User Reviews

"Candy" is one of those films where you walk away feeling a little bit stunned by the awful reality it exposes. It is not a pretty film nor a pretty subject, but as another "drug" film, at least we can feel an empathy for the main characters,whilst the horror of heroin addiction is still depicted.

It is this balance that sets "Candy" apart from many other druggie pics.The love between Candy and Dan is very real. Affectionate, painful,hopeful and hopeless, it transcends the heroin story to the extent where we really hope everything will work out for them; though we're taken on the ride of rapid decline so familiar with this drug.

Much credit for this balance lies with an excellent story and direction from Neil Armfeld (more familiar with theatre in Australia), and some superb acting from Heath Ledger and Abbie Cornish in the leads.Geoffrey Rush has a delicious support role as Dan's friend Casper,a "mentor" whom we suspect is a little tormented by his own influences.Tony Martin and Noni Hazelhurst round out the main supports as Candy's suffering parents,loving but helpless as they observe their daughter's descent into a world they never knew.

Like drug problems in real life, all the characters enmeshed in the mess are frail, vulnerable,emotional and ill. They are good and bad.They blame each other and themselves. They look everywhere for solutions that might work,yet we suspect the ultimate solution is too difficult.

I suspect that in years to come,this will become one of the ultimate drug pics to show to teenagers. Not hopeless like Trainspotting,nor in anyway melodramatic like so many others(Clean and sober,28 days etc..), it shows the horrors of drug addiction whilst maintaining its humanity.The ending may be disappointing for some, but it remains true to the love, hope and uncertainty central to this film and to anyone who lives with recovery.

Despite a couple of good reviews, I approached this film with foreboding. Movies about junkies in love, taken from searing autobiographical first novels are usually not what I would call entertaining, though there have been worthy earlier Australian efforts such as "Winter of Our Dreams" (with Judy Davis and Bryan Brown) and "Monkey Grip" (which starred Noni Hazelhurst and Colin Friels). As "Trainspotting" showed it is possible to be light –hearted about drugs and addiction but the storyline here is far from cheering and there is no Hollywood-style happy ending. However it did not turn out as gruesome as I feared it might.

This was partly because of two stunning performances by Heath Ledger and Abbie Cornish as the not very happy couple, Dan and Candy. Somehow, Heath got it just right as the shambling, disorganized, would-be poet, who is nonetheless capable of pulling off an effective scam when required. Abbie gave us a beautiful, headstrong and dangerous Candy. Their scenes together are as intense and as convincing as you will get in the movies. They were both well supported by Tony Martin and Nonie Hazlehurst as Candy's parents and Geoffrey Rush as their supplier and friend Casper. Geoffrey Rush is a dangerous actor to use in a supporting role because of his ability to steal scenes, but he produces a wonderfully ambiguous character as a counterpoint to the intensity of the leads.

Caspar makes an interesting remark about drug usage: "When you're on it you don't want to stop, when you want to stop you can't." Artists have particular trouble since they see drugs as feeding creativity. Even so, some people break the habit. I hate to use the term "self–discipline" but that and the support of those close to you seem to be crucial factors. Being in love with another addict does not seem to be a great help, for obvious reasons. The Thought Police will be pleased that drug-taking is not glamourised and Dan and Candy's experiences are a mite painful, but the movie does not take a judgmental stance. If we had to have another movie about junkies in love, this is the one.

You could write this off as another story about addiction and the destruction resulting from it, but there's more here. The love story between Ledger and Cornish is a constant throughout, with a great line on how their addiction affects not only their own relationship, but their relationships with others: parents, friends, acquaintances.

Abby Cornish is especially good as the art girl turned junkie prostitute; her fall into addiction and the changes it makes in her life are much more effective than Ledger's portrayal of a junkie in love.

The parents in the movie are excellent, from subtle facial expressions to drag-out fights with their dope fiend daughter. They act much as you would expect parents to act, or at least hope they would act.

The ending dropped the ball a little, but maybe they ran out of budget. In any case, I would watch it again. It's realistic, gritty, romantic and a good case study of how drugs can ruin the most intense love.

