Mørke (2005) Poster

(2005)

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7/10
Good in a way... but I would have preferred another motive
BeneCumb19 April 2013
I would say I like dramatic thrillers a lot - particularly when events are happening in a real life, not in someone's head. If a confrontation arises between main personalities, it provides additional value to the film. In Mørke, the respective atmosphere and preconditions are capably created, but the main opposition is not equal: Jacob (vigorously performed by Nicolaj Lie Kaas, at least 1 additional point from me due to him) is much stronger and versatile character than "soft" Anker (Nicolas Bro) and the reasons for the latter's actions could have been different than appeared in the end (with a decent twist, however). Or perhaps I am more interested in materially motivated actions than spiritually.

The film is undoubtedly for you if uneasiness, gloom and doubts throughout the film are important and long moving scenes do not become boring.
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8/10
Mystery (murder)?
kosmasp25 May 2021
If someone close to you tries to commit suicide - the normal reaction is to be taken aback. To start thinking what did I do wrong ... and also denial. Did he/she really try that? It can't be true ... something must be off. Usually you are extra careful when something like that happens ... and that is what the brother here does do, as we see him.

I would argue that we can see where this is going with his sister ... and we may see certain things, certain "signals", certain winks ... or maybe we just think we do(?). Even without having read the summary of this, I knew where her destiny would lie ... where her journey would take her - no pun intended. Also there are no brownie points or cookies if you guess right, what happened ... binary choice, only one of two things is possible. But it is nice to see the story evolve and the actors are amazing all around! I would not have reacted the same way the main guy does - but then the movie wouldn't have some thriller spikes in it if he did ... some cliches are being used, but overall more than a decent effort!
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7/10
Deep waters
janem-2972216 February 2021
I like psychological thrillers...Danish films are good at that. Movie to think about and dwell on tomorrow...and then let it go.
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10/10
It's not just a city in Jutland
TBJCSKCNRRQTreviews14 October 2005
Mørke... Darkness... a movie consisting of, revolving around, set in and taking place in the cover of darkness. A movie about suicide close to you, made by probably the two most fitting people in Danish show business; Nikolaj Lie Kaas, whose mother committed suicide, and whose father drowned, in what may have been a suicide, and Jannik Johansen, whose sister committed suicide. This was a necessary film to make, for both of them. And us Danes need it too, because of the message it so beautifully communicates: we're not open enough about death. It's taboo. We don't talk about it... we just don't. And that's a mistake. As a character so perfectly says it in this film: "We don't talk about death. That's why it's so hard." The plot is brilliant. It makes sense and holds water(to some extent; it will be become clear to most viewers that Jannik Johansen chose dramatic effect over realism for some parts in the film). Also, it leaves room for Kaas' character to ponder, wonder and feel guilty. Without the internal conflict of Jakob, our main character, the film wouldn't be what it is. The pacing is absolutely perfect. I was never bored for a second. The acting is flawless. Nicolas Bro and Kaas are astounding. The characters are exceptionally well-written and credible. The dialog is great. Not one line seems contrived. It's put to great use, too; in one of the first scenes, Jakob's relationship with his sister and their mother, not to mention their(or is that... our?) relationship with death. Johansen also does a great job of underplaying cinematic effects... several scenes end with an unpleasant twist that adds something entirely new to the whole scene. The whole film through, we're delved into the mystery, not knowing who to trust, or what to think. We feel Jakob's powerlessness, his panic, and his guilt. We follow his travel into his own darkness as he unravels the truth. There are several scenes of high intensity, incredible tension and great suspense. Johansen has a tendency to draw out scenes that are in actuality quite short, and with great effect. This is, in my opinion, the greatest accomplishment in Danish cinema. I recommend this film to any fan of Danish films, thrillers and/or dramas. If you think you can take it(it's definitely not for the faint of heart), you should give it a chance. There's a big chance you'll find it every bit as deep, strong and emotionally involving as I did. 10/10
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3/10
Who Wrote This?...Seriously...
mariya_mirabella26 December 2022
Warning: Spoilers
The story starts with a lovely and pretty but obviously deeply troubled disabled girl announcing to her family (mum, brother and his girlfriend) that she is marrying a strange, bumbling fat guy she literally just introduced. Family is obviously stunned but supportive; cut to the wedding. Everyone seem happy and relaxed. But the night after the wedding the girl commits suicide, leaving her brother, and her chubby new husband, completely inconsolable... All seem to point to the girl, Julie, just carrying out successfully what she tried to do several times before. However, her brother, Jacob, starts getting suspicious of the groom/ widower and decides to dig deeper. He discovers that the guy has been married before, also to a disabled girl, and she also died. Committed suicide. He goes to find where this guy, Anker, is living now - and finds out that he is about to marry another disabled girl. He also discovers a box of stuff belonging to Anker with video footage from the weddings (with identical speeches); morphine prescription; other dodgy stuff. So, armed with all this, what this seemingly well meaning and normal person is going to do next? Go to the police? Share his findings with anyone? Nope. He will keep it all to himself, act weird, not tell anyone anything at all - not a word! Even when arrested on suspicion of murder. And the police?... Two of the girls Anker was involved with lived in the neighbouring villages, but there were no questions asked by anyone who knew them. No one ever wondered why this guy's spouses all committed suicide in the exactly same way, why they never lasted past the wedding night, or why he only ever marries disabled people. The actions of the village policeman are also completely illogical and borderline psychotic, I have no idea why Jacob is all friendly with the guy at the end instead of punching him in the face. Tragically, Jacobs weird resistance to say anything and Karl the policeman's idiocy and lack of professionalism resulted in Anker's latest victim, Hanna, ending up nearly dead, but its like, ok, no worries.

