In all honesty, Mr. Red Carpet didn't give me a bad first impression. After all, if you compare Mr. Red Carpet to other Chinese New Year films, or even recent films, the audio-visual and even the subject matter of Mr. Red Carpet can be described as superior and eye-opening.
In the many static shots, and long shots with qualified actors scheduling, inevitably see a little art film posture, but the reality is contrary to the wish, when I walked out of the cinema, a lot of viewers around the audience began to complain that "I have never seen such a boring movie," but I still very much like the film's approach to this era! It's quite brilliant in this day and age.
The core of the movie, however, is not worthy of the tone of the movie. The lack of spirituality and inner philosophy puts the movie in a very awkward position, like a spilled paint bucket. It seems like the work of a recent film graduate with a big budget, and still lacks polish. However, there are still some good points in the film, such as the discussion of modern cinema, which fully proves what Pang Zhang, the handbook of proletarian cinema, said, "Cinema can't be separated from the circle", and we can feel that the director, as if he has been hit by the festival many times, spits out his own bitter water.
However, he focuses too much on his own subjective expression and neglects the balance of the overall structure, for example, many of the stream-of-consciousness moments seem a bit redundant with such a dull story, and the showmanship is intentional.
Compared to its contemporaries, the film raises a number of questions about the movie industry that are quite valuable and worth thinking about; the content has potential, but the work lacks polish.
In the many static shots, and long shots with qualified actors scheduling, inevitably see a little art film posture, but the reality is contrary to the wish, when I walked out of the cinema, a lot of viewers around the audience began to complain that "I have never seen such a boring movie," but I still very much like the film's approach to this era! It's quite brilliant in this day and age.
The core of the movie, however, is not worthy of the tone of the movie. The lack of spirituality and inner philosophy puts the movie in a very awkward position, like a spilled paint bucket. It seems like the work of a recent film graduate with a big budget, and still lacks polish. However, there are still some good points in the film, such as the discussion of modern cinema, which fully proves what Pang Zhang, the handbook of proletarian cinema, said, "Cinema can't be separated from the circle", and we can feel that the director, as if he has been hit by the festival many times, spits out his own bitter water.
However, he focuses too much on his own subjective expression and neglects the balance of the overall structure, for example, many of the stream-of-consciousness moments seem a bit redundant with such a dull story, and the showmanship is intentional.
Compared to its contemporaries, the film raises a number of questions about the movie industry that are quite valuable and worth thinking about; the content has potential, but the work lacks polish.