An allegorical offering, suggesting "The Servant in the House" and like productions. King Baggott, as the shepherd, descends into the city, where he prevents a married woman from throwing herself away on a stranger. The scenes are well pictured and when the shepherd returns to his flocks we feel that he has accomplished some good for mankind by his journey into the world. Not powerful, but strong in motive and thought-compelling. - The Moving Picture World, April 19, 1913
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