This, the last of the five Westerns directed by Anthony Mann and starring James Stewart is also the third of their collaborations in this particular genre with screen writer Borden Chase and typifies the characters and conflicts associated with Chase's work as well as featuring stunning cinematography of its Canadian locations by veteran William H. Daniels.
Chase's 'Dr. Broadway' had provided the basis for Mann's first film and Mann had been suggested by Stewart to direct 'Winchester '73' after Fritz Lang had pulled out, feeling that Stewart was unsuitable casting(!) These three were made for each other with Borden's writing and Mann's direction perfectly suited to Stewart's tougher, more cynical post-war persona.
An outstanding element in Mann's westerns is the sometimes uneasy relationships between men and women in a milieu of action and violence and this film is certainly no exception with a fascinating dynamic between the equally self-willed characters played by Stewart and Ruth Roman whilst Stewart is particularly gifted at portraying the emotional ambivalence of the action hero.
The supporting characters, although stereotypical, are given true substance by Walter Brennan, Jay C. Flippen, a chilling Robert J. Wilkie and a gloriously unsavoury John McIntire.
The film's intensity, brutality and final shoot out look ahead to Mann's final and arguably greatest western, "Man of the West'.
Mann's films of this period were alas destined to be underrated by the 'cultivated' American critics but were at least appreciated by the French whilst much-loved James Stewart reigns as one of Hollywood's most complete actor-personalities.
Chase's 'Dr. Broadway' had provided the basis for Mann's first film and Mann had been suggested by Stewart to direct 'Winchester '73' after Fritz Lang had pulled out, feeling that Stewart was unsuitable casting(!) These three were made for each other with Borden's writing and Mann's direction perfectly suited to Stewart's tougher, more cynical post-war persona.
An outstanding element in Mann's westerns is the sometimes uneasy relationships between men and women in a milieu of action and violence and this film is certainly no exception with a fascinating dynamic between the equally self-willed characters played by Stewart and Ruth Roman whilst Stewart is particularly gifted at portraying the emotional ambivalence of the action hero.
The supporting characters, although stereotypical, are given true substance by Walter Brennan, Jay C. Flippen, a chilling Robert J. Wilkie and a gloriously unsavoury John McIntire.
The film's intensity, brutality and final shoot out look ahead to Mann's final and arguably greatest western, "Man of the West'.
Mann's films of this period were alas destined to be underrated by the 'cultivated' American critics but were at least appreciated by the French whilst much-loved James Stewart reigns as one of Hollywood's most complete actor-personalities.