Saw this last night at Greater Union, Tuggerah. There were about 10 of us and only 3 of us loved it..But to put it in perspective, the others were more keen on seeing Click and The Fast And The Furious: Tokyo Drift:-)

I thought it was a good movie, but lacked some character depth in places. Heath Ledger was good, but it was really Abbie Cornish (so exceptional in Somersault as well) and Geoffrey Rush who were outstanding. Abbie Cornish is amazing as Candy, she truly lives and breathes the role, except in the last scene, where I thought her character didn't really match the emotion shown by Heath Ledger's character. That was Heath's finest scene for me, the way he was able to portray so much emotion without saying anything at all.

Tony Martin and Noni Hazelhurst were good in their small time on screen, but again, the relationship breakdown between Candy and her Mum wasn't really explored which didn't really help when she goes off at her Mum and starts screaming at her for ruining her life..

Great direction by Neil Armfield and this was really a movie about Heath and Abbie's characters dependence on drugs and on each other through their ordeal. Some of the things they do to obtain drugs and the money to buy drugs is shocking, but to them just a necessity to obtain ways and means of getting "a fix".

As good as this movie was, if you liked Candy, please take time to see an earlier Australian movie from a few years ago called Head On by Anna Kikkonos (I think that's her name). It stars Alex Dimitraides and is a much better exploration of the drug scene.

Overall, Candy is a worthy addition to the local Australian cinema and I'm glad I was able to enjoy this movie. Definitely worth a look for the performances by Abbie Cornish, Geoffrey Rush and Heath Ledger

If there is any one movie I would ever recommend to discourage someone from trying Heroin or even to stop someone who is doing it this is the movie I would show them.

I was somewhat blasé when my girlfriend chose this as our weekly movie that we go see, personally I actually wanted to go see Superman Returns, possibly because it had Heath Ledger in it, possibly because it was just another druggie movie. I'm still not sure whether we should have just gone to see Superman, not because it was a bad movie, quite the opposite. I have to say that this is one of the best movies I have ever seen (and that is quite a claim I know), but I don't think that I could ever see it again.

That said, I would definitely recommend this to you all. It is a brilliant piece, frighteningly realistic, intense and very powerful. I never wanted to try Heroin ever and this film certainly hit that home. If I ever hear someone say they want to try it normally I would just call them an idiot and leave it alone, but now I think I would absolutely go off at them. This movie certainly cannot be accused of glorifying drugs.

Heath Ledger and Abbie Cornish totally made this movie their own. Their chemistry is at times absolutely beautiful and wonderful, and at other times frightening and unnerving. The number one feeling this movie left me with was quite uncomfortable and also somewhat disturbed. And that I believe is exactly what this movie was attempting to do, realism at it's best. Berthold Brecht himself couldn't have done better himself.

I've never seen Abbie Cornish in anything else before this, but if her other work is as brilliant as her performance as Candy in this film, point me in it's direction. Abbie was absolutely brilliant, especially in the wide range of emotions and personalities she had to portray.

My one criticism for this film (if you could call it a criticism) is that it may be too realistic (it is almost as if someone had just filmed this couple's life and put it in the cinema) and some scenes could be somewhat disturbing for some people but I believe that is the point of the film. Call it a warning.

I know this isn't exactly the most well written review and I hope it makes sense, but this is one film I have actually been motivated to write a review about and I thoroughly recommend it to anyone.

This movie or better it's premise is completely dependent on it's actors. If they wouldn't deliver, the movie would fall apart. Just because it does not have the strength of a complex story and is character driven.

But if you see it as an character driven story, as you should, then you will be amazed by the two lead players (and Geoffrey Rush). I wasn't so sure about Heath Ledger, because of his teen comedy past, but this guy can act. If you don't believe that, watch this movie! And sure enough, he will leave his mark on the Batman franchise too (the upcoming Dark Knight Sequel).

But be also aware of the fact, that this is a drama about drug addicts. If you cannot cope with that, don't watch the movie!

What a gripping film this is, not because of the enormous tragedy of its characters, but because of their goodness. Another user suggested ''Trainspotting'' meets ''Romeo + Juliet'' which I believe is an apt summary of Neil Armfield's Aussie gem Candy – the kind of film that takes you and shakes you with harrowing bleak portrayals juxtaposed with the euphoric state of romance. Although it is not devoid of faults, the film trumps most other films I've seen this year at the Stockholm Film Festival because of sheer emotional impact.

