[[tmz:video id="0_7v7h0e46"]] White sorority girls singin' the n-word ... yep. Question is, should they be thrown out of the Univ. of New Hampshire for their bars ... considering it was all part of a Kanye West sing-along? The Alpha Phi Sorority is now under the microscope of Unh officials for yelling out the n-word in "Gold Digger." Someone posted video of the sorority performance on Facebook, and some people are really pissed. Btw ... New Hampshire is the "Live Free or Die...
- 9/21/2017
- by TMZ Staff
- TMZ
"They'll bend the knee, or I'll destroy them." Sound familiar?
No, it's not the very similar dialogue spoken by Daenerys Targaryen near the beginning og tonight's rich and rewarding Game of Thrones episode ""Eastwatch." These were the words of Stannis Baratheon, rightful heir to the Iron Throne – before he murdered his brother, burned his daughter alive, saw his army slaughtered and died at the business end of a Valyrian steel sword.
Compare and contrast his remark with what Dany tells the Lannister forces she captured after last week's brutal battle.
No, it's not the very similar dialogue spoken by Daenerys Targaryen near the beginning og tonight's rich and rewarding Game of Thrones episode ""Eastwatch." These were the words of Stannis Baratheon, rightful heir to the Iron Throne – before he murdered his brother, burned his daughter alive, saw his army slaughtered and died at the business end of a Valyrian steel sword.
Compare and contrast his remark with what Dany tells the Lannister forces she captured after last week's brutal battle.
- 8/14/2017
- Rollingstone.com
Tonight on Live Free or Die – spring is on the way and that means it’s time for action for all the re-wilders. Colbert sets up a passive line to try and catch some fish but when he returns to get it his whole trotline is gone. Luckily he finds it a bit further downstream, washed away by the current. The ever-ambitious Amelia and Tony decide they want some power and start constructing a windmill to generate electricity. But will they be able to pull of this tricky construction? Thorn is trying to make the most of the last of the...read more...
- 9/12/2016
- by James Wray
- Monsters and Critics
On Live Free or Die tonight – winter approaches and Matt needs shelter but Amelia and Tony have more than basics in mind. Matt really needs to get on with building a substantial shelter so he can survive the harsh weather but he is also hungry and traps don’t set themselves. Meantime, Amelia and Tony continue to improve their homestead and decide it is time for a proper bath. After all what could be better after a hard day working on the small holding than soaking your aching muscles in a hot bath. Colbert has worries too, but his are to...read more...
- 9/5/2016
- by James Wray
- Monsters and Critics
Tonight on Live Free or Die the race is on to preserve precious food before it spoils. Tony and Amelia construct a solar dehydrator to speed up the drying of their deer meat and Thorn is busy trying to preserve his hog meat. Meantime, Colbert is using his trapping skills to sort out a coyote problem for the friend. He gets to keep the pelts, which he can sell in order to raise funds for the tax due on his land. Also check out this clip explaining how to use an atlatl or spear-thrower, one the earliest human hunting weapons –...read more...
- 8/29/2016
- by James Wray
- Monsters and Critics
[This article contains spoilers for the Monday's episode of Better Call Saul, "Bali Ha'i"] As a cinematographer, Michael Slovis' work on Breaking Bad earned five Emmy nominations and helped establish the template for one of the most visually distinctive shows in television history. Taking occasional breaks from shooting the AMC series, Slovis became one of the show's standout directors as well, helming episodes including "Cornered," "Live Free or Die" and "Confessions." Slovis has continued to build a reputation as a top-shelf drama director working on shows like The Walking Dead, The Affair and Game of Thrones, though
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- 3/22/2016
- by Daniel Fienberg
- The Hollywood Reporter - Movie News
King vs. king. Queen vs. queen. Even dragons vs. their mother. "Game of Thrones" Season 5's April 12 premiere, "The Wars to Come," had a fitting title for an hour spent preparing for multiple battles ahead. It's about to get messier than drunk Tyrion in a wine barrel. Keep your shields up, people!
Season 5 started with a witch's flashback prophecy of clashing queens and ended with Mance Rayder burned like a witch for calling himself king and refusing to bend the knee to help Stannis Baratheon fight his war. Live free or die, man. Live free or die. The stellar, plot-heavy (in more ways than one) fifth season premiere followed six different locations and several intriguing prophecies and propositions. There was no hand-holding, so if you didn't recognize someone on screen you had about two seconds to figure it out, catch up, read between the lines to decipher what wasn't being said,...
Season 5 started with a witch's flashback prophecy of clashing queens and ended with Mance Rayder burned like a witch for calling himself king and refusing to bend the knee to help Stannis Baratheon fight his war. Live free or die, man. Live free or die. The stellar, plot-heavy (in more ways than one) fifth season premiere followed six different locations and several intriguing prophecies and propositions. There was no hand-holding, so if you didn't recognize someone on screen you had about two seconds to figure it out, catch up, read between the lines to decipher what wasn't being said,...
- 4/12/2015
- by Gina Carbone
- Moviefone
Nat Geo Wild is about to give you more beaver than you can shake a stick at.
The network has given the go-ahead to a 20-hour marathon of a new special, “American Beaver,” which will gnaw into viewers’ brains Feb. 2.
Billed as “a tale of power, domination and triumph over adversity,” the show follows a family of beavers for an entire year, capturing the intimate moments of the colony and capturing their effect on the environment. The channel will air the special for 20 hours straight, from 7 a.m. on Feb. 2 to 3 a.m. on Feb. 3.
Also Read: Nat Geo Wild...
The network has given the go-ahead to a 20-hour marathon of a new special, “American Beaver,” which will gnaw into viewers’ brains Feb. 2.
Billed as “a tale of power, domination and triumph over adversity,” the show follows a family of beavers for an entire year, capturing the intimate moments of the colony and capturing their effect on the environment. The channel will air the special for 20 hours straight, from 7 a.m. on Feb. 2 to 3 a.m. on Feb. 3.
Also Read: Nat Geo Wild...
- 1/7/2015
- by Tim Kenneally
- The Wrap
Consider yourself forewarned. As you’ll second-guess using vanilla and raspberry flavoring after learning just exactly where it came from thanks to National Geographic Channel’s new docuseries Live Free or Die, debuting Tuesday, Sept. 30 at 10pm Et/Pt. That said, Ngc has found itself a winner by following five unusual Americans who are participating in a lifestyle trend known as human rewilding (the undoing of domestication, people who are living almost completely off the land). Living a minimalistic existence never looked so unappealing — at least to this suburbanite — as is the case for this handful of beaver- and rat-eating … Continue reading →
The post Preview: Ngc’s “Live Free or Die” introduces viewers to human rewilding appeared first on Channel Guide Magazine.
