This is a beautifully made, poignant drama about a young working-class couple starting their life together in the tenements of 1930s New York. This couple is incredibly normal and that's what makes this film so watchable. They're not gangsters, prostitutes, criminals, lawyers, or society girls down on their luck, they are just an ordinary couple without anything making them different to anyone else. What makes this so enthralling is therefore its story and specifically the storytelling.
The world these people live in is perfectly encapsulated with a scene early on when a neighbour dies on one floor of their tenement and a baby is born on another. Our hero sadly concludes: "Born on the second story... he'll probably die on the fifth. All his life, just to climb three flights of stairs." This however is a positive story, it shows that although The Depression was of course a struggle, even living in a one-room-apartment people survived, they went to work, had fun, got married, started families and found happiness. It was just life and that's what this picture is about even though in this case the couple aren't sure they're ideal for each other, aren't sure what they want, aren't sure that the other one doesn't love them and that makes us uneasy as to whether they will stay together. It's so well presented that very quickly we feel we know these people so are hoping desperately that they will make a go of it and that everything works out for them.
Inasmuch that it's about ordinary people, this is somewhat reminiscent of 1932's VIRTUE but the characters and the story and even the acting in this feel more natural and modern. It is perhaps more like the Kitchen Sink Dramas of the 50s and 60s such as LOOK BACK IN ANGER but set in America.
Why is it called "Bad Girl" and why has it got such a salacious poster? Obviously to get people to flock to the cinema and obviously to get people like me nearly a century later to watch it! Fox Films however knew that to avoid riots in their theatres when the customers realised the extend of the false advertising, they had to provide a genuinely top rate entertainment and that's exactly what they did. There is no "bad girl" in this film, that was the name of the book on which this was based but even in the book "bad girl" is just an insult which is thrown unjustly around, a term which our protagonist doesn't want to get branded with. Although this was made in what's referred to as "the pre-code era" the PCA made very sure that with this picture, the Hays Code was very heavily enforced. The eyes of the nation were on them because Vina Delmar's book had caused such an outcry, it was banned in Boston and was cited as containing: downright and unforgivable nastiness. Any suggestions or even hints that pre-marital sex was something which actually existed was heavily censored. The long process of consultation with the PCA lasted so long that Fox Films considered abandoning this entire project but eventually Miss Delmar's novel was considered suitably sanitised. We obviously can't ever know how a film of the original story would have been but even so, the changes certainly haven't destroyed the theme or spirit of the story. Possibly the challenges they posed have made a more interesting movie since Borzage has had to compensate for the lack of explicit content, language and sex with a visual flair unique to him.
The poster by the way does not seem remotely connected in any way with this film - it's good though isn't it!
The world these people live in is perfectly encapsulated with a scene early on when a neighbour dies on one floor of their tenement and a baby is born on another. Our hero sadly concludes: "Born on the second story... he'll probably die on the fifth. All his life, just to climb three flights of stairs." This however is a positive story, it shows that although The Depression was of course a struggle, even living in a one-room-apartment people survived, they went to work, had fun, got married, started families and found happiness. It was just life and that's what this picture is about even though in this case the couple aren't sure they're ideal for each other, aren't sure what they want, aren't sure that the other one doesn't love them and that makes us uneasy as to whether they will stay together. It's so well presented that very quickly we feel we know these people so are hoping desperately that they will make a go of it and that everything works out for them.
Inasmuch that it's about ordinary people, this is somewhat reminiscent of 1932's VIRTUE but the characters and the story and even the acting in this feel more natural and modern. It is perhaps more like the Kitchen Sink Dramas of the 50s and 60s such as LOOK BACK IN ANGER but set in America.
Why is it called "Bad Girl" and why has it got such a salacious poster? Obviously to get people to flock to the cinema and obviously to get people like me nearly a century later to watch it! Fox Films however knew that to avoid riots in their theatres when the customers realised the extend of the false advertising, they had to provide a genuinely top rate entertainment and that's exactly what they did. There is no "bad girl" in this film, that was the name of the book on which this was based but even in the book "bad girl" is just an insult which is thrown unjustly around, a term which our protagonist doesn't want to get branded with. Although this was made in what's referred to as "the pre-code era" the PCA made very sure that with this picture, the Hays Code was very heavily enforced. The eyes of the nation were on them because Vina Delmar's book had caused such an outcry, it was banned in Boston and was cited as containing: downright and unforgivable nastiness. Any suggestions or even hints that pre-marital sex was something which actually existed was heavily censored. The long process of consultation with the PCA lasted so long that Fox Films considered abandoning this entire project but eventually Miss Delmar's novel was considered suitably sanitised. We obviously can't ever know how a film of the original story would have been but even so, the changes certainly haven't destroyed the theme or spirit of the story. Possibly the challenges they posed have made a more interesting movie since Borzage has had to compensate for the lack of explicit content, language and sex with a visual flair unique to him.
The poster by the way does not seem remotely connected in any way with this film - it's good though isn't it!