This erotic action thriller starts with an exquisitely designed diamond theft set against an authentically recreated red carpet premiere at 2001 Cannes Film Festival. There mercenary thief Laure Ash (Rebecca Romijn) participates in a diamond heist. The scheme is for Laure to steal a necklace of valuable diamonds from the ensemble of a female attendant named Veronica (Rie Rasmussen). Posing as a French photojournalist, Laure gains access to the festival gathering, where she lures Veronica to the ladies room and begins to seduce her in a stall, during which Laure's two accomplices "Black Tie" (Eriq Ebouaney) and Racine (Édouard Montrouge). But a Spanish paparazzo named Nicolas Bardo (Antonio Banderas) chases her and takes her picture. Nothing is more desirable or more deadly than a woman with a secret!.
This haunting thriller flick is plenty of mystery, intrigue and suspenseful. A highly exploitative and fast-paced suspense/thriller, recognisably from the blood-spattered hands of expert cinéaste Brian De Palma. The film displays a great and catching musical score by Ryuichi Sakamoto who along with Pino Donaggio are De Palma's favorite composers, in Bernard Herrmann style and imitating former hits. There is much for De Palma buffs to savour in this thrilling and atmospheric handling of a complex story with deliberately old-fashioned treatment. This elegantly dreamy 'Femme Fatale' is as rich and rare as anything De Palma's made for a while. The cinéphile Brian De Palma is a genre unto himself these days, including his own trademarks and a plot twist which, as the writer/filmmaker admits, will alienate half the audience. The film sets luxurious scenaries and brilliant gowns at the 2001 Cannes Film Festival in France with some actual happeninings in the red carpet. The movie introduces us to Hitchcock style, adding Brian de Palma's own films from Marnie, Rear Window , Obsession, Blow-out to Dressed to kill. It can be the answer to De Palma's feminist critics , but tall willowy Rebecca Romijn makes a poised , confident heroine and the visuals are often impressive. Adding special characteristics techniques as ominous camera movements and split screen. The mechanics of suspense are worked quite well by the filmmaker and many frighten the easily scared quite adequately, but De Palma has made a habit of dwelling on their more sordid side-shoots. The result is provocative, surprising, outrageous and fun. Rebecca Romijn gives an essentially erotic acting as a woman tries to straighten out her life, even as her past as a con-woman comes back to haunt her. And Antonio Banderas is pretty good as a nosy photographer who gets involved in twisted problems.
It contains colorful and glamorous cinematography by cameraman Thierry Arbogast, as well as perceptible and thrilling musical score by composer Ryuichi Sakamoto. Displaying a professional and graphically mysterious direction from cinéphile Brian De Palma. ¨Femme fatale¨ is Brian De Palma's homage to Hitchcock and the reason for the chief amusement turning out to be inquire what scenes taken from Master of suspense. That's why takes parts especially from Hitchcock. The flick was well directed Brian De Palma in his usual style, but it turns out to be inferior to the other similar suspense films that he directed. This ¨Femme Fatale¨ (2002) ¨along with ¨Sisters¨, ¨Body Double¨, ¨Dressed to Kill¨, ¨Blow out¨ resulting outwardly another ode to Hitchcock with the accent on the killing, but on most occasion is really decent. Rating : 6/10. Acceptable and passable, it gets some riveting basic ideas and fascinating images .
This haunting thriller flick is plenty of mystery, intrigue and suspenseful. A highly exploitative and fast-paced suspense/thriller, recognisably from the blood-spattered hands of expert cinéaste Brian De Palma. The film displays a great and catching musical score by Ryuichi Sakamoto who along with Pino Donaggio are De Palma's favorite composers, in Bernard Herrmann style and imitating former hits. There is much for De Palma buffs to savour in this thrilling and atmospheric handling of a complex story with deliberately old-fashioned treatment. This elegantly dreamy 'Femme Fatale' is as rich and rare as anything De Palma's made for a while. The cinéphile Brian De Palma is a genre unto himself these days, including his own trademarks and a plot twist which, as the writer/filmmaker admits, will alienate half the audience. The film sets luxurious scenaries and brilliant gowns at the 2001 Cannes Film Festival in France with some actual happeninings in the red carpet. The movie introduces us to Hitchcock style, adding Brian de Palma's own films from Marnie, Rear Window , Obsession, Blow-out to Dressed to kill. It can be the answer to De Palma's feminist critics , but tall willowy Rebecca Romijn makes a poised , confident heroine and the visuals are often impressive. Adding special characteristics techniques as ominous camera movements and split screen. The mechanics of suspense are worked quite well by the filmmaker and many frighten the easily scared quite adequately, but De Palma has made a habit of dwelling on their more sordid side-shoots. The result is provocative, surprising, outrageous and fun. Rebecca Romijn gives an essentially erotic acting as a woman tries to straighten out her life, even as her past as a con-woman comes back to haunt her. And Antonio Banderas is pretty good as a nosy photographer who gets involved in twisted problems.
It contains colorful and glamorous cinematography by cameraman Thierry Arbogast, as well as perceptible and thrilling musical score by composer Ryuichi Sakamoto. Displaying a professional and graphically mysterious direction from cinéphile Brian De Palma. ¨Femme fatale¨ is Brian De Palma's homage to Hitchcock and the reason for the chief amusement turning out to be inquire what scenes taken from Master of suspense. That's why takes parts especially from Hitchcock. The flick was well directed Brian De Palma in his usual style, but it turns out to be inferior to the other similar suspense films that he directed. This ¨Femme Fatale¨ (2002) ¨along with ¨Sisters¨, ¨Body Double¨, ¨Dressed to Kill¨, ¨Blow out¨ resulting outwardly another ode to Hitchcock with the accent on the killing, but on most occasion is really decent. Rating : 6/10. Acceptable and passable, it gets some riveting basic ideas and fascinating images .