Regie | |||
| Eli Roth | |||
Buch | ||
| Eli Roth | (geschrieben von) and | |
| Randy Pearlstein | (geschrieben von) | |
| Eli Roth | (Geschichte) | |
Produktion | |||
| Evan Astrowsky | .... | Produzent | |
| Sam Froelich | .... | Produzent | |
| Jeffrey D. Hoffman | .... | Mitausführender Produzent | |
| Susan Jackson | .... | Ausführender Produzent | |
| Lauren Moews | .... | Produzent | |
| Eli Roth | .... | Produzent | |
Originalmusik | |||
| Angelo Badalamenti | |||
| Nathan Barr | |||
Kamera | |||
| Scott Kevan | |||
Schnitt | |||
| Ryan Folsey | |||
Casting | |||
| Joe Adams | |||
| Ayo Davis | |||
Szenenbild | |||
| Franco-Giacomo Carbone | |||
Kostüme | |||
| Paloma Soledad | |||
Maske/Frisuren | |||
| Jessica Elder | .... | Maskenbildner | |
| Joan Shay | .... | Leiter Haarstudio | |
Produktionsleiter (production managers) | |||
| Claudia Carey | .... | produzierender Set-Aufnahmeleiter | |
Regieassistenten | |||
| M.C. 'Max' Berryhill | .... | first assistant director: second unit | |
| M.C. 'Max' Berryhill | .... | Zweiter Regieassistent | |
| Susan DeWeese | .... | Erster Regieassistent | |
| Susan McGuire | .... | Erster Regieassistent | |
Ausstattung (Stab) | |||
| Tommy Estridge | .... | Assistenz Requisite | |
| Richard A. Mazzochi | .... | Requisite | |
| Charles B. Walker | .... | Assistenz Set-Einrichter | |
Ton Stab | |||
| Pembrooke Andrews | .... | Tonschnitt | |
| Brian Best | .... | Tonschnittleitung | |
| Jeffree Bloomer | .... | Filmtonmeister | |
| Lance Brown | .... | Tonmischung (Postproduktion) | |
| Timothy A. Carpenter | .... | Mischung Geräusche | |
| Timothy A. Carpenter | .... | Tonmischung (Postproduktion) | |
| William Cawley | .... | Toneffektschnitt | |
| Brion Condon | .... | boom operator: Los Angeles | |
| David P. Earle | .... | Toneffektschnitt | |
| Frederick Howard | .... | Leiter Geräusche | |
| Steve Mann | .... | Toneffektschnitt | |
| Marc Meyer | .... | Toneffektschnitt | |
| Shelley Roden | .... | Geräuschemacher (als Shelley Smith) | |
| Scott Solan | .... | Tonangler | |
| Joseph Tsai | .... | Toneffektschnitt | |
| Steve Weiss | .... | sound mixer: Los Angeles | |
| Aaron Wilcox | .... | facilities management | |
| Aaron Wilcox | .... | re-recording projectionist | |
| J. Aloysius Flanagan III | .... | Tonmischassistenz (Endfassung) (nicht im Abspann) | |
Spezialeffekte | |||
| Howard Berger | .... | special makeup effects supervisor | |
| Chiz Hasegawa | .... | Koordinator: KNB EFX Group | |
| Garrett Immel | .... | key special makeup effects artist and set supervisor | |
| Robert Kurtzman | .... | special makeup effects supervisor | |
| Gregory Nicotero | .... | special makeup effects supervisor | |
| Scott Patton | .... | Bildhauer | |
| Alan Tuskes | .... | special makeup effects crew | |
Visual Effects | |||
| Steven Emmert | .... | optical compositor: THDX | |
| Scott Grossman | .... | poster design | |
| Scott Grossman | .... | title design | |
| Erick Schiele | .... | poster design | |
| Erick Schiele | .... | title design | |
| Jan S. Owen | .... | visual effects producer: Pacific Title (nicht im Abspann) | |
Stunts | |||
| John Copeman | .... | Stuntkoordinator | |
| Dino Muccio | .... | Stunts | |
Kamera und Elektrik (Stab) | |||
| Robin Acutt | .... | Oberbeleuchter | |
| Casey Alicino | .... | Keygrip | |
| Raymond Benthall | .... | set electrician | |
| Nathan Crum | .... | Kamerabestückung | |
| Julie Donovan | .... | Erster Kameraassistent | |
| Bryan Haigh | .... | zweite Kameraassistenz | |
| C. David Jones | .... | Grip | |
| Eric Leach | .... | director of photography: second unit | |
| Michael Lowrance | .... | Beleuchtung | |
| Dominic Mainl | .... | Erster Kameraassistent | |
| Benjamin Root | .... | Jib Operator | |
| Derek E. Tindall | .... | erster Lichttechniker | |
| David Troutman | .... | Beleuchtung | |
Casting (Stab) | |||
| Jordan Beswick | .... | zusätzliches Casting | |
| Mitzi Corrigan | .... | Casting: North Carolina | |
Kostüm und Garderobe (Stab) | |||
| Juli Trotter | .... | Garderobenassistenz | |
Schnitt (Stab) | |||
| Jennie Blackwood | .... | Koordinator Postproduktion | |
| Erica Mireles Folsey | .... | Schnittassistenz (als Erica Acevedo) | |
| Harry Muller | .... | Lichtbestimmung | |
| Kelly Reese | .... | telecine colorist: high definition | |
| Chris Regan | .... | Lichtbestimmung | |
Musik (Stab) | |||
| Michael Farrow | .... | Filmmusikmischer | |
| Christine H. Luethje | .... | Musikschnitt | |
| Brian Richards | .... | Musikschnitt | |
| Mark Skillingberg | .... | Assistenz Musikschnitt | |
Transporte | |||
| Paul Feddersen | .... | transportation coordinator: Los Angeles | |
| D.J. Hall | .... | Filmwagenkoordinator | |
| D.J. Hall | .... | Co-Transportleiter | |
| Hugo Ocana | .... | Fahrer | |
| Colleen Rea | .... | Fahrer: Los Angeles | |
| Lew Strong | .... | Fahrer | |
Restlicher Stab | |||
| Jennie Blackwood | .... | Assistenz Filmgeschäftsführung | |
| Barry L. Caldwell | .... | Script Supervisor | |
| Sam Childs | .... | Filmgeschäftsführung Produktion | |
| Crystal Connell | .... | Erfrischungen | |
| Andrew Daniel | .... | Produktionsassistent | |
| Chantelle Grady | .... | Sekretär Produktion | |
| Michael Hayworth | .... | Produktionsassistent | |
| Pascual Romero | .... | promotional consultant | |
| Gabriel Roth | .... | documentarian | |
| Barbara Rushworth | .... | Assistenz des Produzenten | |
| Lindsay Vivian | .... | Produktionsassistent | |
| Mark Garbett | .... | Produktionsassistent (nicht im Abspann) | |
Widmungen und Dankeschöns | |||
| Angelo Badalamenti | .... | ganz besonderer Dank | |
| George Folsey Jr. | .... | ganz besonderer Dank | |
| Michael Hassan | .... | ganz besonderer Dank | |
| Rich Hassan | .... | ganz besonderer Dank | |
| David Lynch | .... | ganz besonderer Dank | |
| Michael Rosenbaum | .... | Besonderer Dank an | |
| Andy Sawyer | .... | ganz besonderer Dank | |
| Darren Thomas | .... | Besonderer Dank an | |
| Beteiligte Firmen | Technische Angaben | Hauptübersicht |