How many monster movies come with substantial critical claim attached? I was intrigued, even though I've never seen any of the classic Godzilla films. You won't regret seeing the film, but I didn't walk away feeling like I'd just watched the film of the year either.
Godzilla Minus One follows the story of a kamikaze pilot who aborts his mission and lands on a small supply island. Later, Godzilla emerges and wipes out nearly everyone. Haunted by his actions, both in failing to carry out his mission and failing to act in saving the others on the island, the pilot returns to Tokyo and attempts to rebuild his life. Before long though, Godzilla reemerges and he feels compelled to join the defense of Tokyo.
It's a good story, and there's an endearing human element to it all. The movie's not short of political commentary either, whether in subtext or unambiguous comments from the characters, ranging from views of honor and duty, criticism of the government, or even Japan's diminished autonomy in light of defeat in WWII. Notice that no government really does anything in the movie. The U. S. is sidelined because of concerns over raising tensions with the Soviets; the Japanese government is unable to act. Instead, it's the people themselves who have to act and save themselves.
Towards the end, the film veers harder and harder towards melodrama, which detracted from the nice balance of seriousness and humor that had been present throughout the first several acts. Maybe it's a terrific Godzilla film; I can't speak to that. (This reminds me of the 007 films. There are "good" Bond films that still aren't good movies.) I can say that this Godzilla is a good movie and worth your time.
Godzilla Minus One follows the story of a kamikaze pilot who aborts his mission and lands on a small supply island. Later, Godzilla emerges and wipes out nearly everyone. Haunted by his actions, both in failing to carry out his mission and failing to act in saving the others on the island, the pilot returns to Tokyo and attempts to rebuild his life. Before long though, Godzilla reemerges and he feels compelled to join the defense of Tokyo.
It's a good story, and there's an endearing human element to it all. The movie's not short of political commentary either, whether in subtext or unambiguous comments from the characters, ranging from views of honor and duty, criticism of the government, or even Japan's diminished autonomy in light of defeat in WWII. Notice that no government really does anything in the movie. The U. S. is sidelined because of concerns over raising tensions with the Soviets; the Japanese government is unable to act. Instead, it's the people themselves who have to act and save themselves.
Towards the end, the film veers harder and harder towards melodrama, which detracted from the nice balance of seriousness and humor that had been present throughout the first several acts. Maybe it's a terrific Godzilla film; I can't speak to that. (This reminds me of the 007 films. There are "good" Bond films that still aren't good movies.) I can say that this Godzilla is a good movie and worth your time.