The post Preview: Ngc’s “Live Free or Die” introduces viewers to human rewilding appeared first on Channel Guide Magazine.
- 9/30/2014
- by Barb Oates
- ChannelGuideMag
National Geographic Channel delves into a growing subculture who've adopted “re-wilding” on the upcoming new series, “Live Free or Die.” The show, which follows five members of the “re-wilding” culture, premieres on Tuesday, Sept. 30 at 10 p.m. Et. In December, the series will be available in 171 countries and 45 languages. The cast members have left the comforts of modern society behind in an effort to use just their skills and intuition to survive. The series’ cameras follow its subjects into the wilderness and swamps where they've built simple homes without running water or electricity. At times, they suffer from...
- 9/2/2014
- by Jethro Nededog
- The Wrap
So the new Terminator movie has an official title. And it’s… interesting. Hey, listen: Book, cover, don’t judge, I get it. Maybe this time next year we’ll all be rocking Genisys T-shirts. Maybe we’ll just start spelling “genesis” as “genisys,” sort of like how you can spell it “judgment” or “judgement.” Inglourious Basterds is great, and that has two misspellings!
Still, let’s pretend for argument’s sake that Terminator: Genisys looks like the title of the fanfic spin-off you wrote back in second grade where Terminator meets Scarface and they both fight Darth Vader to save Princess Toadstool.
Still, let’s pretend for argument’s sake that Terminator: Genisys looks like the title of the fanfic spin-off you wrote back in second grade where Terminator meets Scarface and they both fight Darth Vader to save Princess Toadstool.
- 8/6/2014
- by Darren Franich
- EW.com - PopWatch
I don’t think anyone would refute the point that even the most established and dramatically formidable of TV shows is highly dependent on the skills of its directors. We’ve seen how talented helmers can elevate even lesser episodes of programs, from Rian Johnson’s work on AMC’s Breaking Bad to Patty Jenkins’ absorbing atmosphere-building on the same channel’s The Killing. And HBO’s Game of Thrones, which has now received two Emmy nominations for Outstanding Directing (for Tim Van Patten’s series premiere and Neil Marshall’s epic season 4 episode “The Watchers on the Wall”), with its sweeping scale and battle sequences, is more dependent on exceptional direction than most.
That’s why I’m happy to report that the recently revealed roster of directors that the HBO high fantasy hit has lined up for its upcoming fifth season looks as terrific as ever. There are five directors,...
That’s why I’m happy to report that the recently revealed roster of directors that the HBO high fantasy hit has lined up for its upcoming fifth season looks as terrific as ever. There are five directors,...
- 7/16/2014
- by Isaac Feldberg
- We Got This Covered
Breaking Bad director Michael Slovis will be behind the camera for 2 episodes of Game Of Thrones' 5th season...
News
After directing four of the ten episodes in Game Of Thrones' solid fourth season (The Lion And The Rose, Breaker Of Chains, The Mountain And The Viper, The Children), Alex Graves told Collider earlier this year he would be taking a well-deserved break from Westeros for season five, with plans to return for season six.
That left a Graves-shaped hole in the Game Of Thrones' fifth season directing roster, one now filled by Michael Slovis (Breaking Bad, Law & Order: Svu, Chicago Fire). Director and cinematographer Slovis confirmed at a Behind The Lens event in May that he will be behind the camera for the first two episodes of season five.
Slovis, who has directing credits on four episodes of Breaking Bad (Kafkaesque, Cornered, Live Free Or Die, Confessions...
News
After directing four of the ten episodes in Game Of Thrones' solid fourth season (The Lion And The Rose, Breaker Of Chains, The Mountain And The Viper, The Children), Alex Graves told Collider earlier this year he would be taking a well-deserved break from Westeros for season five, with plans to return for season six.
That left a Graves-shaped hole in the Game Of Thrones' fifth season directing roster, one now filled by Michael Slovis (Breaking Bad, Law & Order: Svu, Chicago Fire). Director and cinematographer Slovis confirmed at a Behind The Lens event in May that he will be behind the camera for the first two episodes of season five.
Slovis, who has directing credits on four episodes of Breaking Bad (Kafkaesque, Cornered, Live Free Or Die, Confessions...
- 7/6/2014
- by louisamellor
- Den of Geek
Syfy has ordered twelve episodes of a 12 Monkeys drama starring Live Free or Die's Aaron Stanford as a time traveler sent back to prevent a massive epidemic touched off by a bioterrorism group. In a similar vein as FX's upcoming Fargo show, 12 Monkeys will follow the premise of the 1995 Terry Gilliam film, though for the spoiler conscious, hopefully diverge from the movie's exact plot line and conclusion. For example, maybe there are 1.2 monkeys in the TV show, or 120,000. Sky's the limit when it comes to monkey quantity, we always say.
- 4/7/2014
- by Halle Kiefer
- Vulture
Feature Mark Harrison 4 Oct 2013 - 07:00
Mark tots up Breaking Bad's ten best cold opens, or pre-titles sequences, feat. tidy whities, floating eyeballs, and narcorridos music...
This article contains spoilers for all five seasons of Breaking Bad.
Since Breaking Bad drew to a close on Sunday, many of its eulogies have focused on how its serialised narrative has played with the format of television drama. You can argue that soap operas use the same technique, but the series has garnered acclaim and multitudes of fans for telling a thematically rich story that has ostensibly continued as one serial over six years.
The series has also kept viewers on the edge of their seats by cutting off at crucial points in that serial, but arguably, it's not the cliffhangers that became the show's trademark. Vince Gilligan and his writing team are unbeatable when it comes to beginning and ending episodes,...
Mark tots up Breaking Bad's ten best cold opens, or pre-titles sequences, feat. tidy whities, floating eyeballs, and narcorridos music...
This article contains spoilers for all five seasons of Breaking Bad.
Since Breaking Bad drew to a close on Sunday, many of its eulogies have focused on how its serialised narrative has played with the format of television drama. You can argue that soap operas use the same technique, but the series has garnered acclaim and multitudes of fans for telling a thematically rich story that has ostensibly continued as one serial over six years.
The series has also kept viewers on the edge of their seats by cutting off at crucial points in that serial, but arguably, it's not the cliffhangers that became the show's trademark. Vince Gilligan and his writing team are unbeatable when it comes to beginning and ending episodes,...
