It's such a joy to see a show with big ideas, big narratives and - whisper it - maybe even a big budget come out of the BBC. Of course, the American networks are still the best at blockbuster tele; recent highlights for me include 'The Power' - the excellent adaptation of Naomi Alderman's sensational book - and Showtime's gripping 'Yellowjackets'. Both series inhabit an exaggerated reality, and although there's countless real-life monsters to rival Alistair Petrie's villain Rob Chance, 'The Following Events...' has a scope and level of ambition that puts me in mind of those two other programmes.
Speaking of real-life monsters, the final episode breaks the fourth wall entirely with actual footage of famous wrong'uns, from Saville to Epstein, as exploited author Cheryl Harker (the excellent Marianne Jean-Baptiste) vents her frustration at power always protecting power. It's a testament to the show's cinematic dexterity that this moment doesn't feel at all out of place.
Rebekah Staton is sublime in the role of Alice Newman, an aspiring fashion designer who spies her long-lost ex-husband cycling thorough the streets of Oxford, cool as a cucumber, 15 years after dissappearing without a trace. Oh, and the bugger had only gone and done a runner with Alice and her family's life savings. What a scoundrel! But now he's got his eyes on a bigger prize. Can Alice uncover the truth and save the day? (It's far more complicated than that, but I don't want to spoil the many delightful twists and turns).
Staton - who deserves to be on TV a heck of a lot more than she is - delivers a nuanced performance of a complex character battling against contradiction, paranoia, anger and - ultimately - a world where powerful men are always given the benefit of the doubt. Even when you've got to look very, very closely to see the doubt. It's not always men, of course, although it usually is, but it is always power. The most powerful in society seem to he held to a much lower standard than everyone else. We don't need rules for the powerful! They have power, ergo they must be honourable and virtuous, and on the occasions they're not, well those are clearly the exception and we can let it slide just this once.
Sorry, got a bit carried away.
'The Following Events...' tackles a lot of big themes and succeeds in making valuable comments about each one, whilst never overshadowing the story. And what a cracking story it is! Even if it is based on a pack of lies.
Speaking of real-life monsters, the final episode breaks the fourth wall entirely with actual footage of famous wrong'uns, from Saville to Epstein, as exploited author Cheryl Harker (the excellent Marianne Jean-Baptiste) vents her frustration at power always protecting power. It's a testament to the show's cinematic dexterity that this moment doesn't feel at all out of place.
Rebekah Staton is sublime in the role of Alice Newman, an aspiring fashion designer who spies her long-lost ex-husband cycling thorough the streets of Oxford, cool as a cucumber, 15 years after dissappearing without a trace. Oh, and the bugger had only gone and done a runner with Alice and her family's life savings. What a scoundrel! But now he's got his eyes on a bigger prize. Can Alice uncover the truth and save the day? (It's far more complicated than that, but I don't want to spoil the many delightful twists and turns).
Staton - who deserves to be on TV a heck of a lot more than she is - delivers a nuanced performance of a complex character battling against contradiction, paranoia, anger and - ultimately - a world where powerful men are always given the benefit of the doubt. Even when you've got to look very, very closely to see the doubt. It's not always men, of course, although it usually is, but it is always power. The most powerful in society seem to he held to a much lower standard than everyone else. We don't need rules for the powerful! They have power, ergo they must be honourable and virtuous, and on the occasions they're not, well those are clearly the exception and we can let it slide just this once.
Sorry, got a bit carried away.
'The Following Events...' tackles a lot of big themes and succeeds in making valuable comments about each one, whilst never overshadowing the story. And what a cracking story it is! Even if it is based on a pack of lies.