive footage along with contemporary interviews with those who knew him including long-time friend Larry Ratso Soloman and producer John Lissauer to flesh out some semblance of a story-line.
The concert footage allows Cohen to be seen and heard in his element over the decades. It's an irony that Cohen only had a Billboard charted single -- after he passed away. It, of course, was "Hallelujah."