- 10/3/2013
- by louisamellor
- Den of Geek
Breaking Bad is finally over. It’s been a long, emotional six (or for contractual reasons, five) seasons, from a goofy-looking guy driving an Rv through the desert in his tighty-whiteys to tonight, but here we are. *Deep breath* Okay guys, let’s do this thing.
We start inside the car Walt steals in New Hampsire, actually kicking off before the end of “Granite State”. Walt fumbles inside the car and starts trying to hotwire it (carjacking is clearly not his strong suit) when police lights reflect off the snow coating the windows of the car- he’s likely just outside the bar while it’s being raided by officers looking for him. We sit for several painstaking minutes with a motionless Walt, who mutters, “Just get me home”- seriously, we know he isn’t caught here, and yet it’s still mega tense. How does this show do that?...
We start inside the car Walt steals in New Hampsire, actually kicking off before the end of “Granite State”. Walt fumbles inside the car and starts trying to hotwire it (carjacking is clearly not his strong suit) when police lights reflect off the snow coating the windows of the car- he’s likely just outside the bar while it’s being raided by officers looking for him. We sit for several painstaking minutes with a motionless Walt, who mutters, “Just get me home”- seriously, we know he isn’t caught here, and yet it’s still mega tense. How does this show do that?...
- 9/30/2013
- by Kate Kulzick
- SoundOnSight
With only one episode left to go, there’s a lot of speculation about what’s in store for the characters of Breaking Bad. At the end of this week’s "Granite State," Matt Zoller Seitz wondered: “Could it be that Team Walt’s fantasies of Walt 'rescuing' Jesse from the Nazis are as absurd as they always sounded? I guess we’ll find out, but in this episode I don’t believe Walter mentions Jesse, or that his mind is on him; why would it be, as according to Walter, Jesse is a betrayer, a rat? No, I think that huge machine gun we glimpsed in the trunk of his car in 'Live Free or Die' is a tool to get his money back from Jack and Todd and company.” As you brace yourself for the finale, here’s our recap of your comments:You reacted to the...
- 9/25/2013
- by Erica Schwiegershausen
- Vulture
Written and directed by Peter Gould (“Hazard Pay,” “Problem Dog”), last night’s penultimate Breaking Bad episode, “Granite State,” was one in which Walter seemed more sinned against than sinning, but only if you hadn’t been paying attention. After removing himself to the semi-safety of Saul’s makeshift version of witness protection — courtesy of the previously alluded to but never seen vacuum cleaner salesman played by the great Robert Forster, who was once a vacuum cleaner salesman! — Walter holed up in snowy New Hampshire, a state previously alluded to in the season five, part one opener “Live Free or Die.”The title of this episode, “Granite State,” was another New Hampshire reference, but the phrase did double-duty as a comment on how Walt’s prospects had hardened. As critic Daniel Walters wrote, the second half of season five has been all about the hero declaring himself “out” of the...
- 9/23/2013
- by Matt Zoller Seitz
- Vulture
Mere hours from now, at 9 p.m., AMC unveils the penultimate episode of Breaking Bad. This means that only 60, er, 75 minutes of action stands between you and the series finale of the acclaimed drug drama featuring the world’s most dangerous former high school chemistry teacher, Walter White (Bryan Cranston). For those still hyperventilating after last week’s magnificently chilling installment “Ozymandias,” which has become the show’s most-watched episode, co-executive producer Moira Walley-Beckett is advising that you keep nearby a supply of soft objects, including astronaut diapers, and medicate as needed before tuning in tonight.
And for those of...
And for those of...
- 9/22/2013
- by Dan Snierson
- EW - Inside TV
As "Breaking Bad" reached the halfway point of its final eight episodes on Sunday (Sept. 1), one aspect of the show lingered -- and not just the fact that Walt had apparently put a hit on Jesse.
In fact, it was something that wasn't even part of the episode. It happened in the show's first episode of 2013, and before that its first episode of 2012: The sight of Walter White (Bryan Cranston) on his 52nd birthday, with a full beard and head of hair, eating a lonely breakfast as "Mr. Lambert" before acquiring some heavy weaponry and then stopping by the shell of his former house, scaring the bejeezus out of his neighbor in the process.
Both flash-forwards were tantalizing glimpses at Walt's approaching future. They suggest that he doesn't get to walk away unscathed from all the wrong he's done, although they give little indication as to how or why his meth-cooking empire crumbles.
In fact, it was something that wasn't even part of the episode. It happened in the show's first episode of 2013, and before that its first episode of 2012: The sight of Walter White (Bryan Cranston) on his 52nd birthday, with a full beard and head of hair, eating a lonely breakfast as "Mr. Lambert" before acquiring some heavy weaponry and then stopping by the shell of his former house, scaring the bejeezus out of his neighbor in the process.
Both flash-forwards were tantalizing glimpses at Walt's approaching future. They suggest that he doesn't get to walk away unscathed from all the wrong he's done, although they give little indication as to how or why his meth-cooking empire crumbles.
- 9/6/2013
- by editorial@zap2it.com
- Zap2It - From Inside the Box
Review Paul Martinovic 13 Aug 2013 - 08:13
Breaking Bad is back, and just as explosive as ever. Here's Paul's review...
This review contains spoilers.
5.9 Blood Money
Of course, this has always been a show that has inspired dangerously sustained breath-holding. Even in its infancy, there were few shows that could come close to it for sheer asphyxiating intensity, and in all honesty it's probably a canny move that the show is being distributed in the UK exclusively on the on-demand service Netflix, as I suspect if everybody here watched the show at the same time then the combined force of exhalation at the end of each episode would be sufficiently strong enough to send the whole UK skidding across the Atlantic like a big pebble.
By this point we're so invested in the outcome for Walt, Jesse, Hank, Skyler, Saul et al, that the experience of watching each new episode feels curiously painful,...
Breaking Bad is back, and just as explosive as ever. Here's Paul's review...
This review contains spoilers.
5.9 Blood Money
Of course, this has always been a show that has inspired dangerously sustained breath-holding. Even in its infancy, there were few shows that could come close to it for sheer asphyxiating intensity, and in all honesty it's probably a canny move that the show is being distributed in the UK exclusively on the on-demand service Netflix, as I suspect if everybody here watched the show at the same time then the combined force of exhalation at the end of each episode would be sufficiently strong enough to send the whole UK skidding across the Atlantic like a big pebble.