But Candy opens on a hypnotic note of false security; lovable slacker Dan (Heath Ledger) and bohemian art student Candy (Abbie Cornish) indulge in drug-induced games, smiling, laughing, kissing, even playing with children. In the next scene Candy almost ODs in the bathtub, and the film bravely swoops down and offers us a look at something infinitely more unpleasant: drug addiction. Indeed, 'Candy' was largely being advertised as a romance for reasons I cannot pretend to understand, other than perhaps the shock factor in abandoning gushy romance for a bruised reality. The truth of the matter is that it offers one of the most unflinching looks into seedy junkie lives since Reqiuem For a Dream.

The cast give fine and sometimes even excellent performances. Geoffrey Rush lends his dutiful Aussie charm to the supporting role of an 'accidental mentor' of sorts to Dan and Candy – "the father I always wanted, the one who buys you fizzy drinks and candy", remarks Dan in the introduction and we thereby know early on that his character is perhaps not a flawless or ethical one. Ledger is constantly pending between likable and loser in the film, and it is thanks to his apt narrative of events that he remains so well centred in the heart of 'Candy' (which should rightfully be titled 'Dan'). As a clever technique by first-time director Armfield, Ledger's soft-spoken narrative becomes punctured, mercilessly abandoning us in a time when we need it the most – when the seedy circumstances become too dire.

But the big surprise is Abbie Cornish who is now regrettably stirring up more buzz with the Phillippe-Witherspoon split than with her remarkably bruised performance as the tragic heroine, Candy. She captures the escalating despair, desperation and nihilism of her character effortlessly and translates it with great emotional transparency. Soon she has resorted to full-time prostitution to get money for hits, and it is just heartrending. In particular there is a poignant and emotional scene with Candy and her father embracing after a shocking bit of news that cements the chaos Dan and Candy have gotten themselves in.

Interestingly enough, 'Candy' is explicitly divided into three titled segments that pop up on the screen: heaven, earth and hell and it does a great job at portraying all three, uninhibitedly navigating the contrasts that form at their transitions. The soft-spoken words, love-making, drug-induced romantic euphoria and intimate caressing of the 'heaven' segment render 'hell' all the more harrowing, although I must remark that I found 'earth' to be by far the most graphic and difficult to watch. This can best be attributed to the scenes in which Dan and Candy try to lose their heroin addictions and lay suffering for days on a mattress, Trainspotting-style.

In the end, 'Candy' remains – much like its peers, a cautionary tale of the horrors of drug life and how addiction can mess you up, and mess with relationships. Although there are few discernible flaws that jump out and grab you, the attempted humour simply isn't in-tune and it is needed as a tension-easer at times. Owing to this, Candy sadly offers little light at the end of the tunnel and it is far too easy to lose yourself in the gloom hopelessness. Yet most of this is compensated for by great performances of intrinsically good people that you cannot help rooting for, as Dan says: "Everything we ever did we did with the best of intentions."

8 out of 10

Absolutely everyone should agree that Heath and Abbie put on excellent acting. They were very good. The division of the story into three parts and the special emotions felt by all three parts become more impressive with excellent acting. A beautiful story beautifully told. It is definitely leading in the movies I will never forget. And I have to say that as someone who has watched Heath Ledger's filmography, his best performance is Candy for me.

Candy A film based in Australia that revolves around the lives of two junkies Candy (Cornish) and Dan (Ledger) trying to live normal and functional lives.

This intriguing analysis of drug abuse acts as a powerful deterrent to viewers. Armfield guides us through the washed up lives of these addicts. We watch their relationship, health and happiness deteriorate as the film progresses. There is one point when they try to give up the drug which is an unorthodox and emotional sequence. Armfield's wacky and weird camera shots maximise the effect of disorientation which makes the viewer feel as if they were with Candy and Dan feeling the shocking effects of their cold turkey.

The performances were ultimately superb, Ledger's depiction of hopeless junkie Dan was obscenely great, it also somewhat of an irony that Ledger later passed away on an overdose of pills. Cormish was also superb, her deterioration was captured perfectly. Both characters created a fantastic aura on screen, they had to really to carry the film, i was entertained throughout by their accurate acting.

The cinematography was also masterful, the widely unorthodox camera shots were fitting and subtle.

However, while this film is a sublime piece of cinematographic art, the underlying story here lacks depth and there's not much to it here. Due to this, i couldn't bring myself to up my rating.