I appreciated the quality of production, and the actors; I enjoyed watching it despite the plot holes, but failed to connect to the story on any emotional level. I think the film attempts to be deep and thoughtful on the subject of disability and death, but does it in such a ham-fisted way that instead it ends up portraying a sadistic Harold Shipman type in a sympathetic light. It is definitely not a story about coming to terms with suicide (as some suggested) - the film is explicitly not about suicide or even about euthanasia, its about crazy weirdo murdering helpless women because he thinks they want to die. There is an attempt to show Jacob's guilt trip over the death of his siter, but its muddled, odd and hard to understand. For me, it was a very confused and strange story.
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10/10
Nobody but the Danes could have made this!
ennor20 January 2009
I watched this movie on late night TV because Nikolaj Lie Kaas headed the cast; he is always astounding, and gives such rounded, often so-believable-it's-painful, performances. Then on to the screen walked Nicolas Bro (as Anker, the serial wedder) and I knew this would be a film worth staying up late for. Bro can walk that fine line between comfortingly believable nice guy and crazy nut job, so that one is forever questioning judgements formed about his character's true motives. His physical size alone is at once both reassuring and threatening.

There are layers to this excellent, but dark story which are still emerging for me. Kaas' character is drawn into a search for how his beloved sister, disabled from an earlier suicide attempt, could have suicided on her wedding night to the (decidedly creepy) Anker. So many times I wanted to scream at Kaas 'Go home - you really don't want to be going there!!' as he relentlessly pursued the truth about his sister's death.

I was always aware that Nikolaj Lie Kaas' parents had each suicided, and so this film would have been a necessary, and perhaps cathartic experience for him. I hadn't known that the Danes were a death-denying country, but perhaps this is a feature of all Western countries, as we go about kidding ourselves that we're happy, and that we'll surely live forever! Death and death-denial are favourite subjects of mine, so this film spoke to me at a deeper level than it may for other viewers.

Don't let the subject matter put you off. This is a truly remarkable film, and is worth seeing, just for the performances alone.
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1/10
Did no one read the script?
tfonias7431 May 2021
Warning: Spoilers
One of the stupidest scripts I have seen in film.