By this point we're so invested in the outcome for Walt, Jesse, Hank, Skyler, Saul et al, that the experience of watching each new episode feels curiously painful,...
- 8/13/2013
- by sarahd
- Den of Geek
By now, you’ve seen the season premiere for the second half of the fifth season of Breaking Bad (and if you haven’t, good luck parsing what I just wrote and also, why haven’t you?) and gasped along with the rest of the Twittersphere at large (has there ever been a show so adored by the social media masses as Breaking Bad?). Having gone nearly a year without Walt, Jesse, and the rest of the blue-hued crew (by “crew” we mean meth, baby, and lots of it), anticipation for the final episodes in Vince Gilligan’s opus reached a fever pitch, well, probably long before the latest episode actually aired. And was it worth it? Man, was it worth it. With only eight episodes in the show’s final half-season, acceleration is the name of the game. After all, both of the fifth season’s premieres have opened with a flash forward that give us...
- 8/12/2013
- by Kate Erbland
- FilmSchoolRejects.com
It has been nearly a year since "Breaking Bad" was last on the air. Yet Sunday's (Aug. 11) return, "Blood Money," erased those 49 weeks with an episode that threw the audience immediately -- or rather, almost immediately -- back into the fraught situation created when Hank was looking for something to read in the bathroom.
What follows is an episode whose job is mostly to set the stakes for the final run, but which does so with such confidence in its direction that it makes something as outwardly simple as a living-room conversation practically snap with tension.
After another tantalizing flash-forward*, "Blood Money" belongs to Dean Norris, as Hank is almost knocked over after connecting the dots that his brother-in-law is Heisenberg. He manages to keep it together long enough to get out of the house with Marie, then suffers a full-blown, car-wrecking panic attack on the way home. The range...
What follows is an episode whose job is mostly to set the stakes for the final run, but which does so with such confidence in its direction that it makes something as outwardly simple as a living-room conversation practically snap with tension.
After another tantalizing flash-forward*, "Blood Money" belongs to Dean Norris, as Hank is almost knocked over after connecting the dots that his brother-in-law is Heisenberg. He manages to keep it together long enough to get out of the house with Marie, then suffers a full-blown, car-wrecking panic attack on the way home. The range...
- 8/12/2013
- by editorial@zap2it.com
- Zap2It - From Inside the Box
Everyone has been asking, "How will Breaking Bad end?" We don’t need to ask anymore. We know. The opening of "Blood Money" tells us. All that’s left is the particulars.In what looks like a seamless continuation of the flash-forward that started season five, part 1 — "Live Free or Die" — Walt returns home to a deserted house, looking for the ricin capsule that he stored behind a light fixture in the second episode of season five, "Madrigal." Throughout the run of the show, he’s said that the only thing that truly matters to him is his family. In the future we see his family is gone, along with all evidence that he ever had one. The house is a dilapidated husk. Teenagers skate in the empty swimming pool where Skyler attempted to drown herself in "Fifty-One," the same episode in which she wishes for her husband’s death...
- 8/12/2013
- by Matt Zoller Seitz
- Vulture
This Sunday, AMC’s Breaking Bad begins a final run of eight episodes, bringing the tale of Walter White to its inexorable conclusion. The show has become one of the great running masterpieces of the last half-decade of television, bringing the post-Sopranos model of anti-heroic TV drama to new critical highs (and terrifying new moral lows). What makes it even more impressive is that — in an era defined by ever-more-gigantic ensembles — Breaking Bad has unfurled its epic American tale with a relatively small cast of characters. While other shows opt for cast breadth, Bad has explored each character’s depth,...
- 8/8/2013
- by Hillary Busis
- EW.com - PopWatch
This Sunday, AMC’s Breaking Bad begins a final run of eight episodes, bringing the tale of Walter White to its inexorable conclusion. The show has become one of the great running masterpieces of the last half-decade of television, bringing the post-Sopranos model of anti-heroic TV drama to new critical highs (and terrifying new moral lows). What makes it even more impressive is that — in an era defined by ever-more-gigantic ensembles — Breaking Bad has unfurled its epic American tale with a relatively small cast of characters. While other shows opt for cast breadth, Bad has explored each character’s depth,...
- 8/7/2013
- by Denise Warner
- EW.com - PopWatch
The very first reviews for the upcoming season premiere of Breaking Bad, surely the most anticipated episode in recent TV history, are in, and they read like surrealist prose poetry. Sure, they say that it’s going to be good, but they are heavily embargoed and unable or unwilling to reveal anything that happens within the episode, which is titled “Blood Money.”
This is just how we like it. Showrunner Vince Gilligan and the team are playing this perfectly, building the tension until it will finally reach fever pitch on opening night.
The Wrap said:
“Is this what meth is like? Is meth this good? …We won’t know whether the series is the best ever made until it ends. But I do know, that personally, I’ve never felt as engaged by anything on TV…. But there were also telling details, some a little tragic, in the midst of this non-essential monologue.
This is just how we like it. Showrunner Vince Gilligan and the team are playing this perfectly, building the tension until it will finally reach fever pitch on opening night.
The Wrap said:
“Is this what meth is like? Is meth this good? …We won’t know whether the series is the best ever made until it ends. But I do know, that personally, I’ve never felt as engaged by anything on TV…. But there were also telling details, some a little tragic, in the midst of this non-essential monologue.
- 7/30/2013
- by Rob Batchelor
- We Got This Covered
Until now, about all anyone knew about the final episodes of "Breaking Bad" was that they would start airing on AMC on Aug. 11. That has changed, at least a little, with the arrival of the press kit for Season 5b.
AMC has placed an embargo on reviews of the first episode, titled "Blood Money," until July 29, so we'll wait until then to offer up any thoughts. But the network has released a batch of new photos from the episode, along with the titles and loglines for each of the last eight episodes.
The description of "Blood Money" is as follows: "As Walt and Jesse adjust to life outside of the business, Hank grapples with a troubling lead."
Pics: 'Breaking Bad' Season 5
The second half of the sentence has to be referring to Hank's (Dean Norris) discovery that Walt (Bryan Cranston, who also directed the episode) is Heisenberg. As for the first part,...
AMC has placed an embargo on reviews of the first episode, titled "Blood Money," until July 29, so we'll wait until then to offer up any thoughts. But the network has released a batch of new photos from the episode, along with the titles and loglines for each of the last eight episodes.
The description of "Blood Money" is as follows: "As Walt and Jesse adjust to life outside of the business, Hank grapples with a troubling lead."
