Directed by
| Cecil B. DeMille | ||
Writing Credits
| Walter DeLeon | ... | (screen play) & |
| C. Gardner Sullivan | ... | (screen play) and |
| Jesse Lasky Jr. | ... | (screen play) |
| Jack Cunningham | ... | (adaptation) |
| Ernest Haycox | ... | (story) |
| Frederick Hazlitt Brennan | ... | (contributor to treatment) (uncredited) |
| Ernest Haycox | ... | (novel) (uncredited) |
| Jeanie Macpherson | ... | (contributor to screenplay construction) (uncredited) |
| Stanley Rauh | ... | (uncredited) |
Cast (in credits order) verified as complete
Produced by
| Cecil B. DeMille | ... | producer |
| William LeBaron | ... | executive producer |
| William H. Pine | ... | associate producer |
Music by
| Sigmund Krumgold | ||
| John Leipold | ||
| Gerard Carbonara | ... | (uncredited) |
| Leo Shuken | ... | (uncredited) |
| Victor Young | ... | (uncredited) |
Cinematography by
| Victor Milner | ... | (photographed by) |
Editing by
| Anne Bauchens | ... | (edited by) |
Art Direction by
| Roland Anderson | ||
| Hans Dreier | ||
Costume Design by
| Natalie Visart | ... | (as Visart) (costumes) |
Second Unit Director or Assistant Director
| Arthur Rosson | ... | second unit director |
| Charles Barton | ... | assistant director (uncredited) |
| James P. Hogan | ... | third unit director (uncredited) |
| Edward Salven | ... | assistant director (uncredited) |
| Harry Scott | ... | assistant director (uncredited) |
Art Department
| A.E. Freudeman | ... | interior decorator |
| Russ Brown | ... | props (uncredited) |
| Dan Sayre Groesback | ... | scene artist (uncredited) |
| Michael D. Moore | ... | props (uncredited) |
Sound Department
| John Cope | ... | sound recordist |
| Harry Lindgren | ... | sound recordist |
| Loren L. Ryder | ... | re-recording mixer (uncredited) |
| George Tomasini | ... | sound effects editor (uncredited) |
Special Effects by
| Barney Wolff | ... | special effects (uncredited) |
Visual Effects by
| Farciot Edouart | ... | process photography |
| Gordon Jennings | ... | special photographic effects |
| Dewey Wrigley | ... | process photography |
| Jan Domela | ... | matte artist (uncredited) |
| Paul K. Lerpae | ... | optical cinematography (uncredited) |
Stunts
| Noble Johnson | ... | stunts (uncredited) |
| Ted Mapes | ... | stunt double: Joel McCrea (uncredited) |
| Greg Whitespear | ... | stunts (uncredited) |
| Mary Wiggins | ... | stunt double: Barbara Stanwyck (uncredited) |
| Duke York | ... | stunts (uncredited) |
Camera and Electrical Department
| Harry Hallenberger | ... | camera operator: second unit (uncredited) |
Costume and Wardrobe Department
| Edna Shotwell | ... | wardrobe (uncredited) |
Editorial Department
| Carley Livingston | ... | assistant editor (uncredited) |
Location Management
| L.R. Davison | ... | location auditor (uncredited) |
Music Department
| George Antheil | ... | composer: stock music (uncredited) |
| Charles Bradshaw | ... | music adaptor (uncredited) |
| Louis Lipstone | ... | musical director (uncredited) |
| Irvin Talbot | ... | conductor (uncredited) |
Script and Continuity Department
| Hogan | ... | script clerk (uncredited) |
Additional Crew
| Edwin Maxwell | ... | dialogue supervisor |
| Lucius Beebe | ... | technical advisor (uncredited) |
| Charles Chamberlain | ... | technical advisor: Union Pacific Railroad (uncredited) |
| A.C. Zoulis | ... | chief engineer (uncredited) |