In spite of this, this is a great piece of cinema that i would recommend to anyone, yet beware this isn't for the faint hearted! 7.5/10

'Candy' will probably garner several AFI awards later this year. Ledger is Dan, a troubled and likable juvenile-come-poet who is in love with Cornish's Candy, a sometimes-practicing artist who falls head first in love with Dan and heroin. Ledger's understated performance gives Dan a boyish vulnerability that would otherwise leave him less sympathetic. And his ability to use his face and especially his eyes to communicate Dan's uncanny reluctance is both staggering and understandable. There are many moments where silence is used to express emotions in this film and Armfield deserves to be commended for his restraint and trust in his actors and the narrative. The script by co-writer and author Davies is decidedly different from the novel but nonetheless strong and taut. It's rarely melodramatic and has been manipulated more for it's performers and their execution on screen rather than resigning itself as merely an adaptation of a great novel. The result here provides superb cinematic balance. Cornish too is brilliant, often abrasive as the troubled artist. Rush is also amazing and understated as Casper, Dan's older homosexual friend. Hazelhurst reprises her role in 'Little Fish' but to less effect. She is great, but those who have seen 'Little Fish' will find her casting a little too convenient. Martin too is good with the little he is dealt. The only thing that stops 'Candy' from being superb is the material. It is too familiar and the characters are too stereotypical. Had this film been made before countless others in the 'drug-film' genre this would have been more refreshing (although the denouement is a much welcomed change). But sadly it isn't. This in turn is nobody's fault. It's just been exploited too many times. The only thing that isn't stereotypical is Dan who is the backbone of the narrative. Ledger has made it his own and could have mimicked any drug-stricken angsty protagonist the 'genre' has spat out. Instead he has made him a hero.

Stories about the cruel annihilation of physical, emotional and spiritual lives that follow addiction to drugs appear to be constant sources for films. If seeing the destruction of people's lives when they become addicted to drugs helps those who are on the teetering brink of trying heavy drugs to avoid the fall, then these films are well worth the making. Yet if the constant barrage of stories such as this one fails there, then the reason for continuing this line of film-making is questionable and wearing. Such is the case for this very well acted, directed and produced little film from Australia.

Based on Luke Davies' novel "Candy: A Novel of Love and Addiction" and adapted for the screen by Davies and director Neil Armfield, this story is divided into thirds: heaven, earth, and hell, unfortunately leaving the audience in the final category. Dan (Heath Ledger) is a poet who drifts around living off loans from friends. He is deeply in love with young artist Candy (the very beautiful and talented Abbie Cornish) and together they use drugs, advancing to heroin through the encouraging pastime of Professor Casper (Geoffrey Rush) who manages his addiction rather well and maintains a live-in lad Jorge (an impressive little debut by Roberto Meza-Mont). Dan and Candy explore their passion and love with the enhancement of drugs: this is the 'heaven' segment. But their disconnected relationship is questioned by Candy's parents (Tony Martin and Noni Hazlehurst) and when Candy announces their engagement, her parents fear the lack of character that Dan represents. Dan and Candy marry, now completely addicted to drugs, live in a ware house, and without income Candy turns to being a hooker and Dan tries to become a male hustler with out success, finding it easier to steal credit cards and explore fraud: this section is 'earth'. Candy becomes pregnant and the couple decides to go clean, suffering together the withdrawal that eventually leads to Candy's miscarriage, an event that breaks the spirit of everyone around them. They see the need to be clean and they move to a shack house outside Melbourne where they attempt to find a new start only to go back to drugs (hell episode has started) and Candy descends into psychosis, gradually ending up institutionalized. Drugs have fractured Dan's and Candy's love, their family ties and even their relationship with Casper and the few other friends they have.

The film is unrelentingly dark except for the few moments in the heaven portion when the passion and love of the couple is radiant. Ledger and Cornish are superb if a bit flat due to the storyline, Rush delivers his usual fine acting and Martin and Hazlehurst show significant talent in tough roles. The problem with the film is its overdrawn length about a situation that changes very little: there is no arc to the storyline, just a constant unrelenting descent in to the abyss of self-destruction that accompanies the devastation of drug addiction. But if the viewer doesn't mind a story with no light at the end then this is a very well done film from a solid crew. Grady Harp

A sad and tragic movie. It reminds me that life is more than fulfilling personal needs. I enjoyed the performances of Heath Ledger, Abbie Cornish and Geof Rush. I don't recommend watching this unless you are ready for a more heavy subject matter. This is a good movie to show to people who think recreational drug use is just recreational.Addiction is serious, just turn on the news and see famous celebrities ruin their lives. On a lighter note, I just wanted to go to my favorite candy site www.candy geek.com to order normal and safe candy. I truly hope that people who see this movie take the time and reach out to those struggling with addiction. I for one am convinced that no one can ignore drug issues or problems.