Pics: 'Breaking Bad' Season 5
The second half of the sentence has to be referring to Hank's (Dean Norris) discovery that Walt (Bryan Cranston, who also directed the episode) is Heisenberg. As for the first part,...
- 7/16/2013
- by editorial@zap2it.com
- Zap2It - From Inside the Box
Remember the “American Taliban” comment Will lobbed at the Tea Party in the final hour of The Newsroom‘s first season? Sure, it was all fun and triumph and patriotic idealism at the time. But as we learn throughout the opening episode of Season 2, Will’s snarky insult is the first domino in a Rube Goldberg-like progression that, as it trips along, causes Reese’s ouster from a meeting of DC power players, Jim’s relocation to the Romney campaign bus, Mackenzie’s hunger for the story of the century, Sloan’s awkward fist-pump and Maggie’s truly awful haircut.
- 7/15/2013
- by Kimberly Roots
- TVLine.com
Bryan Cranston and Aaron Paul return in their Emmy-winning roles of Walter White and Jesse Pinkman. With Gus Fring dead, Walt’s transformation from a well-meaning family man to ruthless drug kingpin is nearly complete. When he begins to make a killing in the meth business, his murderous schemes are threatened by a new investigation led by his relentless brother-in-law Hank (Dean Norris). Executive produced by Vince Gilligan and Mark Johnson, the fifth season charts the murderous rise of Walter White as he reaches new highs…and new lows.
5×01 “Live Free or Die”
Stars: Bryan Cranston, Anna Gunn, Aaron Paul, Dean Norris, Rj Mitte | Written by Vince Gilligan | Directed by Michael Slovis
“I won.”
And with those words, uttered with a grotesque smugness, shows us just how far Walter White has come. Those words, so simple and yet, full of weight, tell us everything about this man. A man who...
5×01 “Live Free or Die”
Stars: Bryan Cranston, Anna Gunn, Aaron Paul, Dean Norris, Rj Mitte | Written by Vince Gilligan | Directed by Michael Slovis
“I won.”
And with those words, uttered with a grotesque smugness, shows us just how far Walter White has come. Those words, so simple and yet, full of weight, tell us everything about this man. A man who...
- 5/31/2013
- by Nathan Smith
- Nerdly
A little over a month ago, we posted that in celebration of it’s 25th anniversary there will be a Die Hard Marathon showing all four movies starting around Noon on February 13th followed by the premier of A Good Day To Die Hard at 10Pm getting out just before Midnight. That’s almost 12 action-packed hours of Die Hard awesomeness! As you can guess, there was no way I could refuse to take this opportunity to see one of the greatest action-movie series of all time for the first time on the big screen, or make that Mega-Screen since I decided to see this at Wehrenberg’s Chesterfield Galaxy 14 Cine, which in my opinion is one of the best movie theatres here in the St. Louis area. For $25 you got all five movies plus a collectable lanyard that entitles you to a 25% discount at concessions throughout the whole day and with their wide-selection,...
- 2/18/2013
- by Ken Parker
- WeAreMovieGeeks.com
A Good Day (or four) at the Box Office! Increasingly indestructible detective John McClane returned to theaters this weekend and gunned down the competition, putting A Good Day To Die Hard at the top of the box office with $25 million. Bruce Willis and his action-ready on-screen offspring Jai Courtney also pulled in $8.2 million from their Thursday opening for a $33.2 million total so far. Despite the R-rating, that's comparable to the $33.3M three-day opening of 2007's Live Free Or Die...
- 2/17/2013
- by Dave Davis
- JoBlo.com
Adele had a good year — again.
Though 21′s American release came in February of 2011, the album’s sales were strong enough to put the soul singer at the top of iTunes’s album chart for a second straight year. The electronic entertainment store also reported strong showings for 2012′s usual suspects (The Hunger Games; “Call Me Maybe”) and a few less predictable picks — well done, Sherlock and Alcatraz. Here’s a rundown of what moved the most on iTunes this year:
Top Album:
1. Adele, 21
2. Taylor Swift, Red
3. Mumford & Sons, Babel
4. One Direction, Up All Night
5. Fun., Some Nights
6. Mumford & Sons,...
Though 21′s American release came in February of 2011, the album’s sales were strong enough to put the soul singer at the top of iTunes’s album chart for a second straight year. The electronic entertainment store also reported strong showings for 2012′s usual suspects (The Hunger Games; “Call Me Maybe”) and a few less predictable picks — well done, Sherlock and Alcatraz. Here’s a rundown of what moved the most on iTunes this year:
Top Album:
1. Adele, 21
2. Taylor Swift, Red
3. Mumford & Sons, Babel
4. One Direction, Up All Night
5. Fun., Some Nights
6. Mumford & Sons,...
- 12/13/2012
- by Hillary Busis
- EW.com - PopWatch
Ric Klass was a teacher. A student. A financier. A consultant. An entrepreneur. A writer. Not necessarily in that order. Now, he’s a director, who, for his second feature, returned to the annals and decided to adapt his novel Excuse Me For Living for the screen. With an ensemble featuring the likes of Christopher Lloyd and Jerry Stiller, the black comedy follows a trust-funded, pill-popping megalomaniac as he wades through treatment, his psychologist, his dysfunctional parents, his paramours, and the group therapy sessions he’s been snookered into managing. Klass speaks about his career transitions, craft, and Excuse Me For Living below. The film hits theaters on October 12.
Filmmaker: You’ve had something along the lines of nine different careers. Have you ever had a brush with an in-patient rehab/psych retreat like “Live Free Or Die,” the centerpiece of your film?
Klass: While not a patient myself, I...
Filmmaker: You’ve had something along the lines of nine different careers. Have you ever had a brush with an in-patient rehab/psych retreat like “Live Free Or Die,” the centerpiece of your film?
Klass: While not a patient myself, I...
- 10/10/2012
- by Sarah Salovaara
- Filmmaker Magazine - Blog
On Sunday night, Breaking Bad aired its final episode for 2012. Breaking Bad is a show tailor-made for discussion due to its habit of constantly shocking and surprising the viewer, leaving them desperately wanting to see what happens next. Because of that, I figured the best way to talk about the past eight episodes is to get a ragtag group of fellow Breaking Bad-fans and have an in-depth discussion on the highs, the lows, and what we think will happen next. I’m joined by J.D. Lyons, Jeremy Flores, Matt Legarreta (of the new website GeekBinge), and Jake Wilbanks.
Don’t let the discussion end here. Post your thoughts on the season and predictions for the series’ end in the comments below.