The protagonist has a suspicion that turns out true and he does nothing with it. He finds evidence and shows them to noone. He is falsely accused of murder and sees no point in sharing his findings with the police. The killer admits to him what he already knows and he is shocked by the "revelation".... and calmly drinks the beverage the killer offers him.
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8/10
A kiss before dying.
ulicknormanowen27 April 2021
Warning: Spoilers
An absorbing psychological thriller, thoroughly renewing the "Bluebeard's wives " subject ,and introducing strong characters ; at first sight ,it seems that butter would not melt in plump Anker's mouth ; he appears as a meek guy ,whose purpose in life seems to find himself a family ;but further aquaintance shows a disturbing guy who,behind a kind face ,hides a darker side .In direct contrast with him , Thomas is the self-assured man ,a journalist and a writer with good prospects ,married to a level-headed woman ;but cracks appear in the mirror: his sister Julie suffers from cerebral injuries;and when he's asked whether he intends to have children ,his answer is vague ; cop Carl discovers disturbing things about a man with whom the viewer is supposed to side.

Thomas' investigation becomes more and more worrying ,as he discovers that his ex brother-in-law repeats the same role with the same kind of girl ; Anker realizes he has blundered when he chose him as his best man and his speech suffers accordingly .This "déjà vu" scene is terrifying and panic-stricken Thomas begins to see what would lie beneath .But these girls are not wealthy and their husband cannot be considered a fortune-hunter,like in other thrillers of the genre.

This is not an ordinary thriller :it's a meditation about death :it's only a detail,but Thomas 's dad who dared his daughter to jump out of the window was a false suicidal man who when cancer was eating away at him ,asked that someone held his hand (and perhaps prevented him from dying) .

Anker remains ambiguous till the very end; the whole movie could be a metaphor for the assisted suicide ; did his wives really lose their reason to live? Is the worst thing in life to die alone,without a dear one to hold your hand? And all in all wasn't Anker a man with suicidal tendencies who had found with Thomas the hand to hold?-which would justify the bizarre final scene between them.

Very classic in its form ,with sex,violence and blood kept to the minimum , "Morke" is not only the name of a town ; it has become the name of a great thriller ;no remake needed.
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4/10
Good start awful ending
Tropicc28 December 2021
Warning: Spoilers
What the f was the main character doing? His suspicions came through, does nothing with it. He reads the morphine recipe and doesn't connect it to Hanna even after the cops tell Hanna had morphine in her blood. And then he casually drinks some coffee with Anker, stupid. Very annoying movie.
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1/10
Huge plot holes
zee-la11 April 2021
Warning: Spoilers
The plot holes towards the end are gigantic and completely kill the whole thing.

It could be so much better if it was about euthanasia.
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1/10
Horrible plot holes, growing towards the end
culicmladen11 January 2022
Acting is great, photography and ambient is nice, but the story becomes just ridiculously and absurdly stupid somewhere around the middle of the film.

Not just that the main character behaves as a total idiot ( I won't say more, as I don't want this review to have a spoiler but you'll get it) but also all the other characters behave like brainless crowd.
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2/10
Utterly predictable
ferndalealex31 January 2023
So it's a case of "is he or isn't he a murderer". Totally predictable. There is some tension which is I guess is interesting but you know at the end that the protagonist, Jacob, is in for a rough time. When it gets to the point where he is being accused of Hanne's murder it's just stupid - Hanne was screaming so you must have killed her - accusation by the police. When Jacob could easily have stated that Hanne did not want to be saved - that was just irritating beyond belief and downright lazy on the writer's/director's part. Jacob, a journalist, supposedly intelligent goes alone to us to a suspected murders house not once, not twice, not three what about five times. What also has to wonder if the police officer is dodgy or not, but that was all a bit contrived as well. Would only passible acting , I would say that this is want to miss.
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