These pictures setting forth the story of the well-known ballad are made more effective by a pale buff tint, giving an unreal, poetic atmosphere. The scenes are skillfully arranged and arc for the most part full of merit, although the acting is somewhat stilted and unnatural. The entrance to the church in which the young judge married the rich bride was much too modern for a picture of Maud Muller's story. The picture is true enough and good enough to be more than merely acceptable, but to say that it is an adequate representation of Whittier's poem would hardly be true. - The Moving Picture World, October 21, 1911
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