Jeremy Sollie: Welcome, everyone. I’m glad you all could make it. Grab a seat on the metaphorical couch. What were everyone’s thoughts on this half-season as a whole?...
Don’t let the discussion end here. Post your thoughts on the season and predictions for the series’ end in the comments below.
Jeremy Sollie: Welcome, everyone. I’m glad you all could make it. Grab a seat on the metaphorical couch. What were everyone’s thoughts on this half-season as a whole?...
- 9/9/2012
- by Jeremy Sollie
- Obsessed with Film
The actor on being an Australian in Brighton, his love of country and western and being mistaken for Prince
Hi, Noah! What's it like in Belfast?
I'm in Brighton. (1)
Ah sorry. For the surfing?
Not all Aussies surf. But a few reckless types do here. You can get waves off the ruins of the old west pier, where the steel girders stick out.
You've lived over here for ages.
Almost 17 years. I still call Australia home but I'm used to English life. And in a way Australia feels quite foreign to me now, both in an exotic sense but also when you've been away from somewhere for a long time, it's not so much that the place has changed but it's a different era. You're nostalgic for that.
You're a patron (2) of this year's Australian film festival. What do your duties involve?
Not much, really, to tell you the truth.
Hi, Noah! What's it like in Belfast?
I'm in Brighton. (1)
Ah sorry. For the surfing?
Not all Aussies surf. But a few reckless types do here. You can get waves off the ruins of the old west pier, where the steel girders stick out.
You've lived over here for ages.
Almost 17 years. I still call Australia home but I'm used to English life. And in a way Australia feels quite foreign to me now, both in an exotic sense but also when you've been away from somewhere for a long time, it's not so much that the place has changed but it's a different era. You're nostalgic for that.
You're a patron (2) of this year's Australian film festival. What do your duties involve?
Not much, really, to tell you the truth.
- 8/31/2012
- by Catherine Shoard
- The Guardian - Film News
Breaking Bad, Season 5, Episode 5: “Dead Freight”
Written by George Mastras
Directed by George Mastras
Airs Sundays at 10pm Et on AMC
Remember “Live Free or Die,” the fifth-season premiere of Breaking Bad, and its nifty but slight little magnet-powered heist? In retrospect, that was little more than a dry run for ‘Dead Freight,” a tightly wound, nearly-perfectly orchestrated hour that brought the show’s more or less patented “holy shit” factor back in a big way – though not necessarily in the way you might have had in mind.
From the second invocation of Jesse James to Hank’s attempt to tempt Walt Jr. (now, once again, going by “Flynn”) back to the land of the living with the promise of Heat (on Blu-ray!) to Walt’s boast to Skyler that he’s going to rob a train, “Dead Freight” is constantly reminding us that This Is a Heist Episode.
Written by George Mastras
Directed by George Mastras
Airs Sundays at 10pm Et on AMC
Remember “Live Free or Die,” the fifth-season premiere of Breaking Bad, and its nifty but slight little magnet-powered heist? In retrospect, that was little more than a dry run for ‘Dead Freight,” a tightly wound, nearly-perfectly orchestrated hour that brought the show’s more or less patented “holy shit” factor back in a big way – though not necessarily in the way you might have had in mind.
From the second invocation of Jesse James to Hank’s attempt to tempt Walt Jr. (now, once again, going by “Flynn”) back to the land of the living with the promise of Heat (on Blu-ray!) to Walt’s boast to Skyler that he’s going to rob a train, “Dead Freight” is constantly reminding us that This Is a Heist Episode.
- 8/13/2012
- by Simon Howell
- SoundOnSight
“Hazard Pay” was a prime reminder of the phenomenal writing and acting which has made Breaking Bad the best drama on TV today.
Mark Margolis (as Hector Salamanca) and Giancarlo Esposito (as Gus Fring) may no longer be on the show to add the tense juxtaposition to Walt’s (Bryan Cranston) Icarus climb, but their legacy still haunts him.
Perhaps in contemporary fiction, martial arts and video games, beating the boss means becoming the boss. It’s the logic Darth Vader used when he cut down Obi Wan. “The circle is now complete,” Vader proclaimed. “When I left you, I was but the learner; now – I – am the master.”
That thinking may work if you’re Darth Vader, Jedi master. However, as Mike (Jonathan Banks) reminded Walt, killing Jesse James doesn’t make him (Walt) Jesse James.
Editor’S Pick: Exclusive Breaking Bad Interview: Emmy Bells Toll For Mark Margolis
In the Season 5 premiere,...
Mark Margolis (as Hector Salamanca) and Giancarlo Esposito (as Gus Fring) may no longer be on the show to add the tense juxtaposition to Walt’s (Bryan Cranston) Icarus climb, but their legacy still haunts him.
Perhaps in contemporary fiction, martial arts and video games, beating the boss means becoming the boss. It’s the logic Darth Vader used when he cut down Obi Wan. “The circle is now complete,” Vader proclaimed. “When I left you, I was but the learner; now – I – am the master.”
That thinking may work if you’re Darth Vader, Jedi master. However, as Mike (Jonathan Banks) reminded Walt, killing Jesse James doesn’t make him (Walt) Jesse James.
Editor’S Pick: Exclusive Breaking Bad Interview: Emmy Bells Toll For Mark Margolis
In the Season 5 premiere,...
- 7/30/2012
- by Bags Hooper
- BuzzFocus.com
Breaking Bad - Meditations for the Final Season
Aside from the opening scene of Breaking Bad's season 5 premiere, the series has felt more like it is getting back to business as usual than preparing for a definitive ending. The only clue we have is Walter's purchase of a really big gun and a lot of bullets. Is he going to storm a jail and break Jessie out? Is he going to bust through the front door of Madrigal's Us headquarters and exact revenge for some as-yet uncommitted act of vengeance for his killing of Gus Fring? Will Mike have wrested the business away from Walt by this point, sparing his life at the behest of Jessie and forcing Walt underground; only to have Walt's inner-Heisenberg emerge to teach them all a lesson? Was it resignation, desperation, or simple despondency we saw in Mr. White's eyes when he evaluated himself in that Denny's bathroom mirror?...