Here is the story of a teen couple, who struggle to have a family and live life together. There are some violent scenes, which reflect the reality, and that is what makes the movie a fine drama. I watched it because I was curious to see Ledger acting as a drug-addict, and I think he did pretty well his job, and Abbie, too. It lasted a bit longer than I expected, all the action it was very extended and I got bored at the middle. I wouldn't watch this movie for a second time, but I've seen worse films than this one. It was educative in its way, and young teenagers will see the real life of drugs, which is not a joke, a dream, nothing fun, and obviously not to play with it, because it can ruin your life.

Amazing but harsh Candy is 'Trainspotting' meets 'Romeo and Juliet'. Opening with a haunting melody and the two lovers on a fairground ride it feels very picturesque and idealistic, but that doesn't last very long I'm afraid. Mixing poetic voice-overs and montages of the pair involved in each other as the world orbits around them they are so in love and oblivious and addicted. Told in a triptych the first third of the film is called 'heaven' and deals with the honeymoon period of the relationship, the second third is called 'earth' and deals with the start of the end and it doesn't take a genius to work out that the third is called 'hell' and is just that. Candy and Dan are addicted to each other and addicted to heroin. They steal, lie, cheat and wheel and deal, whatever it takes to get the cash they need for the next fix, but when the fixes are few and far between there becomes no limit to how far they will go. Heath Ledger and Abbie Cornish are brilliant as the arm spiked lovers who both brood with an intensity that shines out when they are acting being on drugs or the brutal scenes when they are trying to come off them. They are mesmerising to watch and at all times you either hate them for how much they are destroying each other or empathise with them for what they are going through. You can't help but go through the experience with them because it is so graphic and not unlike the needles gets right under your skin. Geoffrey Rush who plays a strange semi-gay drugged up Uncle Monty type character, who not only supplies but manufactures some of the drugs for the pair and even shoots up with them, is very unnerving as the father figure Dan always wanted but never had. Even the later part of the last third, despite its nature, still holds elements of beauty and I would be surprised if there was a dry eye in the house as the film reaches its climax. If you ever wanted a way to show children the evils of drugs then show them this film, it never glorifies the use of substances and if anything it is garishly honest all the way through, although not an easy watch it is an amazing portrayal of the power that addictions, good or bad, can hold and just how far humans are capable of going for love. This really is a journey into the heart of darkness.

This is a brilliant film featuring an excellent screenplay, outstanding acting and consummate directing.

It is dark but wonderfully romantic. Most importantly, it is truthful. It is an Australian 'Requiem for a dream' but with far greater depth.

It may not be traditionally commercial but who would have thought a film about two gay cowboys would be commercial?

I say well done to the Producer and the whole team for their work. I would also say that this has inspired me to look at Australian theatre directors for future features.

PS. Abbie and Heath were seamless. So good to see talent like these two working together and doing so in Australia.

David Steinhoff CEO Presence Films Sydney Australia

Heath Ledger and Abbie Cornish play Dan and Candy, two young bohemians who fall madly in love while shooting heroin together. In the beginning, the couple's days are occupied with making love, shoplifting, and having a strung-out wedding day that ends with a lot of giggling over a couple of Big Macs. Despite Candy's disapproving parents, they cling to each other with a fierceness that shuts out any and all outside criticism. When funds or drugs are low they pop by the house of a pharmacology professor named Casper (Geoffrey Rush), who uses his professional expertise to supply them with pharmaceutical-grade heroin. As the reality of their addiction creeps to the forefront, they must turn to desperate measures to get their fix...

