With all the content out there nowadays, it's hard for anything more than a few weeks old to get a 2nd viewing. Hooked absolutely deserves a rewatch! It's a much-needed conduit to some empathy, and not just for the LGBTQ+ community - everybody can find some trait in this group of characters to identify with.
A lot of movies in this genre collect plaudits by being ceaselessly bleak and grim - I'm thinking of Beach Rats as an example. Hooked sets itself apart by recognizing that human beings have an endless capacity to find laughter or moments of joy in the dark, to be jocular with fellow travelers in tough circumstances, to mock or exaggerate the labels people place on them... and just chew some scenery for the heck of it. It's confounding but real. When things are seemingly hopeless, you manage to move through the day anyway-sometimes even gleefully. If you worry there's little to lose, why not have some gallows humor about it?
New York operates the same way in the film- it has hard truths, danger and dark corners, but also a cast of characters that can populate any caper you come up with to distract.
That unlikely levity makes Hooked an enjoyable ride, and it ends up making the last 60 seconds really moving in a way I didn't see coming.
I saw one review quibbling with the audio track. I'd just say the obvious, that budgets for these films aren't growing on trees, and a million compromises are made to bring them to life. The writer-director Max Emerson didn't scrimp where it really counted: you'll be hard pressed to turn your attention from Conor Donnally as a disregulated-but-charismatic Jack. Sean Ormond, playing his love interest Tom, also succeeds in the quieter moments he's tasked with. Katie McLellan is at ease onscreen as a family matriarch who's exasperated at her situation but not without compassion, would love to see more of her. And somehow, through Jack's eyes, Emerson manages to make a regional flight to Miami look and feel like an exhilarating jaunt to a foreign country.
It's always cool to get to see a first-time director when they are at their rawest or most candid. Later stuff might be more honed but less alive, the edges dulled. What are you rewatching on a rainy Sunday? Jaws or...The Adventures of TinTin? That's what I thought!
Emerson has a POV that begs several more helpings and I hope they'll be coming!
If you're not convinced yet, there's an epic cameo from standup Tim Murray that's pitch perfect at just the right moment.
A lot of movies in this genre collect plaudits by being ceaselessly bleak and grim - I'm thinking of Beach Rats as an example. Hooked sets itself apart by recognizing that human beings have an endless capacity to find laughter or moments of joy in the dark, to be jocular with fellow travelers in tough circumstances, to mock or exaggerate the labels people place on them... and just chew some scenery for the heck of it. It's confounding but real. When things are seemingly hopeless, you manage to move through the day anyway-sometimes even gleefully. If you worry there's little to lose, why not have some gallows humor about it?
New York operates the same way in the film- it has hard truths, danger and dark corners, but also a cast of characters that can populate any caper you come up with to distract.
That unlikely levity makes Hooked an enjoyable ride, and it ends up making the last 60 seconds really moving in a way I didn't see coming.
I saw one review quibbling with the audio track. I'd just say the obvious, that budgets for these films aren't growing on trees, and a million compromises are made to bring them to life. The writer-director Max Emerson didn't scrimp where it really counted: you'll be hard pressed to turn your attention from Conor Donnally as a disregulated-but-charismatic Jack. Sean Ormond, playing his love interest Tom, also succeeds in the quieter moments he's tasked with. Katie McLellan is at ease onscreen as a family matriarch who's exasperated at her situation but not without compassion, would love to see more of her. And somehow, through Jack's eyes, Emerson manages to make a regional flight to Miami look and feel like an exhilarating jaunt to a foreign country.
It's always cool to get to see a first-time director when they are at their rawest or most candid. Later stuff might be more honed but less alive, the edges dulled. What are you rewatching on a rainy Sunday? Jaws or...The Adventures of TinTin? That's what I thought!
Emerson has a POV that begs several more helpings and I hope they'll be coming!
If you're not convinced yet, there's an epic cameo from standup Tim Murray that's pitch perfect at just the right moment.