It's certainly possible that the core story of The Colour Purple just doesn't do anything for me. Because I'm not a huge fan of Spielberg's movie either but at least I thought it was a consistent vision. It may have devolved into misery porn for me after a while but at least it was tonally consistent misery porn. That's not something I can say for this new movie because I can't remember the last time I felt this much tonal whiplash watching a film.
Because the choice to tell this story as a musical wasn't entirely successful for me. Because for as well produced and performed as these sequences are they are in constant clash with the overwhelmingly heinous actions taken against these characters. These women can go from experiencing physical, lawful and sexual abuse only for the filmmakers to jarringly cut to a highly choreographed, energetic musical sequence. It rarely feels smooth and it constantly makes the film feel as if it's at war with itself for what it wants to be.
Those sequences really are gorgeously produced and performed to their credit though as is the entire film. All though often to its detriment, there's energy through every single performance and shot in this film and I really appreciate that they didn't revert to the bare minimum of shot/reverse shot even for even simple dialogue scenes. But for as incredible as these performances are, character wise this script personally left a lot to be desired.
It makes sense that this main character is as passive as she is given the abuse she suffers but it took too long for her arc to come to fruition. Because the only time she ever takes any agency is through other characters. This might work for where she starts the film but it just robs the character of any real development. Supporting characters are constantly swooping in to make her important life choices for her, rather than having her actually receiving any growth of her own, by the time she finally starts making her own choices not only does it feel unearned but also far too late in the film to feel satisfying.
The resolution of her character arc might've been unearned but it pales in comparison to how these male abusers are treated. The husband characters played, admittedly very well, by Colman Domingo and Corey Hawkins are portrayed as abusive to quite honestly ridiculous levels. Domingo's character is basically just portrayed as evil with almost no nuance or depth and Hawkins is written as wholly ignorant in a way that could've made sense but the entire resolution to those characters totally fumbles their entire arcs. There are elements of generational trauma given but it's not explored nearly deeply enough to justify their actions.
The script makes them horrific abusers from almost their very introduction and in the third act the filmmakers have the gall to try and redeem them. Not only does it fall totally flat but I actually found it fairly insulting as a viewer. Forgiveness should have limits but at the very least it should make sense from a writing perspective. Nothing in the first two acts gives any sense that these characters deserve redemption, nor that any other character would forgive them, and it made a large part of the last third totally infuriating to watch.
The Colour Purple was a frustrating experience for me. I may not totally connect with this story but I had far too many issues from a writing perspective to give the film the benefit of the doubt. It is an extremely well produced version of a deeply flawed script. It's completely lacking in depth or nuance and it's totally eye rolling in how it depicts the trauma of it's characters. Musical's are totally capable of dealing with dark subject matters but it's all down to tone and it honestly felt like this script had no barring on how it wanted to portray this story.
Because the choice to tell this story as a musical wasn't entirely successful for me. Because for as well produced and performed as these sequences are they are in constant clash with the overwhelmingly heinous actions taken against these characters. These women can go from experiencing physical, lawful and sexual abuse only for the filmmakers to jarringly cut to a highly choreographed, energetic musical sequence. It rarely feels smooth and it constantly makes the film feel as if it's at war with itself for what it wants to be.
Those sequences really are gorgeously produced and performed to their credit though as is the entire film. All though often to its detriment, there's energy through every single performance and shot in this film and I really appreciate that they didn't revert to the bare minimum of shot/reverse shot even for even simple dialogue scenes. But for as incredible as these performances are, character wise this script personally left a lot to be desired.
It makes sense that this main character is as passive as she is given the abuse she suffers but it took too long for her arc to come to fruition. Because the only time she ever takes any agency is through other characters. This might work for where she starts the film but it just robs the character of any real development. Supporting characters are constantly swooping in to make her important life choices for her, rather than having her actually receiving any growth of her own, by the time she finally starts making her own choices not only does it feel unearned but also far too late in the film to feel satisfying.
The resolution of her character arc might've been unearned but it pales in comparison to how these male abusers are treated. The husband characters played, admittedly very well, by Colman Domingo and Corey Hawkins are portrayed as abusive to quite honestly ridiculous levels. Domingo's character is basically just portrayed as evil with almost no nuance or depth and Hawkins is written as wholly ignorant in a way that could've made sense but the entire resolution to those characters totally fumbles their entire arcs. There are elements of generational trauma given but it's not explored nearly deeply enough to justify their actions.
The script makes them horrific abusers from almost their very introduction and in the third act the filmmakers have the gall to try and redeem them. Not only does it fall totally flat but I actually found it fairly insulting as a viewer. Forgiveness should have limits but at the very least it should make sense from a writing perspective. Nothing in the first two acts gives any sense that these characters deserve redemption, nor that any other character would forgive them, and it made a large part of the last third totally infuriating to watch.
The Colour Purple was a frustrating experience for me. I may not totally connect with this story but I had far too many issues from a writing perspective to give the film the benefit of the doubt. It is an extremely well produced version of a deeply flawed script. It's completely lacking in depth or nuance and it's totally eye rolling in how it depicts the trauma of it's characters. Musical's are totally capable of dealing with dark subject matters but it's all down to tone and it honestly felt like this script had no barring on how it wanted to portray this story.