Candy is one of the most beautiful and poignant films I have seen lately. It's extremely rare for me to feel the need to re-watch a film immediately after the first viewing but that's exactly what happened with Candy. I didn't, of course. I rather let the film sink in and then watch it again after a couple of weeks or months but it goes to show you how much I enjoyed the film. Candy starts with the two main characters entering some sort of rotating device ( a futuristic carousel if you will) along with a bunch of kids while the famous "Song to the Siren" plays on the background. From that moment I knew I was watching something special and I also knew that Candy, just like the rotating device, would be a hell of a ride. And I was right. The film is a realistic portrayal of what addiction does to people and shows the several stages of Dan and Candy's relationship. Because of its realism, the film can be hard to watch at times but I think every single scene in the film is absolutely necessary to tell the story effectively.

Candy was beautifully shot and the soundtrack is mesmerizing. There's a lot of conceptual scenes that add to the depth and poignancy of the film and that show the director's unique vision. Yes, heroin abuse has been documented in many films but there's something very special and beautiful about Candy. Both Ledger and Cornish deliver terrific performances. They displayed a huge amount of talent and it was some of the finest acting I have ever seen. I think it's absurd how Heath won an Oscar for his performance as the Joker in The Dark Knight (which I thought was completely average) and yet, his brilliant work in Candy was completely over-looked. Overall, a touching, entertaining and absolutely beautiful film that I strongly recommend.

9.5/10

Expect a movie like Requiem with fewer psychological maneuvers, fewer plot lines, and overall, less to relate to. Takes a few emotional cheap hits (shocking events, graphic events) to mimic more subtle suspense and trauma, but overall ends up feeling like it was ineptly produced. Great cast with some reasonable acting, but everything else leaves the plot behind in quality.

Watching this movie may leave you with less the haunting feelings of loss and the violence of a drug ridden life, and more a feeling of witnessing a terrible accident.

Avoid it unless it's on HBO or cable for free.

This film for me is probably the most realistic portrayal of heroin addiction that I have seen. Yes Trainspotting is up there but this film beats it for me. Dan and Candy are a very in love couple and they are also addicted to heroin. The film follows them through their addiction starting with the good times when you are first addicted to each other as well as the drug and you still have some control and are enjoying it. Inevitably considering the theme of addiction things gradually get worse for them with Candy becoming a prostitute and Dan living off of his partner's money from "sleeping with men she hates". I'm not going to say any more about what happens except that Candy's deteriorating mental health also comes into play. Dan and Candy are played beautifully by Heath and Abbie. The writing is fantastic and I (as a recovering heroin addict) couldn't fault the flow of the deterioration with the relationships with family, friends and each other. Heath in particular was fantastic as Dan and really looked right with the greyish tinge to his skin and the not clean hair and dark eyes. Abbie looked too well to look like a true addict although I loved her acting especially towards the end. It's just a brilliant film that at times is a truly painful watch - it definitely took me back to painful memories - and I highly recommend it to anyone but especially fans of the late great Heath.

Intense love story centered on two star-crossed junkies delivers a harrowing and intimate account of heroin addiction, coupled with the association of romantic bliss, to form a bittersweet narrative that can't quite reconcile all thematic intent. From a novel, director Neil Armfield smartly divides the tormented affair into three appropriate acts, each with their own specific relation to the addict's current mentality, and although the script is wonderfully conceived and gracefully plotted, the slightly illogical climax and unfulfilled resolution seemed to undermine so much of a viable integrity found in these powerfully conceived characters. Although the ending was justifiably bittersweet and full of noble intent, a majority of the film spends so much time involving viewers in the realistically engaging performances that one can't help but feel psychologically shortchanged when an erratic and under-explained change in behavior yields the near fruitless finish.

The Australian production gets by with it's admirably impressive portrait into the lives of truly addicted people, though it is the fierce dedication from our leads that will give Candy it's eventual indie longevity. Heath Ledger has never been better, coming from a more natural place then anything else, in a role that seems tailor-made for him to play. Opposite, Abbie Cornish absolutely holds her own as the good girl gone wrong in a noteworthy performance that has already helped gain her a slightly larger reputation in the states. Unfortunately, pronouncement of the great Geoffrey Rush as third-billed is merely a marketing ploy, as he delivers more a glorified cameo then anything else...everyone does since screen time is consumed with this couple's intriguingly warped embrace.

A bit overwrought at times (though circumstance would certainly demand that to a degree) Candy is still a haunting, undeniably powerful sketch of two lover's as addicted to each other as they are to the needle; a film immediately appealing to intense romantics abound.