Aside from the opening scene of Breaking Bad's season 5 premiere, the series has felt more like it is getting back to business as usual than preparing for a definitive ending. The only clue we have is Walter's purchase of a really big gun and a lot of bullets. Is he going to storm a jail and break Jessie out? Is he going to bust through the front door of Madrigal's Us headquarters and exact revenge for some as-yet uncommitted act of vengeance for his killing of Gus Fring? Will Mike have wrested the business away from Walt by this point, sparing his life at the behest of Jessie and forcing Walt underground; only to have Walt's inner-Heisenberg emerge to teach them all a lesson? Was it resignation, desperation, or simple despondency we saw in Mr. White's eyes when he evaluated himself in that Denny's bathroom mirror?...
- 7/30/2012
- by Jon Lachonis
- TVovermind.com
Breaking Bad S05E03: "Hazard Pay"
For the writers of Breaking Bad, part of the fun of making a show about the illegal manufacturing of meth (beside the throat cutting, Atm head-crushing, and wheelchair exploding) is plotting out how they would do it if they were a drug kingpin. And in "Hazard Pay," the writers had a blast.
If "Live Free Or Die" was cleaning up loose ends so they could start business, and "Madrigal" was... More >>...
For the writers of Breaking Bad, part of the fun of making a show about the illegal manufacturing of meth (beside the throat cutting, Atm head-crushing, and wheelchair exploding) is plotting out how they would do it if they were a drug kingpin. And in "Hazard Pay," the writers had a blast.
If "Live Free Or Die" was cleaning up loose ends so they could start business, and "Madrigal" was... More >>...
- 7/30/2012
- by Tim Surette
- TV.com
Rating: 5 out of 5 stars
One of the strangest aspects of last week’s Breaking Bad season premiere, “Live Free or Die,” was the extent to which it didn’t really feel like a season premiere. Continuing directly after the events of “Face Off,” the episode spent the majority of its time sprinting towards a resolution to a problem it had only just introduced. There wasn’t any real need for the evidence room plotline, and as a direct result of it, the episode did very little to set up the season’s overarching direction. Think back to season four’s brilliant opener, “Box Cutter.” Like “Live Free or Die,” “Box Cutter” opened mere moments after its previous season’s end, but it did so in a way that immediately established the season’s primary narrative – the power struggle between Walter White and Gus Fring. “Live Free or Die” felt like...
One of the strangest aspects of last week’s Breaking Bad season premiere, “Live Free or Die,” was the extent to which it didn’t really feel like a season premiere. Continuing directly after the events of “Face Off,” the episode spent the majority of its time sprinting towards a resolution to a problem it had only just introduced. There wasn’t any real need for the evidence room plotline, and as a direct result of it, the episode did very little to set up the season’s overarching direction. Think back to season four’s brilliant opener, “Box Cutter.” Like “Live Free or Die,” “Box Cutter” opened mere moments after its previous season’s end, but it did so in a way that immediately established the season’s primary narrative – the power struggle between Walter White and Gus Fring. “Live Free or Die” felt like...
- 7/25/2012
- by Cole Zercoe
- Obsessed with Film
Breaking Bad 5×01 “Live Free or Die”
Stars: Bryan Cranston, Anna Gunn, Aaron Paul, Dean Norris, Rj Mitte | Written by Vince Gilligan | Directed by Michael Slovis
**Spoilers Lie Beyond Here**
“I won.”
And with those words, uttered with a grotesque smugness, shows us just how far Walter White has come. Those words, so simple and yet, full of weight, tell us everything about this man. A man who has faced death on multiple occasions, almost seemingly innumerable odds stacked highly against him and yet, he always comes out on top, even with a deck stacked against him. He won, but at what cost? He’s shed so much blood to save his own hide, and he’s on top. He’s the king now. And if we had always thought that Walter White was petty before, he’s going to be a monster now.
One of the best things that Breaking Bad...
Stars: Bryan Cranston, Anna Gunn, Aaron Paul, Dean Norris, Rj Mitte | Written by Vince Gilligan | Directed by Michael Slovis
**Spoilers Lie Beyond Here**
“I won.”
And with those words, uttered with a grotesque smugness, shows us just how far Walter White has come. Those words, so simple and yet, full of weight, tell us everything about this man. A man who has faced death on multiple occasions, almost seemingly innumerable odds stacked highly against him and yet, he always comes out on top, even with a deck stacked against him. He won, but at what cost? He’s shed so much blood to save his own hide, and he’s on top. He’s the king now. And if we had always thought that Walter White was petty before, he’s going to be a monster now.
One of the best things that Breaking Bad...
- 7/24/2012
- by Nathan Smith
- Nerdly
Breaking Bad, Season 3, Episode 2: “Madrigal”
Written by Vince Gilligan
Directed by Michelle MacLaren
Airs Sundays at 10pm Et on AMC
A technical issue delayed this recap for a bit. Sorry about that.
“Madrigal” opens with a Wtf cold open for the books. In a lab at the German conglomerate Madrigal, the shadowy company that owned Los Pollos Hermanos, a senior executive liberally samples a variety of equally nasty-looking (and sounding) dipping sauces, taking in each one (from “Franch” to “Cajun Kickass” to, er, ketchup) with as inscrutably unpleasant an expression as the last, before finally settling on taking his chicken nuggets plain, thank you. A few scenes later, the same man lies stone dead on the floor of a company bathroom after a self-administered electric shock. Welcome back, Breaking Bad.
Sure, “Live Free or Die” was fun and all, but “Madrigal” feels like the show is properly firing on all cylinders again – incredibly tense,...
Written by Vince Gilligan
Directed by Michelle MacLaren
Airs Sundays at 10pm Et on AMC
A technical issue delayed this recap for a bit. Sorry about that.
“Madrigal” opens with a Wtf cold open for the books. In a lab at the German conglomerate Madrigal, the shadowy company that owned Los Pollos Hermanos, a senior executive liberally samples a variety of equally nasty-looking (and sounding) dipping sauces, taking in each one (from “Franch” to “Cajun Kickass” to, er, ketchup) with as inscrutably unpleasant an expression as the last, before finally settling on taking his chicken nuggets plain, thank you. A few scenes later, the same man lies stone dead on the floor of a company bathroom after a self-administered electric shock. Welcome back, Breaking Bad.
Sure, “Live Free or Die” was fun and all, but “Madrigal” feels like the show is properly firing on all cylinders again – incredibly tense,...
- 7/24/2012
- by Simon Howell
- SoundOnSight
“If what we do, we do for good reasons, then we’ve got nothing to worry about. And what better reason than family?” “Madrigal” ends similarly to last week’s premiere “Live Free or Die,” with a terrified Skyler being caressed by Walt as he tries to control her fear. There’s sincerity when he mumbles “it gets easier." The closing scene paints a very clear picture of where Walter White is at. On the one hand, he’s fully accepted who he is and has even become comfortable with being a murderous criminal, yet, there is still a sense of denial with how...
