... He directed this film and "Show People", IMHO her two best silent films, and they both are such because they show off her talent for mimicry. She and Vidor practically invent the screwball heroine here.
Patsy (Marion Davies) is the youngest of two sisters. The older sister Grace, is doted upon by her mother, Ma Harrington (Marie Dressler), who always blames Patsy for every argument the sisters have. Pa Harrington takes up for Patsy, mainly because of the unfairness of the situation when Grace and Ma team up against her, but also because he and Patsy have a special rapport.
The family seems to be nouveau riche, because their habits, particularly at mealtime are strictly working class. However, they are mentioned as going to the Yacht Club dance, which is mentioned as being rather exclusive.
I wouldn't say Grace is prettier than Patsy, but she is more glamorous in a roaring 20s kind of way, and knows how to apply her feminine wiles to get her way. Grace is dating a rather dull businessman, Tony Hunter, who always wants to show Grace the blueprints for his business plans. Grace seems interested, but the guy she actually finds exciting is rich playboy Billy Caldwell (Lawrence Gray). Grace says she intends to marry Tony, dull as dishwater or not, but you get the feeling that is because Tony is husband material and a good provider, and that she probably intends to cotinue to play the field after marriage with guys like Billy. And that's too bad because younger sister Patsy really loves Tony, but he doesn't seem to notice Patsy is alive when Grace is in the room. Complications ensue.
The story is really no great shakes as far as originality goes. The entertainment is almost exclusively in Marion Davies and her comedic pantomime and especially when she impersonates silent actresses Mae Murray of the "bee stung lips", Lillian Gish of "The Scarlet Letter", and finally Pola Negri. That last impersonation almost scares a very drunk Billy Caldwell to death.
Marie Dressler got a comeback of sorts here as the hypochondriac mother. However she would have to wait for sound to come in to fully catapult to fame.
Patsy (Marion Davies) is the youngest of two sisters. The older sister Grace, is doted upon by her mother, Ma Harrington (Marie Dressler), who always blames Patsy for every argument the sisters have. Pa Harrington takes up for Patsy, mainly because of the unfairness of the situation when Grace and Ma team up against her, but also because he and Patsy have a special rapport.
The family seems to be nouveau riche, because their habits, particularly at mealtime are strictly working class. However, they are mentioned as going to the Yacht Club dance, which is mentioned as being rather exclusive.
I wouldn't say Grace is prettier than Patsy, but she is more glamorous in a roaring 20s kind of way, and knows how to apply her feminine wiles to get her way. Grace is dating a rather dull businessman, Tony Hunter, who always wants to show Grace the blueprints for his business plans. Grace seems interested, but the guy she actually finds exciting is rich playboy Billy Caldwell (Lawrence Gray). Grace says she intends to marry Tony, dull as dishwater or not, but you get the feeling that is because Tony is husband material and a good provider, and that she probably intends to cotinue to play the field after marriage with guys like Billy. And that's too bad because younger sister Patsy really loves Tony, but he doesn't seem to notice Patsy is alive when Grace is in the room. Complications ensue.
The story is really no great shakes as far as originality goes. The entertainment is almost exclusively in Marion Davies and her comedic pantomime and especially when she impersonates silent actresses Mae Murray of the "bee stung lips", Lillian Gish of "The Scarlet Letter", and finally Pola Negri. That last impersonation almost scares a very drunk Billy Caldwell to death.
Marie Dressler got a comeback of sorts here as the hypochondriac mother. However she would have to wait for sound to come in to fully catapult to fame.