Whilst at a lovely little genre-festival in my home country, a mate and I had to choose between two appealing titles that were scheduled at the same time but in different screening rooms. Of course, we chose for the least mainstream one (*), playing in the much smaller screening room with uncomfortable stools! But hey, the plot of the film - "Black Mold" - sounded promising, and my pal told me writer/director John Pata previously worked as an editor on "The Stylist", which is a movie I quite liked.
Our gamble wasn't a success. We sort of went through the same process at the lead protagonists in the film. Like them, we went in exploring the unknown because it's our hobby, but when we walked out, we weren't exactly satisfied. Oh well, at least we still walked out alive and (relatively) sane. That's more than can be said for Brooke and Tanner.
For their passion of urban exploring, they travel across the USA and sneak into abandoned buildings full of mold, ramshackle floors, and other unforeseeable dangers. Brooke is a champion in scouting terrific locations, and she takes Tanner to a massive and remote former research facility. Once inside, they are confronted with a dangerously violent squatter who prevents them from leaving. While trapped in the facility overnight, the molded walls and floors cause Brooke and Tanner to go insane (at least, that's what I suspect was happening) like the squatter already has. Tanner sees his worst fears manifesting in front of him, and poor Brooke relives her childhood traumas over and over again.
There simply isn't enough content and horror material in "Black Mold". The film easily could have worked effectively as a short feature, but as a 1 ½ hour movie it's tedious, repetitive, and slow. John Pata attempts to compensate for the lack of action by endless talking. Especially Tanner babbles non-stop. At first you simply wish for him to keep his mouth shut, but as the running time strolls forward at a snail's pace, you actually wish for him to die painfully. Eventually Pata is forced to revert back to genuine and classic horror symbols (like scarecrows and werewolves) to generate some real tension and action, but none of it is credible. Agnes Albright is an adequate actress and the filming locations are atmospheric (we shouldn't expect anything less from urban explorers), but that's hardly enough to recommend "Black Mold" to anyone.
(*) the film that played in the other theater was "It Lives Inside", which I'm sure I'll watch at some point soon.
Our gamble wasn't a success. We sort of went through the same process at the lead protagonists in the film. Like them, we went in exploring the unknown because it's our hobby, but when we walked out, we weren't exactly satisfied. Oh well, at least we still walked out alive and (relatively) sane. That's more than can be said for Brooke and Tanner.
For their passion of urban exploring, they travel across the USA and sneak into abandoned buildings full of mold, ramshackle floors, and other unforeseeable dangers. Brooke is a champion in scouting terrific locations, and she takes Tanner to a massive and remote former research facility. Once inside, they are confronted with a dangerously violent squatter who prevents them from leaving. While trapped in the facility overnight, the molded walls and floors cause Brooke and Tanner to go insane (at least, that's what I suspect was happening) like the squatter already has. Tanner sees his worst fears manifesting in front of him, and poor Brooke relives her childhood traumas over and over again.
There simply isn't enough content and horror material in "Black Mold". The film easily could have worked effectively as a short feature, but as a 1 ½ hour movie it's tedious, repetitive, and slow. John Pata attempts to compensate for the lack of action by endless talking. Especially Tanner babbles non-stop. At first you simply wish for him to keep his mouth shut, but as the running time strolls forward at a snail's pace, you actually wish for him to die painfully. Eventually Pata is forced to revert back to genuine and classic horror symbols (like scarecrows and werewolves) to generate some real tension and action, but none of it is credible. Agnes Albright is an adequate actress and the filming locations are atmospheric (we shouldn't expect anything less from urban explorers), but that's hardly enough to recommend "Black Mold" to anyone.
(*) the film that played in the other theater was "It Lives Inside", which I'm sure I'll watch at some point soon.