It's funny to see people who no doubt gushed over "Perfect Days" dismiss "Evil Does Not Exist" as "boring" and "obscure". Like PD, it begins by following a man's quotidian routine: chopping wood, drawing water, identifying wild plants, teaching his daughter the names of trees. Perhaps the fact that he lives in a mountain town of no architectural or historical significance is what turns them off, but I found Takumi's activities as riveting as those of PD's public toilet cleaner.
As in "Drive My Car", we're exposed to a Japan that a few visitors--including many Japanese--have seen. As someone who was raised in Japan and returns regularly, I was thrilled to see a mountain location like the places I visited last year. I also found the plot--the incursion of a glamping company on the town's pristine land--riveting. What began as a fight-the-power, urban-rural plot turned out completely differently from the norm, a surprise I'm still thinking about days later.
As in "Drive My Car", we're exposed to a Japan that a few visitors--including many Japanese--have seen. As someone who was raised in Japan and returns regularly, I was thrilled to see a mountain location like the places I visited last year. I also found the plot--the incursion of a glamping company on the town's pristine land--riveting. What began as a fight-the-power, urban-rural plot turned out completely differently from the norm, a surprise I'm still thinking about days later.