Comparison between extreme wide shots of beautiful and even magical nature and close-up of faces of agony and shots of cramped space of broken aircraft creates a bizarre sense of incompatibility. To heighten the reality of the movie, the crew and actors really put in all the effort, and I can even see that. Location filming, set design, and weight loss take a big part in transporting the audience back to that winter in 1972 and to the deep pile of snow somewhere in the Andes. Enzo Vogrincic's performance is applaudable. He describes the events from a step behind from the crowd, but he is still a part of the team. He maintains that balance perfectly. He does not seem too detached but still sees everything from above.