- 7/23/2012
- Pastemagazine.com
And then there were 16… At one point, Breaking Bad creator Vince Gilligan never believed he’d ever shoot a pilot, then soon after he never thought Breaking Bad would ever air as a series. Eventually a three-year plan extended to five, and Gilligan found himself at Comic-Con staring at fans one day, reporters the next.
The Season Five premiere, “Live Free or Die,” drew 2.9 million viewers, and in the 18-49 demo, a +34% increase versus last season’s premiere and that total is missing customers from the Dish network. 11:30pm airings cumed the total to 3.5 million. Breaking Bad’s AMC younger sibling, The Walking Dead, which has no end planned in sight, has set the high bar for the network as far as ratings is concerned.
“You’ve come to the realization that you’re onto something,” Gilligan said. “That this has a real fan base, despite the fact in...
The Season Five premiere, “Live Free or Die,” drew 2.9 million viewers, and in the 18-49 demo, a +34% increase versus last season’s premiere and that total is missing customers from the Dish network. 11:30pm airings cumed the total to 3.5 million. Breaking Bad’s AMC younger sibling, The Walking Dead, which has no end planned in sight, has set the high bar for the network as far as ratings is concerned.
“You’ve come to the realization that you’re onto something,” Gilligan said. “That this has a real fan base, despite the fact in...
- 7/19/2012
- by Ernie Estrella
- BuzzFocus.com
It's the beginning of the end for Breaking Bad, as this AMC masterpiece kicked off its final run of 16 episodes with "Live Free or Die" on Sunday night, an episode that focused on Walter White officially moving all the way from Mr. Chips to Scarface.
And also on magnets.
In this edition of the TV Fanatic Round Table, panelists Matt Richental, Dan Forcella and Lisa Palmer break down the installment and look ahead to how this incredible series might actually end...
-------------------------------------------
What was your favorite scene from the episode?
Matt: The cracked photo in the evidence room and how it's safe to assume the Cayman Island intel discovered on it will play a role going forward. In what played out as a slow episode in terms of plot development, this was yet another example how Vince Gilligan and company think about every conceivable detail.
Dan: My favorite part had...
And also on magnets.
In this edition of the TV Fanatic Round Table, panelists Matt Richental, Dan Forcella and Lisa Palmer break down the installment and look ahead to how this incredible series might actually end...
-------------------------------------------
What was your favorite scene from the episode?
Matt: The cracked photo in the evidence room and how it's safe to assume the Cayman Island intel discovered on it will play a role going forward. In what played out as a slow episode in terms of plot development, this was yet another example how Vince Gilligan and company think about every conceivable detail.
Dan: My favorite part had...
- 7/18/2012
- by matt@tvfanatic.com (TV Fanatic Staff)
- TVfanatic
When I first decided I was going to review Breaking Bad, I knew it would be a challenge. Not because it’s hard to write about, or because I don’t have a lot of things to say about it; I could easily write thousands of words about this show, and still have a ton of things to say about it. But the problem with reviewing Breaking Bad is that, when it comes down to it, all this will be is a gigantic love fest.
But hell, I'm going to do it anyways. Because showering my love upon all of you guys is my mission in life (oddly enough, I've said that a dozen times in my life...but I don't want to talk about my weekends). Breaking Bad kicked off its penultimate episode tonight and, sure enough, it was just as fantastic as everyone assumed it would be. At this point,...
But hell, I'm going to do it anyways. Because showering my love upon all of you guys is my mission in life (oddly enough, I've said that a dozen times in my life...but I don't want to talk about my weekends). Breaking Bad kicked off its penultimate episode tonight and, sure enough, it was just as fantastic as everyone assumed it would be. At this point,...
- 7/17/2012
- by feeds@themoviepool.com (Matthew Legarreta)
- Cinelinx
Rating: 4.5 out of 5 stars
Over the course of five years, Breaking Bad has established itself primarily as a show about transformation. As such, it was evident from the get-go that this was the type of story that, if mapped out realistically, could only last so long before it all had to come to an end. It’s strange being on the cusp of that end now – it feels like it was only yesterday when the series quietly premiered to little fanfare, only to become one of the most revered and respected television dramas of all time. Over the course of four seasons, Breaking Bad has challenged, surprised, engaged, and enthralled like no other series, and when compared to its top-tier brethren, Breaking Bad has proven itself decidedly more unhinged. It’s willing to take much bigger risks within its narrative, and in doing so, has produced substantially bigger payoffs. Two of those risks,...
Over the course of five years, Breaking Bad has established itself primarily as a show about transformation. As such, it was evident from the get-go that this was the type of story that, if mapped out realistically, could only last so long before it all had to come to an end. It’s strange being on the cusp of that end now – it feels like it was only yesterday when the series quietly premiered to little fanfare, only to become one of the most revered and respected television dramas of all time. Over the course of four seasons, Breaking Bad has challenged, surprised, engaged, and enthralled like no other series, and when compared to its top-tier brethren, Breaking Bad has proven itself decidedly more unhinged. It’s willing to take much bigger risks within its narrative, and in doing so, has produced substantially bigger payoffs. Two of those risks,...
- 7/17/2012
- by Cole Zercoe
- Obsessed with Film
Breaking Bad Season 5 Episode 1 Live Free or Die Review. Breaking Bad: Season 5, Episode 1: Live Free or Die starts off the season right where the last season ended. Walter White (Bryan Cranston), after successfully manipulating Jesse Pinkman (Aaron Paul) and Tio Salamanca (Mark Margolis) and killing Gustavo ‘Gus’ Fring (Giancarlo Esposito), has gotten [...]
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Continue reading: TV Review: Breaking Bad: Season 5, Episode 1: Live Free or Die...
The post TV Review: Breaking Bad: Season 5, Episode 1: Live Free or Die appeared first on Film-Book.com.
Continue reading: TV Review: Breaking Bad: Season 5, Episode 1: Live Free or Die...
- 7/17/2012
- by Rollo Tomasi
- Film-Book
The Ones Who Knock is a podcast featuring recaps and reviews of each week’s episode of AMC’s Breaking Bad. This week, Joanna Robinson from Pajiba and Dave Chen discuss the season five premiere, ”Live Free or Die.” E-mail us and let us know what you thought of the episode, as well as of the podcast, at acastofkings@gmail.com. [...]...
- 7/17/2012
- by David Chen
- Slash Film
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